noise dept.
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❣ Chile in a Photography ❣
2025 on Tumblr: Trends That Defined the Year
Today's Document

tannertan36
sheepfilms
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"I'm Dorothy Gale from Kansas"
Sweet Seals For You, Always
EXPECTATIONS

Love Begins

bliss lane
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Product Placement
RMH
Not today Justin
Lint Roller? I Barely Know Her
Fieri Frames
art blog(derogatory)

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@whatlieswithintheorchard
God will see you at the lowest point of your life, and say "what the fuck I thought I killed that thing." But you skitter too fast and you are too creepy.
people like the idea that there is an identity they can claim that will absolve them of the responsibility to examine their beliefs and actions and adjust them accordingly to better align with their values and desired outcomes but there isn't, we all have to practice humility and do the work regardless
A Sh’ma
Know for yourselves, Israel, that
we are one, because G’d is One.
One breath within many breaths,
one flame divided into countless flames,
yet never diminished.
All being and becoming-
You whom we call G’d,
in whom we see ourselves
ever being and becoming.
You are the seed and the flowering of the seed,
the silence before the name
and the name returning to silence.
In You we find each other;
through each other we find You.
As we are gathered into One,
so the One is revealed in us.
You made it known to us
to love and nurture one another,
to bind trauma to trauma
and joy to joy,
to lift the fallen
and be lifted in return.
We shall teach it to our children:
that no soul stands alone,
that no heart is separate,
that kindness is the memory of G’d
living within human hands.
We shall teach them
to speak gently to the stranger,
to protect the weak,
to honor the earth and one another,
and to remember-
as they are remembered.
And so we remind ourselves,
again and again,
as morning reminds the earth of light
and evening reminds the stars of fire:
Know for yourselves, Israel:
that we are one, because G’d is One.
All being and becoming-
we return to You
and in returning
become ourselves again.
if only there was a term for this
Handwoven Yemenite Jewish prayer shawl, Southern Yemen, Early 20th century. 275 x 102 cm. Gift of Yihya Ovadya Gibli, Jaffa.
noah wyle really sat in that writer’s room and said: what if I gave the audience some delectable Robby backstory and centered his Judaism in an understated and nuanced way? and threw in some Al-Hashimi and Robby being good and caring doctors on the same team while we’re at it? and what if I threw in a heart-wrenching through-line of medical cases that center on love and fatherhood and community care? and what if I looked especially hot while I was at it? despicable. he should be arrested.
So many pieces of Jewish media portray an Ashkenazi American perspective (not that a. there's anything wrong with portraying Ashkenazim or b. the media is always a good portrayal), I wanted to share some non-Asheknazi/American based children's books.
Miryam's Dance, which portrays a young girl in Uganda preparing for Shabbat.
Day of Delight: A Jewish Sabbath in Ethiopia, which portrays a village in Ethiopia preparing for Shabbat.
Anyada Buena, Shanah Tovah, which follows a young Sephardi girl and her family on the Jewish New Year.
Slow Down Shoshi!, which follows a young girl in Uganda preparing for Shabbat.
The Mexican Dreidel, which shows a young boy who explains Chanukah to his friends while visiting his Bobe.
Hanukkah Moon, which shows a Chanukah in which a young girl's aunt from Mexico comes to visit.
Hanukkah in Little Havana, which portrays a young Cuban Jewish girl on Chanukah who is visiting her family.
A Persian Passover, which shows two young siblings preparing for Pesach.
Raquela's Seder, which takes place in Inquisition-era Spain.
One More Day of Passover, which follows a young boy who visits his cousin in Morocco.
A Sweet Meeting on Mimouna Night, which takes place during Mimouna, a Maghrebi celebration that takes place after Pesach.
Workitu's Passover, which follows a young girl in Ethiopia and traditional Ethiopian Pesach customs.
Mixed Up Mooncakes, which portrays a Chinese-Jewish family celebrating the harvest festivals.
The Very Best Sukkah: A Story from Uganda, which shows Sukkot in Uganda.
A Persian Princess, which shows a young Persian girl's Purim.
A Turkish Rosh Hashana, which portrays a Sephardic family preparing for Rosh Hashana.
Two New Years, which follows a Chinese-Jewish family celebrating the New Year.
Matzo Ball Wonton Thanksgiving, which shows a Chinese-Jewish American girl celebrating Thanksgiving her own way.
The Inside Name, which follows a Converso boy in 1500s Portugal.
The Promise, which shows the friendship between two Moroccan boys: one Jewish and one Muslim.
Everybody's Book: The Story of the Sarajevo Hagaddah, which shows the experiences of a Sephardic hagaddah as it travels the world.
The Mountain Jews and the Mirror, which portrays Moroccan Jews from the mountains who move to a new town.
The Chocolate King, which follows a Sephardic refugee family and their love of chocolate.
The Key from Spain: Flory Jagoda and Her Music, which portrays Ladino and Sephardic music.
Shoham's Bangle, which follows a young refugee girl from Iraq.
This is Not a Cholent, which has a young Iraqi girl challenging what makes cholent cholent.
Yosef's Dream, which shows a young boy dreaming of Israel.
Yaffa and Fatima: Shalom, Salaam, which shows the story of two friends - one Jewish and one Muslim - and how they care for each other.
Barefoot in the Sand, which tells the story of two immigrants, one of which is Yemenite.
Dona Gracia Saved Worlds, which is about the amazing woman Dona Gracia Mendes and how she saved Jews in the Inquisition.
Zhen Yu and the Snake, which is a Chinese-Jewish retelling of a Talmudic story.
The Elephant and the Purim Crown, which portrays the Jewish community of Rangoon.
The Secret Recipe, which shows a family cooking and a boy learning about Ladino.
The Blue Butterfly of Cochin, which shows a young Jewish Indian girl from Cochin who makes aliyah.
On A Chariot of Fire: The Story of India's Bene Israel, which shows the origin story of the Bene Israel community in India.
work together to make a menorah! (turn your phone sideways)
candle🕯
candle🕯
candle🕯
candle🕯
SHAMASH🕯
candle🕯
candle🕯
candle🕯
candle🕯
verdict: UNKOSHER
wait wait we've still got four days before the poll ends. we can fix it
do you love the color of the shamash
...then this can only escalate. Y'know, I get the reason why many would draw a comparison between ice camps and concentration camps. But like a lot of other comparisons to nazism, it sort of frames it as though its bad because its nazis. And not that the actions themselves are evil. So now reactionaries like to downplay the evil by finding any difference between nazis and modern groups. If its not identical to a concentration camp, then its not actually that evil.
But the fact of the matter is that it's a cage. One made for the racialized. To punish us. Kill us. Rape us. Apparently, even experiment on us. I don't see the need to compare it to anything. Its evil is apparent. And yet somehow, you are blind. No, you keep your eyes closed.
Unnamed Poem #47
What weary art is she, that thus endures,
And with each spark redeems her borrowed flesh.
The needle’s kiss, though cruel, it yet assures
A gentler dawn, where self and skin are fresh.
How oft she lies, in patient, trembling grace,
While time, like molten wax, melts slow away.
Each pain a prayer, each wound a wordless place
Where hope and sorrow in one breath do pray.
O cunning hand, o strange physician’s art,
That burns to heal, that wounds to make her free
What paradox of flesh and longing heart,
To die by inches, yet new born to be.
Such is her pilgrimage through flame and tear,
to seek herself, and find her soul made clear.
In Jewish folklore, a Dybbuk is the soul of a dead person that cannot move on.
The name itself comes from the Hebrew word for "to cling," as it latches onto the soul of a living person. A soul might become a Dybbuk for many reasons: grievous sins committed in life, a crucial task left undone, or even improper burial rites that left it unmoored. Trapped between worlds, it invades a host, who then might speak in languages they've never known or reveal secrets of the past. But is this a malicious takeover, or a desperate cry from a soul lost in its own pain? This duality is exactly what I wanted to explore.
My first illustration, the woman and the cracked mirror, captures this conflict. The cracked glass is her fractured self, but the reflection is the core of the horror. It’s the face of a stranger, the ultimate theft of identity. Yet, that stranger is revealing the Dybbuk’s own grief and turning a moment of terror into one of forced, tragic empathy.
This is the duality that fascinates me. The Dybbuk story is simultaneously a chilling tale of a spiritual invader and a heartbreaking story of a lost soul. The terror, perhaps, is that both are true at once. It’s a nightmare where two beings become victims, trapped together in a horrifying union.
What do you think? Is the Dybbuk a predator or a prisoner? A monster or a tragedy?
Copyright © 2025 Ketubah Ring. No reproduction, printing, resale, or use without permission.
If you as a leftist can understand that
the Trump administration is using the concept of violence against women to oppress transgender people and strip back civil rights
AND violence against women is a real societal issue that needs to be taken seriously, especially when women's safety and autonomy is directly attacked by the same right wing politicians claiming to care about it to further their agenda
Then you can also understand that
the Trump administration is using the concept of antisemitism to perpetuate oppress activists and strip back freedom of speech
AND antisemitism is a real societal issue that needs to be taken seriously, especially when Jewish safety is directly attacked by the same right wing politicians claiming to care about it to further their agenda
Right? ...Right??
This is the best thing I've seen all week and I had to share. (source) Explanation in the alt text:
Famously, the Egyptian tyrant causes Egypt to be overrun with frogs because he refuses to free the Hebrew people, but there are additional details that make this a fun one to ponder. For one, the Hebrew says "the frog came up" - ONE frog - even though the rest of the time it says "frogs." So there are a few explanations rabbis have come up with to explain this. One is that a single frog multiplied to create swarms. A more creative explanation is that there was a singular giant frog who traveled and brought destruction. Jewish social media was sharing videos of the Portland Frog protester with the caption, "One Big Frog! One Big Frog!" Of course the frog protesters did multiply, and many were seen in crowds all over the world on "No Kings" Day. This calligraphic work takes the verses addressing the frog plague and combines them to form a simple rendering of the Portland Frog protester. The frog figure itself is made up of the English translations of the Hebrew around it. At the bottom left my signature is in the shape of a lily pad.
something else i've been thinking about a lot in the past couple days in regards to the amount of rampant transmisogyny within the intersex community on tumblr is how the most recent wave seemed to start with just a few users and their mutuals who were openly posting this kind of stuff and inciting harassment campaigns against trans women, but how so much of that rhetoric has spread pretty wide into many different parts of intersex tumblr, and also is often the first introduction to intersex topics for people questioning intersex on here.
and to me, that makes it very clear that a lot of this stuff has been happening in smaller and bigger ways for many years before this, and that many of the intersex users on here who might have claimed to be transfeminists at one point have not bothered to evaluate the ways in which we might be complicit in perpetuating this kind of shit within the online intersex community.
i'm thinking about the amount of interactions i've had with intersex people on this site who will privately say to me "well, i agree with what you're saying about xyz tumblr user, but I like their other intersex posts" or "well I can't say anything about transmisogyny on this blog because I'm mutuals with one of their mutuals and i don't want them to get mad at me" or "the intersex community is so small, i can't afford to alienate people by speaking out against what this person is doing" or people just reblogging posts claiming that terms are historically intersex exclusive without bothering to do a basic search of whether or not that's true. or several other examples I could give of ways that people are spreading this rhetoric or participating in harassment campaigns under the guise of plausible deniability. i'm also thinking a lot about all the intersex transfem friends i had on here who have now deleted their blogs and who have been basically de facto exiled from other intersex groups that they used to be a part of, and how we now just connect in other ways online because they were facing so much harassment on here.
sometimes it feels like the main discussions on here that involve intersex topics seem to have shifted so far away from real life discussions of intersex experience and instead seem to mostly just be about intersex identity as a rhetorical concept. and in particular, people trying to find ways the concept of intersex identity can be weaponized to attack transfeminist theory.
I'm also reflecting on how so much of this shit isn't new. I remember back 3 and a half years ago when mod Stev and I made an announcement in the (now mostly inactive) intersex discord server associated with this blog saying "Please don't use the word/concept of transandrophobia or transmisandry in this server; here's four sources and a long explanation of why this is the guideline if you want to keep engaging in this space" and how big an upset that was at the time and the amount of hate we got for that from some people. I'm thinking about how there was a known transphobic intersex tumblr blogger who got so mad about me calling her out on her transphobia that she deleted her blog back in...i want to say it was 2021? and despite that, she came back this year for a while and got popular again incredibly fast, in part because of the ways she was openly spreading terf rhetoric.
the intersex tag on here seems to me like the worst it's ever been in terms of harassment and intra-community violence in the six years this blog has been on tumblr in a way that is also concerningly bleeding into some of the irl intersex activist spaces I'm in. and i think that if the tumblr intersex community doesn't start actively speaking up about the shit that is going on right now and actually confronting the people in our community who are posting hateful rhetoric and harassing trans women that it is just going to get worse. especially when it comes to transmasc people in the tumblr intersex community who have been silent or actively posting this kind of thing, (and to be clear, i'm saying that from my positionality as a tme intersex person--this is a critique that i'm including myself in here.)
i don't really know how to end this post except for to say that i do believe it is possible to have a movement for intersex liberation, built on the principles of intersex justice that works to build resources and community and safety. but i don't think that can happen without actively (to quote the 10 Principles of Disability justice) building a commitment to cross-movement organizing and leadership of the most impacted. and that i don't think there's any way we will have a movement for intersex liberation without transfeminism.
Blue Mosque - Istanbul, Turkey.