Elena Wuest (German, b. 1977) ‘Beyond’, 2025 Oil on canvas, 80 x 60cm
Thank you so much @pocketfullofpoesies! 🩷
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Elena Wuest (German, b. 1977) ‘Beyond’, 2025 Oil on canvas, 80 x 60cm
Thank you so much @pocketfullofpoesies! 🩷
Design Process Olivetti 1908-1983
ruins of St Andrews Cathedral in Fife, Scotland
thatsgoodweb
Carol Donner, for Heavy Metal, 1983
The art of Wayne Barlowe. Images from ‘The Alien Life of Wayne Barlowe’ (Morpheus International, 1995)
The experience of pain or pleasure is mainly a state of mind. Whether we experience the world as enlightened or confused depends on our state of mind. ~ 3rd Jamgon Kongtrul Rinpoche
Mahakala
Mahakala is one of the great Dharmapalas (protector deities) of Himalayan Buddhism, a being of such concentrated wrathful energy that he stands at the threshold between terror and liberation.
He is typically depicted as dark blue or black, corpulent and powerful, adorned with skulls, wreathed in flames, holding a curved flaying knife and a skull-cup filled with blood. These images are not meant to shock arbitrarily: the darkness is the nature of open space before form, the skulls are the five poisoned mental states (ignorance, desire, aversion, pride, jealousy) conquered and worn as ornament, and the flames are the fire of awareness that consumes everything false.
Mahakala has roots that predate his Buddhist context, with scholars tracing clear lineage back to Shaivite traditions and the great god Bhairava, a fierce form of Shiva, so he arrives in Himalayan Buddhism already carrying enormous antiquity, already shaped by centuries of devotional heat.
For pagans out there, Mahakala might be most recognizable as a deity who holds the function of radical severance; the one you call not for comfort, but for transformation that cannot be gentle. He shares qualities with figures like the Morrigan, Hekate at the crossroads, or the Norse Odin in his most unsparing aspect: the divine that strips away rather than bestows, whose gift is the removal of what is harming you even when you are clinging to it.
He is particularly associated with protection of practitioners and the clearing of obstacles, but his protection is not soft. He protects the way a wildfire protects a forest ecosystem, by burning what has become deadwood. Working with Mahakala, in Buddhist practice, requires a stable foundation precisely because his energy accelerates everything, beneficial and detrimental alike.
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Helen Mirren, Excalibur (1981)