MHA has ended: how do I feel?
Well, if you wanted my exact reaction, this was what I sent my friends after reading the summary:
So, It’s been years since I’ve actually read the series. Still, I’ve kept up with what’s happened in broad strokes, and I’d like to read it all in one go now that I know it’s finished and what’s happened (can’t be disappointed if you don’t have your hopes up, I guess). I know enough and have read the reactions of others enough to see that this ended, and the whole final war saga and what’s happened with it, isn’t especially popular with fans beyond those who just read for cool fights and don’t delve any deeper. My thoughts?
Well, it ended how I expected. More accurately, it didn’t create any new problems because, to me, everything people seem to be picking at is just the endpoints of problems that have existed in this series for a long time.
Let’s go blow-for-blow here. There’s some aspects like the stuff with the LoV that I don’t feel as confident speaking about because I don’t know as much, so ill be sticking with what I’m pretty confident in saying. We’ll start with:
1: Midoriya lost his Quirk, became a teacher instead of a hero
I would like to start this with a touch of positivity and say that, if he really isn’t gonna be a hero, I think hero teacher is very fitting for Midoriya. He’s got the personality for it, he has the experience for it, and it’s kind of a nice feeling that he’s there to help the ones coming after him.
So, personally, I’ve never been that into the way OFA works. I love Quirks that stick to the theme and idea that these are biologically mutations, especially when they play on classic superpowers (Shiozaki, Iida, Tsuburaba, Shoji, Ashido, Asui, etc.). Whether or not you think Midoriya should still have his power or not, the fact that he lost it and thus didn’t become a pro hero is not a new problem. That’s what happened to Ragdoll, to Hawks, to Togata (temporarily), to Knuckleduster in Vigilantes. No Quirk means no superhero. We learned that in the first chapter. Sure, it ended with All Might saying to Quirkless Midoriya “you can be a hero,” but you then you turn the page to chapter 2 and we see what he meant - “you can be a hero because I’m giving you a Quirk.” Midoriya not being a hero after losing his Quirk shouldn’t that shocking as the idea that you can be a Quirkless hero has never been on the table. “But wait,” you say, “Midoriya got a special power suit at the end and got to be a hero again with everyone else. All Might did something similar against AFO, so doesn’t that count as being a hero with no Quirk?” Well, sure, but it took 8 years and apparently a shit-ton of money to make it happen. They’re the exception to the rule. And how did they become the exceptions? Connections and accolades from when they did have Quirks. It’s the same reason why Midoriya couldn’t have his full-circle “you can be a hero” moment with an actual Quirkless kid like he was: it’d be a lie, to the kid and the audience. Speaking of…
2: Plate Boy can be a hero too!
Like I said, they couldn’t have this be a Quirkless kid because that’d go against everything that we’ve been shown up until now. Because of that, this moment is severely handicapped, to the point where I wonder if having the lie would’ve been the lesser of two evils compared to wasting a lot of time of this ending on someone who’s anxious about a starting point that is, in essence, better off than Midoriya’s starting point. If you can’t actually complete the full circle, you can’t really have that full circle moment, and the fact that this story could not have that should make the disparity of where it started vs. where it went all the more clear
3: the class losing touch, drifting apart
This may be just me, but I never really thought of Class 1-A as that much of a unit. So many of them are kept to the sidelines, so many arcs just focus on Midoriya and a couple others, usually just Bakugo and Todoroki (another group I never bought as a real cohesive group), to the point where it felt rare to have them feel like a team. Can you really say, just reading the manga, that they’re in the same vein as the Straw Hat Pirates, the Stardust Crusaders, the Black Bulls, etc. It was only rare times that they all came together in a big way, and it usually kept things to little cliques. Now, I’m not saying that the solution would have been evenly juggling 20 characters and making them all having unique connections with each other. It’s not feasible for a professional, serialized manga that has to worry about pacing, audience interest, worldbuilding, characters outside of their class, etc. (Honestly, I think the best way would have been 4 classes of 10 students instead of 2 of 20, but that’s neither here nor there.). All I can really say is, can you really be so heartbroken about 20 people who only rarely were seen interacting and working all together mostly drifting apart?
4: the structure of the Hero Association and stuff like the rankings are still in place
Again, I must say, this is an issue that’s been deeply rooted in the series. To begin, a lot of time throughout the series has indeed been about how messed up hero society has become. Even in the first chapter, we get a lot of time to take in how commercialized it’s become, how many heroes see it as just a job or even as a fame contest for riches and glory. Mt. Lady in chapter 1 was the example given of someone out for fame and money, so much so that she’s placed herself in an ill-suited environment for her power (a crowded city where she can’t maneuver properly without causing serious damage) just because it’s where more people will notice her and where there’s more villains to fight. The function of Bakugo in Chapter 1, remember, was that he was an egotistical glory hound looking to ride his innate power to glory, fame, and riches.
And further in, when we first learn about Endeavor’s deal, we’re being introduced to him as the logical endpoint of this system. He’s obsessed to the point of extreme measures, including buying a woman to marry with a strong Quirk, forcing her to have enough kids that he’ll get a suitable heir, and harshly training that heir into someone who can take his place in the societal totem pole that is the ranking of heroes. So, with all that said, why am I saying that it’s not a surprise this stuff is still around in the epilogue? Well, it’s because all of this bad stuff gets a facelift as time goes on. Bakugo became popular, so his image was cleaned up for the reader, the whole “get rich” angle was dropped, and other characters started loving and respecting him without the need for his shitty attitude to change. Endeavor was given a long, screen time-hogging “redemption arc” where the people he terrible abused forgave him. Even Mt. Lady became more noble as time went on. MHA has a serious issue with retconning its traits and brushing aside heavy topics for the sake of easy solutions and appealing to who and what is popular with fans. And, sure, give the fans what they want, but don’t do it at the cost of your story. Anyway, this is become a ramble, so I’ll get back on track. Hero rankings and the institutions of pro heroes is another part of the story that gets this sort of easy solution. It’s still around, but it’s run by “the good guys” now (It’s not like power corrupts, right? I’m sure the guy who idolizes Endeavor wouldn’t have an issues with the idea that people in power can use that power for bad things). They’ve learned, really, for true, so everything’s gonna be fine now, pinky-swears it. It really is just like Naruto’s ending, in that sense. The structures of power that have been criticized from the start are still around in the end, but because certain issues (mostly unrelated to that institution’s issues) have been dealt with, and because “the good guys” are now in charge, we’re just supposed to expect things are fine now and will be for the foreseeable future.
Anyway, that’s all I’ve really got to see. I know there are more issues people are talking about, but those are the ones I have something to say about. So, what’s the verdict? Is it a good ending? A bad ending?
It’s an ending, that’s enough.
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