Ten-Thirty on a Summer Night

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images from a graphic novel I have been working on and off for far too long. 

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Le Xuan Tien 

Great film at the Whitechapel Gallery, London

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headphones on a dirty rug 2018

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Curtains blowing in Pimlico

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‘HUNTERS’ or why isn’t love a career?

Favourite collaboration with Melanie Williams

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Cabo Creus - Roses

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Urs Fisher at Sadie Coles

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London, summer 2018

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Breasts - Tbilisi, Georgia 2015

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As an unforgettable symbol of this whole creative work, there strands before me a family of octopuses on four legs, with a fifth serving as a tail and a sixth - a trunk. How much (imaginary!) divine omnipotence there is in this! What magic of reconstructing the world according to one's fantasy and will! A fictitious world. A world of lines and colours which subjugates and alters itself to your command. You tell a mountain: move, and it moves. You tell an octopus: be an elephant, and the octopus becomes an elephant. You tell the sun: 'Stop!' - and it stops.

Sergei Einstein in Kenneth Gross, Puppet: An Essay on Uncanny Life

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fantasies

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THE DOOR OF SERENITY, by Ainslie Meares

I tend to forget the books I read. 

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Clément Rosset's philosophy

Published in Artpress, art magazine founded in 1972 by Catherine Millet and Daniel Templon.