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Celebratiooooon
LUNA SEA 1stアルバム 『LUNA SEA』 発売 (1991年4月21日) scanned by 柏杏初肆
Hide eating Lego bricks was being talked in the hide discord server 😃
Today Taiji would have turned 60...
You're still in our hearts, rebel!
Happy Birthday, Taiji!
On this occasion — a short translation from Nakajima's memories in April 1992 issue Arena 37, the column named "Friend about Friend"
Kazuyuki Nakajima (stylist, artist) was born August 11, 1966, in Tokyo. Worked at a hair salon in the Meguro area. He was a fan of X, with a particular love for Taiji, and also worked as a stylist and hairdresser for X.
This friend is the very person Taiji mentions in his autobiography. Nakajima's parents helped care for Taiji while he was hospitalized. It was the Nakajima couple who helped arrange the transfer of royalties for the songs. In his autobiography, Taiji also wrote that he considered the Nakajimas his adoptive parents, and that he greatly resembled Nakajima's father—so much so that they were often mistaken for blood-related father and son.
_______
"So, on December 31, it was officially announced on the TV program Music Station that Taiji was leaving X. I think many people noticed that Taiji did not appear in the prestigious special program that preceded this announcement. Taiji had already known he'd leave the band during the concert at Tokyo Dome. At the banquet after the Dome show, he was very cheerful, as if he were already racing toward a new life. And indeed, Taiji left X and joined another band. He really did dash forward. Currently, Taiji is in the band "Loudness." This time, I want to talk about Taiji, whom I love very much.
---
I was 20 when I first met Taiji. This was before I started doing hair and makeup for X. At the time, I was working at a hair salon in Chiba. I was often seen at the local public bath (sento). And there, I kept noticing one rock guy who stood out even in the bathhouse. That guy turned out to be Taiji. He had his own bath at home, but he still went to the sento. Apparently, he really loved public baths.
And without saying a word, we always recognized each other's presence. At the bathhouse. At the tobacco shop next door. And sometimes at a popular local café... We ran into each other often. At the time, I never imagined that two years later, I'd be working with X on their hair and makeup. Thinking that we were already spending time in the same neighborhood back then, I feel a strange sense of fate.
And so, two years later, when I was 22 (and Taiji was also 22), I participated in my first job with X—it was the promotional video shoot for the song "ENDLESS RAIN." When I was introduced to the band members, I never thought that the rock guy from the bathhouse was Taiji. Apparently, Taiji didn't recognize me either.
It was only later that we realized we had been hanging out in the same place at the same time. After talking about our hometowns, we quickly became close and became friends who shared our innermost thoughts. From then on, we started spending a lot of time together.
Soon, I visited Taiji's home for the first time. The moment I entered his room, something caught my eye. It was several holes punched through the wall. They silently spoke of Taiji's inner struggles. We spent quiet hours in that room, listening to music and playing guitar. I remember that the only heater—an electric one—was bent and twisted out of shape, but still kept us warm. And even though we both preferred to hang out somewhere outside, we somehow ended up together within those four walls." - (c) Nakajima Kazuyuki, Arena37, April 1992
______
Note: After seeing this article, Taiji was very moved and, on his own initiative, sent Nakajima a fax to get in touch. As a result, in the June 1992 issue of Arena37 magazine, their conversation and their joint photo were published.
Photo above is from that June issue of Arena37.
i was training a young person at work, and she referred to sexual assault as "SA" out loud, and i immediately was like, "no, it's sexual assault, call it what it is," bc idgaf if the algorithm overlords have taught y'all that you should fear direct language, how tf do any of you expect to ever address real issues with any amount of seriousness if you can't even say the words? imagine an advocate looking a sexual assault survivor in the eyes and asking "did he grape you?" it's absolutely fucking absurd, but these young interns and new hires are coming into an environment where we deal with survivors of all different kinds of abuse, and they're coming with the mindset that the words are as bad as the actions, and that makes them shitty at the job and look juvenile af
i HATE self-censorship for a lot of reasons, but being in crisis work makes it even more frustrating. who are you censoring for? like i am being so fr, WHO are you censoring for? have you even thought it through? people who have been raped know that they have been raped. if someone attempts suicide or is grieving someone who did, saying "sewer slide" isn't going to protect them from any of the feelings. a murder victim's family isn't going to feel better bc you said "unalived" instead of murdered. if anything, it's just extremely invalidating and othering. it's saying "what happened to you is so bad that i won't even say the word," which is NOT trauma-informed care. you are not protecting survivors/victims when you self-censor. the ONLY things you protect when you self-censor are the puritanical ideologies that are being encouraged by rich fascists who want your money and obedience
say the fucking words, guys. just say the goddamn words before i go insane!!!
cursed or cute? XD (Shiroi heya Hide)
LUNE SEA in FOOL'S MATE vol. 213 (July 1999)
Hide et Tusk ❤️
CD 「LUNA SEA」 1991 | LUNA SEA
I made a ZI:KILL + hide fanzine for fun ^_^! (it's extremely cringe and short)
available in french and english for free on kofi in pdf format!
hide with a ponytail! 😍
Does anyone know which video these screenshots are from?
I'm curious as hell!
"One day I was chatting with the stylists and we were talking about that clothing brand. Then Pata came over and asked what we were talking about. After we said it was Armani Pata suddenly stood up and said:
- Armani... Does that taste good...?
Well, Armani is actually quite delicious!" - (c) hide's MC during Psyence Go Go Tour
Hide finding out about the album release on TV and imitating Yoshiki — that's priceless 🤭
"HIDE: We only see each other on TV or in the studio. But our relationship isn't bad — it's actually good. So I'm sitting at home, eating, watching TV. And there's Yoshiki on the screen. They ask him about his plans for the year. And he says:
*mimicking Yoshiki's way of speaking*
'We're releasing an album in April.'
And I'm like: 'Ehh...?!'
Interviewer: But April is right around the corner!"
_____
(c) hide on M-Stage, 1996
HIDE: The first time I bought a Mockingbird was because Mitsuhiro-san (Mitsuhiro Saito, the guitarist who played in Bow Wow) was using one. And just around that time, his signature model came out, so I bought it right away.
Kyōji Yamamoto: I see. Mitsuhiro got his because Joe Perry was using one. That Mockingbird I have now, I swapped it for a Telecaster. But that shape—doesn't it hurt when you play it?
HIDE: You mean the part that digs into your stomach, right? At first, I thought I had some weird disease. When I got into the bath and looked at it, the area was all red!*laughs*
(c) interview with Kyōji Yamamoto, guitarist and lider of Bow Wow (aka Vov Wow for some period of time), circa 1989
It's been exactly 35 years today since the album Jealousy was released, so tonight quote is about the album recording^^
"November 1990.
The members of X traveled to Los Angeles to record their second major album, Jealousy. After announcing a hiatus in June, they had a songwriting camp near Mount Fuji, but Pata fell ill afterward, delaying their departure. After arriving in Los Angeles, hide fell ill, and when he went to the hospital, he happened to witness a serious situation—Yoshiki, who had collapsed while playing drums, was brought in the same hospital as well.
During the recording, Toshi also complained of throat issues, and the album was completed despite the members' recurring health problems.
This album included three songs written and composed by hide: "Miscast," "Love Replica," and "Joker".
Although hide's health improved, Yoshiki's condition did not recover quickly. So hide thought, "Let's start with what we can do alone," and began recording "Love Replica." Having come to Los Angeles for the recording but feeling demoralized by the series of setbacks, he wanted to boost the members' spirits and hoped that completing even one song would ease Yoshiki's burden.
The first thing he wanted to focus on was the sound of the percussion, which played a 3/4 rhythm. Desiring a metallic-sounding hammer beat, hide took a hammer and started hitting everything in and around the studio. He then found a sound he liked—and it was a large dustbin, common in America. After pounding on it and getting an excellent sound, he immediately rushed to get the studio engineer.
So the engineer's very first task for the Jealousy recording was bringing that large dustbin into the studio!" - (c) Akemi Oshima, hide's Perfect Treasures Book
(You can hear the dustbin sound starting 0.48 👇)
「Hi~」