xx

[cloth-fabric]

Markgong - ss26

[jinxproof]

[jinxproof]

Adriana Lima | © Ellen Von Unwerth

[toiich]

Untitled, New York, by Francesca Woodman, 1979

[achillesinhighheels]

Metro station in Tashkent, Uzbekistan (1978)

[ivorlawsonadamah]

Christy Turlington, for British Vogue, in New Orleans. Arthur Elgort, 1990.

[distantvoices]

He Cong by Zhong Lin for Harper’s Bazaar China October 2025

Styled by Johan Diao. Makeup by Clive Xiong. Hair by Youhua Xu.

[gacougnol]

Marc LE MENÉ (né en 1957)

Rome, 1990

[distantvoices]

Paloma Elsesser by Pedro Napolinário for CR Fashion Book #27

Styled by Ib Kamara. Hair and makeup by Mika Safro.

[elleaime]

Remote Control II by Jana Sterbak, 1989.

[zegalba]

He Cong for L'Officiel China (2024) Photography: Zeng Wu

[distantvoices]

Steve O Smith SS25 RTW

[newestcool]

Comme des Garçons s/s 1998 rtw Creative Director Rei Kawakubo Model Audrey Tchekova Newest Cool

[dolerme]

‘heat stroke’ photo by wintam and styling by shawngao for gq china june 2024

[soultobeloved]

Makenzie Leigh by Simon Brodbeck & Lucie de Barbuat for Numéro France Feb 2024

[jinxproof]

Delilah Koch Revue (S/S 2024) ph. Kévin Drelon makeup: Raoul Alejandre

[myprelude222]

Pol for Numéro Netherlands

[jinxproof]

This collection was created by reconstructing wedding dresses and white kimono that had been rented out at wedding halls and then discarded due to damage.

In Japan, there is a story that one of the reasons why wedding dresses are white is to express a woman's purity and innocence and her intention to be dyed by the family she marries into.

The dresses were deconstructed, reconnected and dyed with the intention of challenging the patriarchal norms of the wedding ritual. Once dead, the wedding dresses are reincarnated, brought back to life by letting blood flow through them.

- Hana Yagi 'Sanguine Bride' collection

Zo1fun | © Elizaveta Porodina