Ildjima Masrangar and Anas El Hayani photographed by Andy-Long for Impakt
Mike Driver
NASA

Andulka
almost home
"I'm Dorothy Gale from Kansas"
ojovivo

tannertan36
AnasAbdin
$LAYYYTER

No title available

titsay
will byers stan first human second
RMH
YOU ARE THE REASON
Xuebing Du
Lint Roller? I Barely Know Her

shark vs the universe
d e v o n
sheepfilms
Stranger Things
seen from United Kingdom

seen from Vietnam

seen from Malaysia
seen from United States
seen from Poland

seen from Brazil
seen from Germany
seen from Israel
seen from United States
seen from United States
seen from Germany

seen from United Kingdom
seen from United States
seen from Lebanon

seen from Saudi Arabia
seen from Brazil
seen from United Kingdom
seen from United States
seen from India
seen from Norway
@yungcrip
Ildjima Masrangar and Anas El Hayani photographed by Andy-Long for Impakt
Stephanie getting her hair detangled
arthur kleinjan, paris looks. 1999-2001
Between 1999 and 2001, the artist spent hours perched in a balcony above the Sacré Coeur church in Paris, watching the people below. As tourists struck poses for souvenir snapshots, he would take a second photograph from behind.
“Sometimes it takes a few seconds for their friends to get the camera ready, and they suddenly don’t know what to do with their bodies. They ask themselves, what leg do I stand on? A bag, or a bottle of water should be out of the image, so they keep it behind their back. They design themselves into what they think is a nice picture … I wanted to show the moment of alteration, as the tourists transform themselves into an image. They seem very self-conscious about the way they look. Vulnerability is revealed. Their discomfort with their own body, as they stand there, is isolated in time and space, waiting to become a future memory.“ (x)
Anthony Ames, Garden Pavilion, Atlanta, Georgia, 1985
Risako Sato, Junko, Anne, Shinriki, and Eri in Junya Watanabe f/w 2000 by Chikashi Suzuki
Paul Winstanley (British, b. 1954), Man Watching TV 3, 2003. Oil on canvas, 32 x 39 in.