Difference & Repetition: pp. 20-30.
This section is where the book starts taking off for me. The final pages of the intro. really flow as Deleuze sets out the agenda for the rest of the book. At least that's how it feels. He also introduces some important concepts for the first time which he continually draws on throughout the rest of the text. I'm going to cover the main points as I understand them and then touch on a few models of conceptualizing what he's laid us thus far.
1. Outlines the problem of trying to get at the essence of repetition without relying on a traditional understanding of essence. The whole of the rest of the introduction feels like Deleuze trying to articulate an essence of repetition that allows us to conceptualize repetition without using conceptual difference as the guiding principle of defining the definition. If that makes sense. He's trying to come up with a working definition of repetition that incorporates difference into the definition instead of relying upon the identity of the concept through representation. I'm being general here on purpose. He is much more specific and I'll try to touch on the specifics as I work through them.
2. One of Deleuze's main points in the book is the the conditions for producing a thing should not resemble the conditioned thing, or more simply: the conditions should not resemble the conditioned. We see him start to get at that idea by considering two types of repetition: static and dynamic. Static repetition is bad, dynamic is good in terms of making room for difference. He writes that "one refers back to a single concept, which leaves only an external difference between the ordinary instances of a figure; the other is a repetition of an internal difference which it incorporates in each of its moments, and carries from one distinctive point to another" (20). Rather than thinking of repetition in terms of symmetry, sameness through comparing the appearances of two seemingly identical things, which relies upon the concept of a thing based on some originary identity to define a thing from without, Deleuze argues for a dynamic repetition that has an internal repetition built inside of itself, which defines itself from within. He writes that "in the dynamic order there no representative concept, nor any figure represented in pre-existing space. There is an Idea, and a pure dynamism which creates a corresponding space" (20). This is an important quote because he is articulating a state space, a multi-dimensional model for understanding the creation of things, which I wrote about yesterday, but also because he introduces "the Idea." The Idea plays a huge part throughout the book. The Idea is pure dynamism, multiplicity, the virtual. The Idea is the basis for all these concepts. They are all part of each other really.
3. I want to spend a bit talking about internal difference and the sign/signal model he alludes to. As I understand it a Signal is a system with orders of disparate size and dissymetrical elements. A Signal is a differential field, a system of relations of things with different values, sizes, intensities, appearances. The sign is what happens across the communication of these orders. Signs are flashes of communication that allow us to learn how to interact with things. He makes an important series of points about reproducing signs without difference versus repeating sign in their heterogeneity. He uses the swimming lesson on the beach as his example. We watch the teacher demonstrate with her body how to swim in the ocean, which is a series of waves. Learning on the beach has nothing to do with actually negotiating the wave and swimming. We must recognize signs that the wave gives us, and way of issuing our own signs through bodily movement of interacting with the wave--of swimming. So swimming then becomes a series of constant negotiations with the other (the wave) through recognition of signs that the waves gives us (how hight the crest, the speed of the wave, etc). We then issue our own series of signs via our bodily movements that link up with the wave as swimming. Every wave is different and thereby every repetition of signal recognition and bodily movement incorporates difference into itself. This is becoming. The signal would then be swimming. The signs are the interactions of the self through a recognition of the other, repeating with difference as the productive force for our capacity to swim. That's how I am processing this stuff.
4. There is a big important difference between the negative and something being different than. Deleuze tries over and over to cultivate a positive, productive view of internal difference rather than a negative view. Absolutely have to think of difference, the internal differences of repetition as productive, as producing things rather than those differences being a lack, something negative that fails to reproduce the essence of a concept.
5. He rearticulates the two different repetitions: repetition of the Same (static, bare repetition) and clothed repetition (dynamic repetition, which includes difference in itself, an internal dissymmetry, one that includes the alterity of the Idea in itself). Pages 23-24 paints a really nice picture through comparison of how to consider the difference between these two repetitions. He writes:
The two repetitions are not independent. One (dynamic, clothed rep.) is the singular subject, the interiority and the heart of the other, the depths of the other. The other (the Same, static, bare rep.) is only the external envelope, the abstract effect. The repetition of dissymmetry is hidden within symmetrical ensembles or effects; a repetition of distinctive poitns underneathe that of ordinary points; and everywhere the Other in the repetition of the Same. (24)
Bad repetition, repetition without difference, is the repetition of the Same, which is the result of repeating based on a concept, conceptual difference. However it still has a deeper internal repetition built into it but gets sidetracked and hung up on the concept the self thinks it must adhere to. Good repetition, clothed repetition (clothed because it has multiple repetitions and difference built into itself, internally), this repetition
is in no way approximative or metaphorical. It is, on the contrary, the spirit of every repetition. It is the very letter of every repetition, its watermark or constitutive cipher. It forms the essence of that which every repetition consists: difference without a concept, non-mediated difference. It is both the literal and spiritual primary sense of repetition. The material sense results from this other, as if secreted by it like a shell. (25)
This is how Deleuze forms the "essence" of repetition. It's a conception of an essence where the traditional idea of essence is impossible, because it has difference built into all the way down. The essence therefore becomes a more generalized or loose understanding of essence that has difference and repetition built into itself in every case. This is where most everyone gets really confused with people like Deleuze or Derrida is because how can they be saying that this is the essence of repetition when they've spent 50 pages talking about the impossibility of essences? Well it's because they are redefining what those words/concepts mean by going back through the history of philosophy and poking holes in past definitions to make new ones that are not totalizing, are not myopic, and include difference into their structure so that difference, dependence on the Other always lies at the heart of understanding and being in the world.
6. On pages 26 and 27 he basically outlines the project for the rest of the book. I think this is a great place to stop for today and then include 28-30 in tomorrow's entry.
I feel good about today. Things are making more sense to me than they did the last time I went through the book. I hope my writing mirrored that feeling.