Cattle-Man Explains the Great Digital Shift!
By CassidyDylyn
[View on DeviantArt]
art blog(derogatory)
Fai_Ryy
Xuebing Du

oozey mess
ojovivo

❣ Chile in a Photography ❣

gracie abrams
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Sade Olutola
The Stonewall Inn
we're not kids anymore.
untitled
No title available

@theartofmadeline

izzy's playlists!
cherry valley forever

Origami Around

pixel skylines
let's talk about Bridgerton tea, my ask is open
Stranger Things

seen from Malaysia
seen from Colombia

seen from Malaysia

seen from United States
seen from United Kingdom
seen from Bangladesh
seen from United Kingdom

seen from Indonesia

seen from Peru
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seen from United States

seen from Saudi Arabia
seen from Palestinian Territories

seen from Mexico

seen from Vietnam
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seen from Mexico

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@webmedia
Cattle-Man Explains the Great Digital Shift!
By CassidyDylyn
[View on DeviantArt]
Why Don't We Listen To Albums Anymore?
Internet Throwbacks! Episode 2 Into the Hex: WandaVision. by Sophia.
Authors On Spotify, by Sammy.
'The Future of Teaching & Learning' RWMC by Justin O’Brien.
Listen to this episode from Web Media on Spotify. By Alex Foot 19787185 This Podcast is an assignment for NETS2000 Web Media Unit at Curtin University. Use of the “Amen Break” from The Winstons 1969 single "Color Him Father" is cited for Fair Dealing under the copyright act. It comes under the “criticism or review” section of the act. However, I should mention that while a claim for fair dealing is technically needed to use the “Amen Break”, in practice its use has been so ubiquitous that unfair use of the music has never been brought to litigation. The “Amen Break” is unique in this way. References: "Australian Copyright Council". (2014). Copyright.Org.Au. https://www.copyright.org.au/browse/book/ACC-Research-or-Study-INFO053. Borschke, M. (2017). This is not a remix : Piracy, authenticity and popular music. Bloomsbury Academic & Professional. Emmerson, S., & Cutler, C. (2016). Music, electronic media, and culture. Routledge. Waysdorf, A. (2021). Remix in the age of ubiquitous remix. Convergence: The International Journal Of Research Into New Media Technologies, 27(4), 1129-1144. https://doi.org/10.1177/1354856521994454
The Burden of Choice on Netflix by Brooke B https://www.youtube.com/watch?v=U6sGG6vyKUk
‘Streaming’ RWMC by Khoo Yong Hao https://www.youtube.com/watch?v=3TGBr4tx58I
“Photography = ? “ by Kristen Disegna
I created my first VR mod! Using a simple fetch quest, this mod explores how computer games are produced, distributed and consumed in today's networked digit...
How deep is your mod: A VR mod about making mods by Krys.W Plays VR
https://www.youtube.com/watch?v=sMoibQbG6z8
This Reflective Web Media Creation about the origins and developments of television was created under Australian Copyright Law of Fair Dealing’s (2020) criti...
"Back in My Day - The Story of Television" by Lara-Leigh Moran
https://www.youtube.com/watch?v=lC-FEFHUNRg
This is a three minute video giving a breakdown on what discoverability is when we are talking about music.This has been made for the Web Media unit at Curti...
Discoverability and Music by Thomas Dimmick
https://www.youtube.com/watch?v=MSWafKbEXqQ
TIKTOK X MUSIC INDUSTRY / Ella Connor
https://www.tiktok.com/@missellaconnor/video/6969067229719858433
Remix, Fan Content and Copyright Confusion! By Laila Elchalakani https://imgur.com/gallery/tEnYc90
The Evolution of Music Consumption [Instagram RWMC] by Samantha Villanueva https://www.instagram.com/musicevo.rwmc/
by Rebekah.
I Selfie, Therefore I Am
Instagram: https://www.instagram.com/iselfiethereforeiam/