When you think you are over certain traumas. Life has got a fucked up way of reminding you.
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When you think you are over certain traumas. Life has got a fucked up way of reminding you.
April 4, 2021
People in St Louis jail revolt against the inhumane and horrific conditions inside, which have only gotten worse since the start of covid. This prison has been the site of protests since 2017 because of its uncleanliness, brutal working conditions, and violent and inept guards. Hundreds of people have been waiting to receive their court dates for two, three, or even five years now, in a state of indefinite imprisonment, which is being extended further under the justification of covid. This is the third uprising since December 2020. The inmates’ demands for proper medical care, court dates, and fair treatment from correctional officers have still not been met. Covid protocols are not being followed at all and inmates are often refused medical attention and exposed to disease by correctional officers and arbitrarily punished.
Read their statement from February 6th on the extent of the misery and degradation they have been subjected to in this violent system. These people are not disposable and do not deserve to be treated as such! Revolutionary love and solidarity to all those incarcerated & struggling to be free.
The Art of Jakub Rozalski
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Vision and the Scarlet Witch by Alex Ross from the cover of Vision & The Scarlet Witch: The Saga of Wanda and the Vision (2021)
So over on patreon Trevor asked for my take on the Addams Family and I grew up LOVING the Addams family movies so here we are. Instead of doing a straight up style interpretation, I decided to do a full on design challenge, using the characters as bases to make a black southern gothic Addams au. I actually drew the kids first, using the character bases of Wednesday and Pugsley to create some delightful kiddos I’m calling Sunday and Blanche. I of course then redesigned Gomez and Morticia into Carlisle and Mortesha.
The Addams have a very specific high aristocratic goth aesthetic (they’ve got a butler and nobody really works among other things) so in this re-imagining I wanted to go with vibes that run a little more middle class/upper middle class.  I thought it would be interesting to think about what would be considered weird and off-putting in an entirely different culture, and how being a big ol’ goth is way less controversial than it used to be.
I tried to keep this short (HAHAHAHAHAHA) so I didn’t spin off into an essay about villain coded families, black people in the horror genre, and normalcy as it pertains to social survival, but just…bits of that are in these designs and lore. Keep that in mind.
Also I made the kids twins because they’ve flip flopped in age so much in different media and also twins run in my family (i’m the daughter of one). And let’s face it, I’m pulling a lot of their southern gothic traits from living as a southern goth so *shrug*.
10 thousand pounds of lore incoming loooooooooool.
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BLAKE LIVELY as Emily Nelson A SIMPLE FAVOR (2018)