amabel. xxv. she/they. if her name is jane she’s my favourite. brontëblogging, historical fiction & textile art.
AnasAbdin
taylor price
No title available

ellievsbear
styofa doing anything
PUT YOUR BEARD IN MY MOUTH

Product Placement
Mike Driver
Show & Tell

祝日 / Permanent Vacation

Discoholic 🪩
Three Goblin Art
will byers stan first human second

@theartofmadeline
2025 on Tumblr: Trends That Defined the Year
let's talk about Bridgerton tea, my ask is open

⁂
todays bird
noise dept.
Sade Olutola
seen from Iraq
seen from Germany

seen from Malaysia
seen from United States

seen from United States

seen from Nigeria
seen from Thailand
seen from Saudi Arabia

seen from Spain
seen from Brazil

seen from Malaysia
seen from Argentina
seen from Russia

seen from Hong Kong SAR China
seen from Brazil
seen from United Kingdom

seen from United States

seen from United States

seen from United States
seen from United States
@0hjane
amabel. xxv. she/they. if her name is jane she’s my favourite. brontëblogging, historical fiction & textile art.
oh jane seymour illustration from dress design by talbot hughes embroidery wip we’re really in it now
i’d argue the ‘97 proposal is the only valid j/e adaptation kiss because i personally always pictured them mauling each other when i read the book
george c scott’s voluptuous ass send post
Charlotte Brontë, Jane Eyre
Headcanon: Anne and Wentworth have a very fun time together on his ship after they're married
x
Charlotte Brontë, Jane Eyre
Today's literature hot take: the extended childhood portion of the book, and the time with the Rivers family are essential parts of the book and when you ignore/downplay them (or when the movie version you're watching does) that's when you start to have problems with the story. The book essentially is divided into fairly even thirds, but it tends to get treated as if Thornfield is 80% of the book.
With those sections intact as they are in the book, Jane Eyre is more coming of age story than romance. The romance is important, but its not the MAIN thing. Jane's growth is the central story. Her ultimate challenge is actually rejecting St. John. This is why Rochester's redemption gets treated so summarily at the end--Rochester is not as much of a deuteragonist as some would have you believe. He's prepared off-screen for the ending, once Jane has completed her arc off on her own and is ready to come back. That feels weird if you treat her relationship with Rochester as THE plot, rather than one of a series of formative relationships which she experiences, grows through and then cycles back to later. Rochester is resolved in essentially the same manner as Mrs. Reed and Lowood school are.
This is why I think that, while there are some pretty decent Jane Eyre movies, the way to actually capture the book would be a miniseries that actually gives Lowood and Moor House space equivalent to their role in the book.
Incorrect Quotes: Jane Eyre (70/?)
Source
George C. Scott filming Jane Eyre (1970)
Timothy Dalton as Edward Fairfax Rochester in Jane Eyre (1983) | Episode 4.
back on brand for this blog, watching the ‘83 eyre with pneumonia
- Touch has a memory. - I know it.
BRIGHT STAR (2009) dir. Jane Campion
Young woman fastening a letter to the neck of a Pigeon (detail), attributed to Johann Christian von Mannlich, c. 1760
'romeo + juliet - gelsey kirkland + ivan nagy' in max waldman on dance: photographs (1988)
Rebecca Ferguson in "In Love with the King" THE WHITE QUEEN (2013)
source