Cattle-Man Explains the Great Digital Shift!
By CassidyDylyn
[View on DeviantArt]
EXPECTATIONS
Today's Document

ellievsbear
Misplaced Lens Cap

gracie abrams
Sweet Seals For You, Always

Origami Around
icyghini twinkie

Jar Jar Binks Fan Club

izzy's playlists!
Xuebing Du

bliss lane
The Bowery Presents
I'd rather be in outer space 🛸
untitled
Noah Kahan
hello vonnie

pixel skylines

No title available
macklin celebrini has autism

seen from Vietnam

seen from Canada
seen from United States

seen from United States

seen from Türkiye
seen from United States

seen from United States
seen from United States
seen from United States
seen from Australia

seen from Malaysia

seen from Malaysia

seen from United States
seen from Switzerland

seen from United States
seen from Thailand
seen from Switzerland
seen from Switzerland
seen from United States

seen from Malaysia
@webmedia
Cattle-Man Explains the Great Digital Shift!
By CassidyDylyn
[View on DeviantArt]
Why Don't We Listen To Albums Anymore?
Internet Throwbacks! Episode 2 Into the Hex: WandaVision. by Sophia.
Authors On Spotify, by Sammy.
'The Future of Teaching & Learning' RWMC by Justin O’Brien.
Listen to this episode from Web Media on Spotify. By Alex Foot 19787185 This Podcast is an assignment for NETS2000 Web Media Unit at Curtin University. Use of the “Amen Break” from The Winstons 1969 single "Color Him Father" is cited for Fair Dealing under the copyright act. It comes under the “criticism or review” section of the act. However, I should mention that while a claim for fair dealing is technically needed to use the “Amen Break”, in practice its use has been so ubiquitous that unfair use of the music has never been brought to litigation. The “Amen Break” is unique in this way. References: "Australian Copyright Council". (2014). Copyright.Org.Au. https://www.copyright.org.au/browse/book/ACC-Research-or-Study-INFO053. Borschke, M. (2017). This is not a remix : Piracy, authenticity and popular music. Bloomsbury Academic & Professional. Emmerson, S., & Cutler, C. (2016). Music, electronic media, and culture. Routledge. Waysdorf, A. (2021). Remix in the age of ubiquitous remix. Convergence: The International Journal Of Research Into New Media Technologies, 27(4), 1129-1144. https://doi.org/10.1177/1354856521994454
The Burden of Choice on Netflix by Brooke B https://www.youtube.com/watch?v=U6sGG6vyKUk
‘Streaming’ RWMC by Khoo Yong Hao https://www.youtube.com/watch?v=3TGBr4tx58I
“Photography = ? “ by Kristen Disegna
I created my first VR mod! Using a simple fetch quest, this mod explores how computer games are produced, distributed and consumed in today's networked digit...
How deep is your mod: A VR mod about making mods by Krys.W Plays VR
https://www.youtube.com/watch?v=sMoibQbG6z8
This Reflective Web Media Creation about the origins and developments of television was created under Australian Copyright Law of Fair Dealing’s (2020) criti...
"Back in My Day - The Story of Television" by Lara-Leigh Moran
https://www.youtube.com/watch?v=lC-FEFHUNRg
This is a three minute video giving a breakdown on what discoverability is when we are talking about music.This has been made for the Web Media unit at Curti...
Discoverability and Music by Thomas Dimmick
https://www.youtube.com/watch?v=MSWafKbEXqQ
TIKTOK X MUSIC INDUSTRY / Ella Connor
https://www.tiktok.com/@missellaconnor/video/6969067229719858433
Remix, Fan Content and Copyright Confusion! By Laila Elchalakani https://imgur.com/gallery/tEnYc90
The Evolution of Music Consumption [Instagram RWMC] by Samantha Villanueva https://www.instagram.com/musicevo.rwmc/
by Rebekah.
I Selfie, Therefore I Am
Instagram: https://www.instagram.com/iselfiethereforeiam/