@wingedrelic3 - Tumblr Blog

Every time OP dances, her parrot flies along with her. OP says she never trained it on purpose and her parrot just loves doing this naturally. Sometimes it’ll just hop right onto her face. (cr 月下郭城)

fuckyeahchinesefashion

How to make Warrior Outfit of Withered Leaves (cr粘花贴草)

thepinkernet

2000s polka dot cell phone covers 🎀

sirfrogsworth

The Egg Project

I'm a member of an advanced photography training community. My mentor creates challenges to help demonstrate certain concepts.

This one required shooting a pop-art-style egg photo to show how specular highlights change with hard and soft light.

This was the example image I was to emulate.

A specular highlight is just a direct reflection of the light source.

With hard light, specular highlights are perceived as brighter. To get hard light, the light source must be smaller (or more distant). So the reflection is smaller, but also more concentrated in intensity.

With soft light, the light source is much larger (or closer). So the intensity of the reflection is spread out over a larger area. So it is perceived as dimmer.

Think about looking directly at a flashlight versus shining it against the wall. The same number of photons are involved, but your experience of them is vastly different.

If you are shooting someone with glasses and the light is reflecting brightly, you can move your light much closer to reduce its apparent intensity.

I worked for 10 minutes at a time over a period of 4 days. I got some fake eggs so I wouldn't have to spend energy cooking. Frustratingly, they arrived with a matte finish. They would not take on a specular highlight at all. So I ordered some automotive clear coat and sprayed the fake eggs on my deck.

You may have noticed my context-less egg art on my deck railing in another post. It was drying in the sun.

The clear coat worked well, so I proceeded to glue the egg to some colored construction paper and tape it to the wall in my kitchen.

I don't have a top-down rig to shoot things from above, so I felt this was a creative and low-energy solution.

A bonus aspect of the challenge was to create a Photoshop composite in which I retain the shadows from the hard light example and the gradient specular highlight on the egg yolk. I can't decide if I like that or the soft light version better.

It feels nice to have accomplished something creative. I am struggling so much with boredom as I recover. And doing anything productive is physically challenging. But I've got my birds and now my egg.

I'm making art again and that is really helping.

atomic-chronoscaph

Kim Cattrall (1988)

m0ney

Chinese street fashion in 2007 ･ﾟﾟ･｡☆

pinkumiilku

Ritsuko Kawai (河井リツ子), author of Hamtaro with her pet hamsters sometime in the 90s.

xanaxfarts

Fruit-Shaped Bus Stops, built. 1990 location: Konagai, Nagasaki, Japan

girlmadegrave

Works by Yoshitomo Nara ⋆｡° ★

heiseikawaii

Ayumi Hamasaki in a 2001 TU-KA mobile phone advertisement.

sweetbunnytears

iatemyperfume

fuckyeahchinesefashion

OP: We never found another phone this interesting after that. Let me show you the last glow of the millennium. (cr ETO数码)

When Chinese netizens talk about the millennium era, there’s always a lot of wistful reflection. In China, the so-called millennial generation (千禧一代qian xi yi dai)mostly refers to people born between 1985 and 1995. Their life experience differs greatly from Western Millennials, because China underwent lightning-fast leaps in society and technology while they were growing up. The shift hit them far harder on a personal level.

Specifically, their sense of time sets them apart from generations before and after. They spent their childhood fully immersed in the analog age—the kind of offline, street-side daily life you see in shows like Neighbour Ma Dajie. Back then, most families didn’t own computers or broadband. The urban-rural divide was massive. You waited for cartoons to air on fixed TV schedules, or bought DVDs if you didn’t want to wait. Music came from cassette tapes, CDs and MP3 players. Newspaper and magazines were the main sources of information. Waiting for things was simply normal.

Yet through their teens and young adulthood, they watched the digital explosion unfold right in front of them: the arrival of QQ, the rise of internet cafes, early blogs, campus forums and countless Flash mini-games. This shift didn’t creep up slowly; it was an abrupt jump. Their lifetimes span the full migration path of modern information civilization: physical books - television - desktop computers - the internet - smartphones - AI or LLM.

Within just over a decade, the world raced forward to mobile payments, global social platforms and e-commerce. Their formative years straddled two entirely separate worlds, two opposing rhythms of life, ways of socializing and accessing information. Both realities are etched into their memories, leaving them with two distinct ways of perceiving time.

Media describes them as the last generation of Chinese people to have a pre-internet childhood, and the first generation to fully embrace the online world as adults. They are like a living bridge between eras.