Leigh Wells: Landscapes, 2011. Collage and gouache on paper
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Leigh Wells: Landscapes, 2011. Collage and gouache on paper
Carlos Amorales Coal Drawing Machine, 2012 Installation: machine, coal, steel, epoxy paint and paper banners all text and images found via the artist’s website, more information :estudioamorales.com
Exhibited for the first time in a former coal mine in Belgium, at Manifesta 9 “The Deep of the Modern”, this paper labyrinth generates from the output by a machine which draws with coal. By making an analogy between the mine’s excavated underground and Hell, the drawings are repetitive patterns of magic symbols that can invoke demons but which also are considered to be the predecessors of the electronic circuits that are in use today. The machine functions through the span of the exhibition, it’s output accumulating day after day. The Coal Drawing Machine, an installation, questions the tension between the hand made quality of the traditional coal drawings and the fact of these being industrially produced by a machine. It is a piece that recalls the myth of robots and machines becoming sensible, as for instance in the novel “Do Androids Dream of Electric Sheep?” by Philip K. Dick, later filmed as “Blade Runner”.
Tanaka Tomomi
Geometric Reflections
By Victoria Siemer
Lars Christensen: Works on paper
Photography of Iceland’s volcanic rivers by Andre Ermolaev
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CSAD 2014 Show : Florence Jackson
CSAD 2014 Show : Anya Szura
CSAD 2014 Show : Joshua Kendall (detail)
CSAD 2014 Show : Pilar installation by Constancia Mlambo and paintings by Annie Suganami
CSAD 2014 Show : Laura Massam (detail)
CSAD 2014 Show : Nikita McBride
CSAD 2014 Show : Shabazz Chapman (detail/reflection)
Wassily Kandinsky drawing, 1926