who say, that one day, I will sink... when all this time I've been floating?
Monterey Bay Aquarium
Keni

if i look back, i am lost

JVL
hello vonnie
Peter Solarz
🩵 avery cochrane 🩵

Andulka
Aqua Utopia|海の底で記憶を紡ぐ
NASA

⁂
KIROKAZE
DEAR READER
untitled

blake kathryn
art blog(derogatory)
sheepfilms

★
Stranger Things
Cosmic Funnies

seen from Indonesia

seen from Pakistan
seen from United States

seen from Malaysia
seen from India
seen from United States

seen from Australia
seen from Indonesia

seen from Philippines

seen from Bangladesh
seen from United States

seen from United States
seen from Jamaica
seen from Jamaica

seen from United Kingdom
seen from Argentina
seen from Russia
seen from United States
seen from United States
seen from United States
@yiyaverse
who say, that one day, I will sink... when all this time I've been floating?
Celia Cruz // 60s/70s
green palms
blue refuge
la la revolución
la révolution
the revolution, dark shadows
of our past.
Eugene Smith - The jazz loft
Black Music (2010) by Amiri Baraka
The major flaw in this approach to Negro music is that it strips the music too ingenuously of its social and cultural intent. It seeks to define jazz as an art (or a folk art) that has come out of no intelligent body of socio-cultural philosophy.
Amiri Baraka, "Jazz and the White Critic" from Black Music (2010)
Ed Blackwell, Dewey Redman, Ornette Coleman, Charlie Haden, at Prince Street May 1971 © Val Wilmer Once upon a time, before Manhattan pri
"The Animal loves you wear it in your eyes..."
Don Cherry | Ornette Coleman | Lee Friedlander
vicennials
I like to look at movements in twenty-year periods aan not ten-years. It seems to be gradual shifts within two decades that feel more of a complete story, than looking at just one decade.
i'm tired of apologising for this cushion pin heart. she's been through a lot. she has space for more.
Art Blakey & the Jazz Messengers avec Lee Morgan, Benny Golson, Bobby Timmons et Jymie Merritt en Belgique - 1958
Archive: The Miami Times
I think of you, and everything in me breaks.
"America the Beautiful", Norman Lewis, 1960.