Ilustração e layout para capa do EP Visual “A Carne, A Língua, O Vírus” da cantora Maria Sil
styofa doing anything
Xuebing Du

★

roma★
Game of Thrones Daily

⁂
Claire Keane

Janaina Medeiros

blake kathryn
occasionally subtle

Discoholic 🪩
Sade Olutola

shark vs the universe

Kiana Khansmith
noise dept.
ojovivo

Kaledo Art
trying on a metaphor
Show & Tell
TVSTRANGERTHINGS

seen from United States
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seen from United States

seen from Argentina

seen from Singapore
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seen from Malaysia

seen from Türkiye
seen from United States
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@ypsilonka
Ilustração e layout para capa do EP Visual “A Carne, A Língua, O Vírus” da cantora Maria Sil
⚡AVIVAMENTO DO CORPO POSITHIVO⚡ Seja vc soropositivo, negativo ou sorointerrogativo: essas são algumas imagens da ação poderosa do coletivo @loka.de.efavirenz e viemos aqui pra reforçar na sua mente que saúde e prevenção sexual tem que ir muuuito além dos temores e dos alertas padrões de sempre. Estamos vivas, pulsantes e transantes, todxs no mesmo barco. Então, com quais ideias e corpos você cria intimidade a ponto de realmente se relacionar e mergulhar nx outrx? #respeitemasposithivas #positHIVasnoCarnaval Arte: @kakolho https://www.instagram.com/p/BurFHrrgXe0PeUMbVGKHI5qxxnXv2azB6BlBTk0/?utm_source=ig_tumblr_share&igshid=1985ztaxak62r
me curo de medos, bombas e fantasmas me curo desse Estado que plantaram em mim posso dançar na trincheira, na rua, na cama posso até fazer poesia com uma rima discordante @esilvinoe com essa linha desse seu estado na cabeça. #pvha #hiv #aids #curasim #curaja #hivpositive #hivaids #vida #arte #artesanato #bomprocd4 https://www.instagram.com/p/Bs6WcTNnyxGq0WbJa3kkNvgDtX5574ESdZT5xY0/?utm_source=ig_tumblr_share&igshid=t05hf2eg0rik
Slow-Motion Demolition (for Vonnegut)
Paper collage by Annalynn Hammond
Jack Vanzet
“The nerves of the human body.” The medical mirror. 1840.
Matazo Kayama
Matazo Kayama (1927-2004) was born in Kyoto, the son of a designer of Kimono.
He used to play in his father’s studio, and loved to see him and his disciples
at work sketching and painting. He also learned a lot from his father’s collection
of international art books. Kayama started making art, and when he was 13 years old
he entered the Japanese Painting Academy in Kyoto. In 1944 he went on to study
traditional Nihonga techniques at Tokyo National Academy of Fine Arts, at a time
when the country was in the grips of World War II. His father died at the
end of the war, but Kayama managed to keep studying art in Tokyo while helping his mother and younger sisters in Kyoto
Kayama became a famous painter in his early 30’s and held his first personal exhibition
abroad in New York in 1961. Animals were one of his favorite themes throughout his career,
while his sources of inspiration shifted from modern Western art to traditional RImpa Japanese painting and Chinese ink paintings. All of these influences were reinterpreted through Kayama’s
own refined and innovative style. His work has been exhibited at the Central Museum of Beijing
and the British Museum, and in 2009 a large retrospective was held at Tokyo’s National Art Center.
http://archive.metropolis.co.jp/tokyo/777/art.asp
Selected by Andrew
Darren Almond Refractive Index I, 2018 aquatint 18 ¾ x 16 inches edition 25
“The soul always knows what to do to heal itself. The challenge is to silence the mind.”
— Caroline Myss (via purplebuddhaquotes)
Noite da Beleza Negra 2018, do Bloco Ilê Aiyê, na exposição sobre o bloco baiano do Curuzu. (em Itaú Cultural) https://www.instagram.com/p/Bo4w52KH4uojgEQ_PFvijRnLSoyJz5GBvUIP0U0/?utm_source=ig_tumblr_share&igshid=1wgppj21vpv04
Beluga board!! 🌊💙 (½)
Ajna - Chakra /Eye
Vishuddha - Chakra /Throat
Anahata - Chakra /Heart
Manipura - Chakra /Solar Plexus
Svadhisthana - Chakra /Sacral
Mulahadra - Chakra /Root
Body poems, 2017.