By Laura Lamb Brown-Lavolie from Alight: Best-Loved Poems from the 2013 Women of the World Poetry Slam. Whatâs wrong? Titanic asked me this
âWhatâs wrong? Titanic asked me this morning, when she found me lying on the ocean floor with all my suitcases strewn open.
Oh, I dunno, I moaned. I was looking through National Geographic and saw some pictures of you, and thought I might come have a chat. You looked great, by the way, in the pictures.
Me? No. Titanic smiled. If anything I seem to have become a Picasso. And I have a beard.
It was true; she looked more like a collage of a ship. Strangely two-dimensional, in a crater of her own making: French doors, boilers, railings every which way. And she did have a bit of a beard-rust icicles hanging in red strands from her iron engines.
Sitting up in my own little crater, I sort-of blushed.
To be honest, I told Titanic, My honeyâs leaving town soon and Iâm afraid itâs gonna wreck me, so I dove down here.
Well come on in, Titanic said, but Iâm not sure Iâve got what youâre looking for.
So in I climbed, through a window between two rust stalactites, and began to pace her great promenade. (Which should have been awesome, by the way â walking by the ghosts of all those waving handkerchiefs â except that I was in that feeling-sorry-for-yourself state where every hallway is the hallway of your own wretched mind, every ghost your own ghost, so I didnât take a good look around.)
When I got to the Turkish baths, I sat on the edge of a barnacled tub and watched weird crabs scrabble at my feet.
I was hoping youâd teach me how to sink, I said. You who have spent a century underwater with 1500 skeletons in your chest.
I donât know, said Titanic, Iâm kind of a wreck.
Exactly! I said, Me too! Iâm here to apprentice myself to wreckage. Iâm here to apprentice myself to you! Great bearded lady, gargantuan ark, you floating hotel. With enough ballrooms in you to dance with everyone Iâve ever loved.
My heart has an iceberg with its name on it, I told Titanic, so I need your advice. Tell me, did you see the iceberg coming?
I did, Titanic said.
And you sailed right into it?
It was love, Titanic said.
And the band just kept playing? And the captain stayed at the wheel? What did it feel like to swallow seawater? Tell me, Titanic, how did it feel?
It felt like a hole in my side and then it felt like plummeting face first into the ice-cold ocean.
Sheâs a straight talker, the Titanic.
Alright, I said. Now letâs talk about rust. When my love leaves, Iâm planning to weep stalactites from my chin. I will wear my sadness in long strands. Like you, I will be bearded by it.
Then I made a terrible noise. Eeeeeeeeeeeerkkkkkkkkkk! Iâve been practicing the sound of wrenching metal, I told her, from when my love leaves.
But you arenât made of metal. Titanic said to me.
Iâm a writer, I said, I can be made of anything.
Well then, be a writer. She said.
Be a writer? I paused, anemones between my toes. Okay. When my love leaves. I will start with SOS. I will Morse code odes as the whole world goes vertical. I will write nosedives as my torso splits in two.
And the next day I will write the stunned headlines, and the next day I will write the obituaries, and the next day I will write furious accusations, and the next day I will write lawsuits, and the next day I will write confessions of wrongdoing, and the next day I will write pardons, but I wonât really mean it, and the next day I will write sonnets, but they wonât fit the schema, and the next day I will write pleas, please, please come back. The next day I will write epitaphs, navigation maps, warnings for future generations about the hubris of human love. I will write quotas and queries and quizzes, I will write nonsense, I will write nonsense, I will write nonsense all the way down and no diving teams will find me, no robot arms will retrieve me in pieces, never will I be reassembled in plain air. No, I will remain whole, two miles down, with my suitcases strewn open, and in 100 years I will still be writing about this feeling, though my heart be a Picasso, though my heart be bearded at the bottom of the sea.
The Titanic let me cry for a while, my sobs echoing off her moldy mosaics.
Then she said: Girl, youâre too young for a beard like this. Youâre never gonna get some if you rust over now.
I sniffled a little and scratched my name into the green slime of the tub.
The trouble with you humans is that you are so concerned with staying afloat. Go ahead, be gouged open by love. Gulp that saltwater, sink beneath the waves. Youâre not a boat, you can go under and come up again, with those big old lungs of yours, those hard kicking legs.
And your heart, she said, that gargantuan ark, that floating hotel. Call it Unsinkable, though it is sinkable. Embark, embark.
There are enough ballrooms in you to dance with everyone youâll ever love.
Thatâs what the Titanic told me this morning, me, lying next to her on the ocean floor.
the first time i saw a beekeeper i thought [god, what a way to be a thing / what a way to exist with hands full of honey & fear] but the second time i saw a beekeeper i thought [i could love like that too, i could let something sting itself to death just to prove i was worthy of sweetness] and maybe the point is the aftertaste of venom. you take it in sugar cubes, mix it into your tea, let the poison be palatable. // itâs just biology, baby, just the way things are (you say) but i watch the wax build in the corners of your mouth and i think no, no, this is something else, something with wings & ruinous intention. i try to spit the honey out but my teeth are already sinking.
theyâll only die if they love you too muchâas if love wasnât just another kind of death, iâve spent years dripping with it, sticky with the weight of hands that only ever knew how to take. and my god, havenât i been good? havenât i let them sink their little barbs into my skin, again and again and again, willing to be stung if it means i get to be kept? take it, take all of it. i am the softest vessel.someone once said bees remember faces, that they can hold a grudge for generations. i imagine them circling back, drawn to the same open mouth, the same hands outstretched, the same invitation to ruin. come back to me, my loves, my wicked little creatures // let the swarm take me. let them think i am worthy of keeping.
âTo be loved is to be worth the inconvenienceâ speaks to the profound truth that love is not merely an ephemeral feeling but a sustained commitment, one that endures the demands, disruptions, and difficulties that anotherâs existence inevitably brings. Love, at its most authentic, does not measure inconvenience as a cost but rather as proof of devotion, as Rainer Maria Rilke writes, "For one human being to love another: that is perhaps the most difficult of all our tasks, the ultimate, the last test and proof, the work for which all other work is but preparation."
True love does not flinch at the weight of responsibility. It absorbs the messiness of anotherâs needs, as Alain de Botton notes in The Course of Love: "Love is not just an admiration for strength, it is also a tolerance for weakness and recognition of ambivalence." To love is to say, âYou are worth the sacrifice of my comfort, my ease, my predictability.â It is a sentiment echoed by Viktor Frankl, who wrote that "love is the only way to grasp another human being in the innermost core of his personality." To truly see anotherâto know them in their entirety, with their imperfections and idiosyncrasiesâis to love them despite, or even because of, the inconveniences they bring.
Perhaps the highest testament to loveâs endurance comes from Shakespeareâs Sonnet 116:
"Love is not love
Which alters when it alteration finds,
Or bends with the remover to remove."
Real love does not tally inconveniences; rather, it transforms them into acts of devotion. It is the patience in illness, the waiting in uncertainty, the willingness to embrace anotherâs chaos as part of oneâs own. As the philosopher Iris Murdoch so aptly put it, "Love is the extremely difficult realisation that something other than oneself is real." In being loved, we are not merely desired in moments of easeâwe are chosen, even when choosing us demands effort, sacrifice, and the quiet heroism of staying.