So be it, I’m your crowbar. If that’s what I am so far. Until you get out of this mess. And I will pretend that I don’t know of your sins, until you are ready to confess. But all the time, all the time, I’ll know.
FIONA APPLE // I Know
Stranger Things
"I'm Dorothy Gale from Kansas"
Claire Keane
TVSTRANGERTHINGS
AnasAbdin
taylor price
trying on a metaphor

Janaina Medeiros

shark vs the universe
hello vonnie
Sade Olutola
Game of Thrones Daily
Peter Solarz
One Nice Bug Per Day
$LAYYYTER

@theartofmadeline
h
let's talk about Bridgerton tea, my ask is open

祝日 / Permanent Vacation
Monterey Bay Aquarium
seen from Philippines

seen from United States

seen from Malaysia

seen from United States

seen from United Kingdom

seen from United States

seen from United States

seen from Malaysia
seen from Australia

seen from Türkiye
seen from United States
seen from Argentina
seen from United States

seen from Canada

seen from United States

seen from Canada

seen from Canada

seen from Germany
seen from United States

seen from United States
@adoredwords
So be it, I’m your crowbar. If that’s what I am so far. Until you get out of this mess. And I will pretend that I don’t know of your sins, until you are ready to confess. But all the time, all the time, I’ll know.
FIONA APPLE // I Know
堕落天使 • Fallen Angels (1995)
leave at your own chosen speed
MY OWN PRIVATE IDAHO (1991) dir. Gus Van Sant
The centerpiece of River’s performance, and the film, is a campfire scene with Reeves. Scott Favor takes Mike Waters on a road trip (on a stolen motorcycle) to visit Mike’s brother. At night, sitting by a fire they’ve made, they discuss their respective childhoods: “If I had a normal family and a good upbringing, then I would have been a well-adjusted person,” Mike insists. What’s really on his mind: he’s in love with Scott, and he’s terrified of saying so.
“I only have sex with a guy for money,” a reclining Scott tells him. “Two guys can’t love each other.”
A miserable Mike says haltingly, “I could love someone even if I, you know, wasn’t paid for it. And I love you, and you don’t pay me.” Curling up in a ball, he tells Scott, “I really want to kiss you, man.” The scene ends with Scott gently holding Mike, stroking his hair.
“This is the best part in the film,” Van Sant said, “and was chosen by River to be his big scene.” At River’s request, Van Sant scheduled it for the last day of shooting. River rewrote it himself, making it more lyrical and making his love for Scott explicit (in Van Sant’s original script, the relationship was more ambiguous).
“‘I love you, and you don’t have to pay me’—I’m so glad I wrote that line,” River said. “I think that in his private life, Mike was probably a virgin, so he only relates sex with work.” River had spent some time thinking about situational virginity, and the emotional consequences of having sex when you didn’t want to have it.
— Last Night at the Viper Room: River Phoenix and the Hollywood he left behind by Gavin Edwards
RIVER PHOENIX My Own Private Idaho (1991) 🌼
My Own Private Idaho (1991) Directed By Gus Van Sant
My Own Private Idaho (Gus Van Sant, 1991)
Anna Karina - Le Petit Soldat ( Jean-Luc Godard )
" She is in a world of her own.."
“La Chinoise, ou plutôt à la Chinoise: un film en train de se faire” (1967) by Jean-Luc Godard
“La Chinoise” (1967) by Jean-Luc Godard
Jacek Jędral - Untitled, 2020, oil on canvas, 40x50 cm
“My grandfather always said that living is like licking honey off a thorn.”
— Louis Adamic (via pattiocleavis)
Gustav Vigeland, Coitus, 1898
Marie Howe, from Magdalene: Poems; "The Teacher"
Text ID: Can the body love beyond hunger? / You tell me what you know of desire and surrender.
The Umbrellas of Cherbourg (1964), An Impossible Love (2018)
“Oh your gaze is dangerous”
Greta Garbo, Love, 1927