“You may not write well every day, but you can always edit a bad page. You can’t edit a blank page.”
—
Jodi Picoult
Mike Driver
styofa doing anything
One Nice Bug Per Day
he wasn't even looking at me and he found me
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TVSTRANGERTHINGS
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@writerduck
“You may not write well every day, but you can always edit a bad page. You can’t edit a blank page.”
—
Jodi Picoult
Screenwriting tip # 56676
Remember, readers like to see lots of white space on the page.
So break up those long paragraphs.
Or, better yet, edit them out.
Here's the blueprint for how to write a short story in a day plus a few other reading and writing challenges you can follow to make life more interesting.
Wanted to share this wonderful article I found the other day. It has some amazing, helpful advice!
90% of writing advice can be thrown out the window for your first draft.
Show don’t tell? Ignore.
Basic grammar and punctuation? Unnecessary.
Physical descriptions of characters? Don’t need to bother.
Solid plot? That’s for later.
The words don’t come as fast when you’re thinking of the best way to put them together. It doesn’t have to be pretty, or much more than inconsistent nonsense. The point is to have it exist.
Effective storytelling is for subsequent drafts! Go write some nonsense!
As a hyper-perfectionist human, THIS is a piece of advice I wish I’d internalized a hell of a lot sooner. If I hadn’t overwhelmed myself by considering every little thing, starting over when it gets “too messy”… there’s no doubt in my mind I’d have a first draft by now.
Now, passion is the only thing I care about in my first draft.
when i’m writing fiction, the main rule i try to stick to is that: the first draft is where i write what’s important to me.
this usually means character arcs and deep ethical and political debates for me, but for some people it’s gonna be physical description or in-depth plotting or Whatever
your subsequent drafts are where you fill in the gaps and make things make sense, but that first draft should be everything you personally care about, and don’t worry much about the rest
Also? PRE. 👏 WRITE. 👏 THINGS. 👏
Got a scene in mind? Don’t try to fit it into your draft, just write it in a separate file and save it.
Got some witty dialogue on deck? Jot it down and keep it in your pocket!
Settings? Character development? Plot point ideas? Dramatic scenes? Write it all down! Keep a prewriting file, or two, or three, or however many you need. It doesn’t matter if what you put in them makes sense, or is totally disjointed, or whether it gets used at all.
Get those ideas in writing. Do NOT trust yourself to remember a great idea six weeks, two days, or fifteen minutes from now when you’ve got time to work it into the larger story. If you get ideas while you’re out and about or at work, keep a notepad in your pocket or text them to yourself.
Keep a treasure trove of all those wonderful fiddly bits that make your writing unique. You never know when they’ll come in handy!
The only thing a first draft needs to be is done.
folks, someday you are gonna be writing, and you're gonna put something on paper and hear a voice say "i know this is what you want, but will people like it?" and im here to tell you that is the DEVIL talking and you do whatever you damn well please
If fandom has taught me anything it has also taught me that there are at least five people in the world who will want it regardless of what it is, and they will find you.
To screenwriters:
You are perhaps some of the most underrated types of writers! What you do is incredible and I am awed by not only your talent but also your dedication.
Tennessee Williams, March 26, 1911 – February 25, 1983.
With Anna Magnani.
Find your words, discover your story, unleash your dragons. Created by author, podcaster and overall book nerd Rebecca Fisher, Dragons Unlea
Find your words, discover your story, unleash your dragons.
Created by author, podcaster and overall book nerd Rebecca Fisher, Dragons Unleashed editing and revision services is dedicated to helping science fiction and fantasy writers get their manuscript ready for publication, pitching, or even just to the next stage of the drafting process. With her experience, enthusiasm, compassion and knowledge of the publishing and writing world, Rebecca is 100% dedicated to helping you find your words, discover your story, and unleash your dragons.
~~
Standard Rates & Services
PROOF READING (Checking for spelling, grammar, awkward sentences and wording, format, etc.): Full Length Books (50k words+): 25c per page. Short stories (Less than 15k words) 50c per page.
LINE EDITS/WORD CHOICE ANALYSIS: Books: 50c per page. Short stories: 75c per page.
CONTENT EDITING (Recommended): Books: 75c-$1 per page. Short stories: $1-$2 per page.
PLEASE NOTE that while these are standard rates, they are not set in stone. Prices may vary depending on individual client needs and financial well-being. Services are individualized and prices are subject to change project by project.
~~
DISCLAIMER: While hiring a professional editor certainly helps the author and their book be the best they can be, it does NOT guarantee success either with pitching agents or in the indi publishing world. Rebecca does NOT promise that her work will mean your book will receive immediate/substantial commercial success, bur rather the assurance that you, as the author, made sure your work was the absolute best it could be at the time of release by eliminating typos, strengthening sentences and paragraphs, and solidifying plot and character arches. These features guarantee an enjoyable, good book, which precedes any amount of commercial or financial success.
~~
About Rebecca
Rebecca went all the way through school with a book in her lap and ideas scribbled in the margins of her notebook, and despite all the trouble she got in with her teachers, wound up with a Bachelor’s of Arts in Literature and Writing from Hiram College. She studied Library and Information Science at Kent State University for a while, and has since worked as a Youth Services Librarian, a shop clerk, and a writer for podcasts, and a receptionist at a Chiropractor’s office. She’s now splitting her time between working on her own projects and helping other writers with theirs. When not getting lost in stories, she’s wondering out in nature or snuggled up on the couch with her husband and their five cats. She lives in Cleveland, Ohio.
Get editing help from a writer who knows what it's like down in the trenches. Check out my portfolio to see some of what I've written over the years!
MINARI (2020)
There, in the presence of God, I understood at last how love could release us all from the power of darkness. Our love is stronger than death.
Bram Stoker’s Dracula (1992) dir. Francis Ford Coppola, cinematography by Michael Ballhaus
9 Ways For Writers To Find More Clients, Customers, & Writing Markets
If you’re a freelance writer, you’ll love this post where we suggest nine ways to find more clients, customers, and writing markets.
Quotable – Susan Choi
Find out more about the author here
Master List of 60 Character Flaws
Absent-Minded
Aimless
Arrogant
Bigoted
Blunt
Bold
Callous
Compulsive Liar
Cruel
Dependent
Disloyal
Easily Impressionable
Emotionally Detached
Envious
Fickle
Greedy
Gullible
Humourless
Ignorant
Immature
Impatient
Indecisive
Intolerant
Lazy
Manipulative
Meddlesome
Melodramatic
Nervous
Nosey
Obsessive
Overambitious
Overprotective
Pacifism
Paranoid
Perfectionist*
Pessimistic
Predictable
Prejudiced
Prideful
Rebellious
Reckless
Remorseless
Sceptic
Selfish*
Shallow
Short temperament
Smart-arse
Soft-hearted
Solemn
Spineless
Stubborn*
Stupid
Superstitious
Tactless
Temperamental
Troublemaker
Unambitious
Vain
Weak-willed
Withdrawn
* these are frequently overused so if you want them to apply to your character, make sure they have more than one flaw!
However the most important thing about a character flaw is that it MUST work against their goal and they MUST make mistakes because of it.
[If reposting to instagram please credit @isabellestonebooks]
BLACK WOMEN in Sci-Fi films.
Writing Advice Master List
Getting Started
Bad Habits of Beginning Writers Creating Writing Habits Prewriting 101 Returning to Old Works Setting Up Your Space Starting Again (if you’ve stopped) Where to Start Writing the Beginning Writing What You Don’t Know 5 Truths About Being A Writer
Career as a Writer
Making Money Writing for a Living
Characters:
Character Building Character Quirks Non-Binary Characters Religious Characters Writing A Hero Writing Non-Humans Writing Women 5 Ways to Name Your Character 5 More Ways to Name Your Character 7 Steps to Character Creation
Dialogue:
Dialogue Improving Dialogue: Eliminate Exposition
FanFiction
Fanfiction 101
NaNoWriMo
NaNoWriMo Tips & Tricks for NaNoWriMo 3 Tips for NaNo
Planning & Outlines
How to Start Outlining Is My Idea Good Enough? Research Should you Outline? 7 Things to Do Before You Start
Plot:
Details Fight Scenes Sequels Sex Scenes Sexual Assault in Literature Story Arcs
Poetry
Editing Poetry Reading Poetry 5 Quick Poetry Tips
Publishing:
Choosing a Title Rejection Letters Social Media When and Where to Publish
Romance:
LGB Relationships Romantic Subplots Writing a Romance Novel
Setting:
Description When Setting Really Matters
World Building:
Creating Another Species Creating World Maps World Building 101 World Building 201
Other
Editing Making Time to Write Point Of View Prologues Why I Write Writers Block Writing with Sound 5 Signs You Treat Your Reader Like an Idiot
Hi! I was just wondering, what's the best way to make/write out a plot?
Guide: How to Outline a Plot
The best way to write out a plot isn’t the same for everyone, and sometimes it’s even different from story to story. There are lots of different methods, and most writers use a combination of them, so you just have to try different things to see what works best for you. Here are some of the most common methods:
1. Just Write
Some writers are what’s known as “pansters” meaning that once they have a story idea in mind, they prefer to “fly by the seat of their pants” and start writing without any planning in place. The key to making this method work is to remember that you’re only writing the first draft. Nothing you’re doing is set in stone, so don’t feel the story has to be perfect in one shot. Follow your gut and write the story to the best of your ability. Worry about tightening and polishing in subsequent drafts.
2. Synopsis
Some writers prefer to start by writing beginning to end summary of the story, describing all the important details and events in the order that they unfold. Summaries can be a great way to flesh out an idea for a plot, and they can also serve as a nice guideline if you want to “just write” your story but need a bit more structure first.
3. Old-Fashioned Outline
Do they still teach outlining in school? I don’t even know… when I was a kid, we learned how to do outlines with Roman numerals for the main points, capital letters for the minor points, and numbers for sub-points. If you’re good at outlining, this can be a great way to outline your plot.
4. Timeline
Creating a timeline for your story can be a great way to map it out. All you need is a beginning event, climax event, and end event. From there you can start filling in the events that follow and precede those events. Even if you don’t know the exact date for when a scene takes place, you can still mark it down in the right general place.
5. Scene List
If you have a pretty good idea of the scenes that need to take place, or at least a good number of them, you can start by writing out a scene list. It’s nice to do them in a table if you can so you can organize important details, like chapter, scene number, date and location, who’s in it, and then a short summary. Though, how you organize it is up to you. If you prefer, you can just write the scene number and then a brief summary.
6. Story Structure Map
Some writers like to map out their story according to whatever story structure they want to follow. They’ll pull up a graphic or chart of the structure, transcribe it onto paper or into a document, and then note each relevant event for each structure “mile marker.”
7. Subway/Tube Map
This is a new one I recently heard about. I haven’t had a chance to try it yet, but I think it’s fascinating. And there are even subway map creators you can use if you don’t want to draw it out. Ultimately, the goal is to map out the events of your story in the style of a subway/tube map. This method makes it easy to illustrate subplots and see how they relate to the rest of your story.
8. The Mind Map
Mind maps can be a fantastic way to get the most important parts of your story out on paper, and to start figuring out where other parts fit in and how they relate to everything else.
9. Index Cards
Some writers have luck writing out key scenes, moments, bits of dialogue (or anything else they have in mind) on individual index cards, which can then be laid out in order on a table, allowing for cards to be easily moved around, added, subtracted, etc. until a more complete story starts to emerge. Some writers even invest in giant cork boards for this purpose. Others use a dry erase board and draw out the “cards” instead. A lot of story writing software, such as Scrivener, even includes digital bulletin boards and index cards that you can use to visualize your story.
10. Method/Theory/Template
There are numerous methods/theories/templates dedicated to building/fleshing out plots. Some to look into:
- The Snowflake Method- Dramatica Theory- Save the Cat! for Novels- The Hero’s Journey
If one of the above doesn’t work for you, you’re sure to find even more ideas online. Try doing a search for “how to outline a plot” or “outlining a novel” to see what comes up. You might even try searching for your favorite author’s name plus “outlining” to see if they’ve done any posts sharing their own methods. You may also want to look into books, software, and apps/web sites that offer ways to help you plot your story.
Good luck!