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Love Begins
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♱
A painting, most ardently
Hunter Schafer in Custom Dilara for the after party ۶ৎ
I know you’re here
I feel you slithering along the edges like a stranger
With a familiar scent
Painful, painted pasts lingering around every corner you hide
Silver, serpentine tongue to taste the ache and spit lies like venom
Nizar Qabbani // Franz Kafka
Fade far away, dissolve, and quite forget What thou among the leaves hast never known, The weariness, the fever, and the fret Here, where men sit and hear each other groan; Where palsy shakes a few, sad, last gray hairs, Where youth grows pale, and spectre-thin, and dies; Where but to think is to be full of sorrow And leaden-eyed despairs, Where Beauty cannot keep her lustrous eyes, Or new Love pine at them beyond to-morrow.
-- Ode to a Nightingale, John Keats
Sir Arthur Ernest Streeton (1867–1943) - What thou amongst the leaves hast never known; A bush idyll, 1896, oil on wood
Dying bird
hunteD for pleasure
laY her on the ground to see the night sky
waIting to stop breathing
be careful with her wiNgs
as we place her into this Grave
will she rememBer the colors of gray that covered her or just the blood
In heaven will she forget of suffering and not just that of death
moRnings are silent without her song
Dandelions grow, the season has moved on
Going home pricked by these thorns
Waiting to feel this ride make me alive
Picked and bled I want to feel alone
Flutters to me–the whispers of stars
I watch blurred faces swish by staying dry
I am them–blurred face staying behind
We sat in silence creating a song of sweet stillness
I sit silently trying to listen for this silent stillness
When you grow old will you think of our time as an illness?
We laid in the back hearing the sounds of waking grass
When I wake I hear your laugh crinkling through the grass
Will I be seen in the trees or at the end of your glass.
Oh I know this life wasn't a dream, but we knew of peace
Oh but I want life to be a dream, I let you go and hope for peace
I stand alone within the trees hearing nothing and feeling free.
We laid in the back hearing the sounds of waking grass
When I wake I hear your laugh crinkling through the grass
Will I be seen in the trees or at the end of your glass?
— Erica Jong, from “Mother.”
The Lightkeeper
A night without ships. Foghorns called into walled cloud, and you still alive, drawn to the light as if it were a fire kept by monks, darkness once crusted with stars, but now death-dark as you sail inward. Through wild gorse and sea wrack, through heather and torn wool you ran, pulling me by the hand, so I might see this for once in my life: the spin and spin of light, the whirring of it, light in search of the lost, there since the era of fire, era of candles and hollow-wick lamps, whale oil and solid wick, colza and lard, kerosene and carbide, the signal fires lighted on this perilous coast in the Tower of Hook. You say to me stay awake, be like the lensmaker who died with his lungs full of glass, be the yew in blossom when bees swarm, be their amber cathedral and even the ghosts of Cistercians will be kind to you. In a certain light as after rain, in pearled clouds or the water beyond, seen or sensed water, sea or lake, you would stop still and gaze out for a long time. Also when fireflies opened and closed in the pines, and a star appeared, our only heaven. You taught me to live like this. That after death it would be as it was before we were born. Nothing to be afraid. Nothing but happiness as unbearable as the dread from which it comes. Go toward the light always, be without ships.
Carolyn Forché, 2010