Elizabeth Thompson turned 9 today!
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Elizabeth Thompson turned 9 today!
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25 posts!
(..but for a better looking medal scroll down below to the Minute Minuet!)
This way to Fringe Programme 2016..
Inspirational performance at the Fringe by Austentatious.
I have been asked whether I might consider the Edinburgh Fringe as a platform for my dance workshops...
..well I can at least take a closer look to find out more!
(via https://www.youtube.com/watch?v=qbT2gpN3KMQ)
Fringe Talk: Famous names speak about what the festival means to them
The Minute Minuet
‘I would like to demonstrate, practice and create a minuet in the context of a workshop, to benefit the health and wellbeing of all those taking part’
..the aim of my latest MA Arts Practice project. Follow this exciting venture in all posts titled The Minute Minuet.
Kaemmerer, F, H. (1890). The Minuet. [Oil Painting]. Netherlands.
The Minute Minuet
FIRST STEP:
all six...
Visual Instruction of the Court Minuet Step.
The Minute Minuet (medal)
I have designs on creating a medal, to be awarded to all participants of my workshop, to become a memento of their Minuet experience.
And now, I present to you…
the finished article!
The Minute Minuet
The Minute Minuet requests the pleasure of your company to participate in the artist’s love of historic music and dance by exploring the Court Minuet, a typical Baroque dance for two people. Verbal and visual instruction combine to explain the six beat & corresponding six-stepped phrase which, as a repeated and travelling move, characterises the elegant symmetry of its display.
Dimensions of measured time are a feature of the workshop, expressed not only though musical sound but also through visual form. The iconographic references shown on a clock dial offer as examples, shapes, for you to turn the minute’s related symbols into physical movement. This may encourage further connected visual ideas for transposing into simple choreographic form.
Drawn ideas are welcomed onto the blackboard which is used here as an interactive learning resource for the activity. Your own inner compass, exercised through a chalk line navigates a singular path of travel, which, when mirrored becomes one of two symmetrical halves. When the two paths are retraced by a dancing pair this presents the complete spatial arrangement of your minuet and the reflective symmetries within. In effect, this creates a map of your own newly invented minuet dance, which can be stepped around the floor.
This workshop is designed for learning, practice and play, your participation however brief or long being a valuable contribution. Your efforts are rewarded with a keepsake medal to recall the experience of your own creative minuet being ‘the ball in your court’.
The Minute Minuet
Front cover of The Minute Minuet research folio:
Workshop Day, USW.
An afternoon spent exploring the vehicle that is the workshop:
MA AHWB had been asked, in pairs, to give a 25 min workshop to the others in the group. With four workshops in total this also meant participating in two and observing one other. I was partnered with Helen, a 1st year student with a specialism in music/singing for health and who originally suggested that we hold a recorder-playing workshop! At first I thought the theme was perhaps biased my way, but on reflection I could see the value in acquiring further knowledge that could serve me very usefully in the future. I could pull my research and preparation for the workshop over into my blog as well, so another advantage. Also, because it was a topic both Helen and I had experience with, we had, between us a good number of recorders in the range to bring along and use for the participatory element. We had three weeks to prepare the activity.
The following is a summary of the four workshops that took place and which includes my own critique and other observations I noted from the activity. I then talk about other factors which I, myself consider important for healthy workshop activity.
Workshop A, the first of the afternoon delivered an animal-making activity using common found objects and craft material. This creative task invited participants to form any kind of creature with the materials that were provided, laid out on a separate work table.
(-) Odd spatial arrangement: I was immediately struck by the awkward arrangement of the activity area. The work station was a long table, length-edge against the wall, with no choice but for participants to work with their backs facing into the room. Working alongside others in a linear arrangement was also uncomfortable as it felt to discourage the flow of group discussion.
(+) Individual ‘person-centred’ activity: Plenty of opportunity for personal, imaginative expression, carried out in a relaxed, communal environment.
Workshop B was was our recorder-playing activity which myself and Helen delivered. I had prepared a good amount of background information to introduce to participants, which aimed to provide a context and a better understanding of the subject. Helen composed a waltz, titled the MA Waltz with simple accompaniment parts and with a duet tune over the top which, between us, Helen and I would play.
(-) Delivery of historical & theoretical info: It was questioned whether the presentation of my research was delivered too much in the style of a lecture! A comment was raised about the content being too academic.
(+) Enjoyable practical element. Laughter: New, unexpected encounters can easily give rise to laughter and this was the reaction from our participants, when practicing the recorders.
(+) Continuous guidance: A new activity requires good, clear instruction so that: participants feel supported, communication is encouraged, questions are answered and a better understanding of the task takes place.
Workshop Day, USW. Part 2...
The third activity, workshop C invited participants to make ‘affirmation stones’. The purpose of the stone is to bring about positive thought and supportive feeling, almost like a transitional object and, to become a personal keepsake. Words which are meaningful and affirmative for the participant are selected and cut out of magazines and pasted onto the surface of the stone with a quick-setting adhesive.
(+) Clearly expressed, straightforward introduction: Both facilitators worked comfortably with each other. Each understood their particular contribution within the facilitating role. Clear explanation was given from the start, lasting several minutes, before beginning the practical element.
(+) Well-balance instruction and self-directed activity: I felt distinctly calm when observing this workshop. A comfortable balance was struck between guiding the participants and allowing them to thoughtfully engage and proceed with the task individually. This relaxed, yet supportive thread was pleasing to observe.
(+) Helpful physical arrangement: The two facilitators positioned themselves at opposite sides of a square table with participants arranged in between. This enabled evenly-balanced instruction and easy exchange within the group.
WORKSHOP D:
the subject of the final workshop of the afternoon was life drawing in the Cubist style. The theme centred around how the drawn image, unlike a photograph, is multi-faceted and, by showing the many angles of a figure can express more, by conveying the different aspects of personality and of emotion. After a clear explanation of the proposed task, participants, with the materials provided, were given 10 minutes to draw a seated figure, in this case, Sean, one of the two group leaders.
(-) Confusing definition: The subject itself was expressed perhaps a little obscurely. Therefore it wasn’t immediately clear how we should approach the task. Fo this reason I felt slightly daunted at drawing in a group, in case I hadn’t understood the aim of the exercise.
(-) Confined spatial arrangement: I noted the spatial arrangement of the tables on which we worked. The two tables being positioned on the two sloping slides of a triangular arrangement suggested a stage set, and therefore implied our performance in front of an audience. I couldn’t help but feel like a game show contestant!
(+) Clear introduction: The introduction was verbally well delivered by both facilitators. They both also showed patience and a readiness to explain points that were misunderstood first time.