Origami made jewel, by Japonesca
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@yourjaponesca
Origami made jewel, by Japonesca
handmade kakemono, zen parchment by Japonesca; Wisdom
I made the T-shirt seen on the background, hand painted with a Japanese symbol Â
Sea in japanese, âumiâ
Japonesca is a photographer since 1986.Â
This picture is really lovely, isnâtit?
3æ19æ„ăŻçăăŠăăŸăăŸăăă
ç§ăźæçŹăŻćąšç””ă§æăăŸăăăăăăăăïŒ
[Ukiyo-e map], an interactive database showing the real locations behind famous painter Utagawa Hiroshigeâs works (thanks Nautiljon for the discovery!)
Listed on this site are the following series:
One Hundred Famous Views of Edo, like the peaceful garden of Kameido:
Famous Views of the Sixty-odd Provinces, with among others raging Naruto whirpool of Awa:
The Fifty-three Stations of the TĆkaidĆ, my favourite being the Hakone pass:
ç§ăŻæ”źäžç””ăć€§ć„œăă§ăăăăăăăŻçŽ æŽăăăïŒă
Falconer. Â Ukiyo-e woodblock print. Mid 1800âs, Japan, by artist Utagawa Kunisada I
So nice!
Haori by Japonesca
Source: https://nihongami.blogspot.com/
Japanese Hairstyles: Historical Overview Part 02: Womenâs Hairstyles of the Edo Period, Part 03
Hairstyle Name: Ichogaeshi (éæèżă) lit. âReturning Gingkoâ
 This hairstyle was worn from the Edo period to the Meiji period. It is a hairstyle that could easily be seen on a girl 3 years of age to an elderly woman. It was very popular by the name listed here in Tokyo, however, in the Kyoto-Osaka area, this same style was known as the Chou-chou, or âbutterfly,â style.
Kimono. Taisho period (1912-1927), Japan. Â The Kimono Gallery. An antique silk kimono with an unusual pattern design and techniques, featuring a complex shibori of fan and âtsuzumiâ (hand drum) motifs. See detail images to view a close-up of the techniques used. The inner hakkake lining is of wool. The tsuzumi is a traditional shoulder drum used by the Japanese in music performances and theatre. 'Sensuâ is the Japanese name referring to the folding fan. Both are used together in certain Kabuki and Noh play stage performances, and in earlier times, during the Heian classical period of a thousand years ago, by shirabyĆshi court performances and Muromachi period Kusemai dances. Thus these two motifs on this kimono allude to the stage and theatre, and giving the wearer an aura of class, sophistication and worldliness. The artist and craftspeople involved in the creation of this kimono were elite: the subtlety of the meticulous lavender tie-dye contrasting against the bold yellow and red drum motifs is dramatic and effective. The drum motifs seem to have been created with a complex mix of techniques - localized double kasuri (ikat), shibori (tie dye, and supplementary three-dimensional wefts). The work would have likely involves several months of exacting labour under the direction of a master kimono artist of the day. The confidence, experimentation and wealth of the Taisho period are all reflected in this stunning kimono.
Kyoto. Gion Morisyo. Â Tanizaki Jun'ichirĆ the author, among other literary works of âIn Praise of Shadowsâ, has resided several times in this Ryokan. Â Photography and text by jose ignacio arbulo on Flickr.
Cortina japonesa para puertas y pasillos, noren con sĂmbolo zen por Japonesca. Pintado a mano anverso y reverso , con cable para colgar.
LĂĄmina de CaligrafĂa japonesa personalizada para tu nombre en japonĂ©s, en caligrafia japonesa listo para enmarcar
Hachimaki o bandana japonesa especiales para Taiko, grupos de tambores.
LĂĄmina de CaligrafĂa japonesa personalizada para tu nombre en japonĂ©s, en caligrafia japonesa listo para enmarcar