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Mike Driver
hello vonnie

Origami Around

ē„ę„ / Permanent Vacation
"I'm Dorothy Gale from Kansas"
NASA
Today's Document

romaā

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Product Placement
Show & Tell

blake kathryn

oozey mess
occasionally subtle

JVL
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ā
sheepfilms

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@writingstothemoon
Drunk BeyoncƩ is art.
When youāre young, you think everything you do is disposable. You move from now to now, crumpling time up in your hands, tossing it away. Youāre your own speeding car. You think you can get rid of things, and people too - leave them behind. You donāt yet know about the habit they have, of coming back. Time in dreams is frozen. You can never get away from where youāve been.
Margaret Atwood, The Blind Assassin (via namasteh)
Now I am quietly waiting for the catastrophe of my personality to seem beautiful again, and interesting, and modern.
Frank OāHara,Ā āMayakovsky,ā via the Poetry Foundation (via bostonpoetryslam)
Everything I write lately is bloated with sadness. When you try to love the worldĀ but sheās all fists, all gut, all blood. I don'tĀ know what to do with all of my black girl griefā maybe auction it off, maybe bottle it, maybe just let it sit in the sun and heat up and cool down again. Let it congeal against the sides of the bowlĀ and scrape it off to start over again the next day. I get off the busĀ ten stops early so that I can make the long walk home,Ā feel the ground hard and sure beneath my aching feet. I smell like flour, dough, rosemary, the oven that cooks the pizzas. I like how everyone looks at night: warm and drunk and happy,Ā even the trees.Ā I take off my lonely like a bodysuitĀ and put it where I keep my sweaters. I gargle with salt. I moisturize with honey.Ā I remember the bodiesĀ that came before mine, the bodies that made itĀ possible for my body to be here now. My friendsĀ and I are so pleased with these parties we throwĀ for ourselves. WeĀ toast to them at our next awful brunch.
Kristina Haynes,Ā āMy Grief is Available For Pre-Orderā (via fleurishes)
The story goes that magnolias are for when youĀ are hurtling to aĀ ground you didn'tĀ expect to see. Itās a numberĀ hanging around the neck. I amĀ a walking echo of home. I haven'tĀ learned to grow laurels for myself.Ā I know when to shatter & cut lightĀ down from the afternoon sun.Ā The knife singing tender for my body.
Ana Carrizo, āOn Turning Twenty-Fiveā (after Billy Collins)
I think itās fascinating that thereās this level of creation that is involved with that, versus just saying, āIām going to go out and Iām going to get it.ā Iām so excited about where weāre moving now with sexuality and masculinity and femininity really being a scale.
this is how everything begins, blindly clawing at the light with a desire to hold it in your hands.
1 So, itās morning. Or maybe afternoon. Thereās light pouring through the window and itās got you looking the kind of haloed and soft you only see in movies. Iām only half awake but Iām already writing poetry about your eyelashes, can you believe that? Ā 2 In the mirror, I pretend to watch myself watching myself brushing my teeth. Instead, I watch you run your hands through your hair: again and again and again and again. More than once, Iāve seen the way you try to rearrange your body into negative space. Like one of those optical illusionsā the vase with the two faces. You forgot you could be both of them. You forgot that when you lean too close to a work of art the whole picture blurs and disappears. Ā 3 A new painting: one with no negative space. You as steady hands and solid ground. You with a ukulele and a dog. Coffee and cayenne. Cheap wine and expensive whiskey. All that blue in your closet. You as the perfect first date and something soft to come home to. Bad jokes and good intentions and all thatā light. Ā 4 Yes, light. Listen, so, itās late. Or the time of night some people call morning. Itās dark in the car, but you laughā I mean, really laugh. The kind that catches you by surprise and crinkles up the corners of your eyesāand itās like a camera flash in a windowless room. Itās the best thing Iāve seen, all day. Ā 5 Every morning, the sun has to relearn how to outshine you. Sometimes even she is not bright enough.
INVENTING NEW WAYS TO CALL YOU BEAUTIFUL by Ashe Vernon (via latenightcornerstore)
Zoƫ Kravitz x i-D Magazine
Jesse Williamsā Humanitarian Award Acceptance Speech.
Floored
Ā IG - @matthew.shaww
me @ myself: ok bitch time to get over it
cool girls are everywhere but its such a challenge to find one guy thats like mildly interesting to talk toā¦ā¦. itās like they all have the personality of an actual adidas sandal
Maybe youāre a bitch
i mean i definitely am but youre still boring