Ian Hamilton Finlay, ‘Semi-idiotic poem’, c. 1960. A semi-idiotic contribution to the semiotic or code-poem genre invented by Décio Pignatari and Luiz Pinto

titsay
Cosimo Galluzzi
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@theartofmadeline
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tannertan36
occasionally subtle
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blake kathryn
One Nice Bug Per Day
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Today's Document

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Mike Driver
todays bird

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@abstracsion
Ian Hamilton Finlay, ‘Semi-idiotic poem’, c. 1960. A semi-idiotic contribution to the semiotic or code-poem genre invented by Décio Pignatari and Luiz Pinto
René Magritte, The giant, Paul Nougé, Belgian coast, 1937
Theo van Doesburg, ‘Composition XI’, 1918, Oil on Canvas, 60,7 x 105,2 cm
Piet Mondrian, ‘Composition in color A’, 1917
Blinky Palermo, Komposition mit 8 roten Rechtecken (Composition with 8 Red Rectangles), 1964, Oil and graphite on canvas 37 3/4 x 43 3/4 inches (96 x 111 cm)
Francois Morellet, ‘4 repartitions aleatoires de 2 carres suivant les chiffres 31 41 59 26 53 58 97 93’, 1958
Frederick Hammersley, 'Sanforized 1', 1967, huile sur toile, 106,7 x 106,7 cm
KP Brehmer, Seele und Gefül eines Arbeteirs (L'âme et le sentiment d'un travailleur), 1978-80, crayon gris et feutre sur papier, 12 formats A4
Keith Coventry
(via Claude Closky under construction > Animations)
Claude Closky
v at Montparnasse
http://ww.closky.info/
(via VVORK » Suchergebnisse » claude closky)
Claude Closky, ‘Untitled (severe MR)’, 2011, acrylic on canvas, 4 x 40 x 40 cm.
Marcel Wyss, 'Progression 4 x 2', 1953, laque sur bois, 60 x 60 cm
Verena Loewensberg, 'sans titre', 1945
Vera Molnar, 'Intéruption-continuation (do it yourself)', 1961, bandes de film adhésif collées sur carton, 72 x 72 cm
John McLaughlin, 'no. 4', 1972, oil and acrylic on canvas, 152.4 x 121.29 x 2.86 cm