Gerald Mynott “Italian Villa Tuscany”
From the Collection of twelve lithographic prints from The Curwen Studio,1984-87.

gracie abrams
Cosmic Funnies
"I'm Dorothy Gale from Kansas"
noise dept.

blake kathryn
Mike Driver

Kiana Khansmith
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★
will byers stan first human second
trying on a metaphor
he wasn't even looking at me and he found me
TVSTRANGERTHINGS
Xuebing Du
Not today Justin

bliss lane
Claire Keane
Misplaced Lens Cap
we're not kids anymore.
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Gerald Mynott “Italian Villa Tuscany”
From the Collection of twelve lithographic prints from The Curwen Studio,1984-87.
Abbott Handerson Thayer, William Michael Spartali Stillman (1905)
Hi everyone, I still exist, but so does my PhD work, so... I’ll reappear some day I’m sure. For now, here’s a nice thing I saw this weekend in Rome. Burne-Jones mosaics at St. Paul’s Within the Walls. (And if you’re here to ask if I’m willing to give away or sell my URL: No. Sorry. I’ve had it ten years now. I’m attached.)
Jane Peterson (American, 1876-1965), Cactus flowers. Oil on canvas, 32 x 32 in.
Eugen Jettel (Austrian, 1845-1901), A meadow with willow trees near Staatz, c.1898. Gouache on cardboard, 34.8 x 25.7 cm.
via windypoplarsroom
Plas Brondanw by David Biggins Via Flickr: Orangery
These stunning photographs of Hong Kong in the 1950s are captured beautifully by a teenager. Ho Fan who arrived from Shanghai in 1949. The streets, filled with vendors, coolies and rickshaw drivers, fascinated Ho. Taking pictures in a studio was the norm then, but the Ho was more interested in r
His name is Ho Fan, and these pictures are from his book, “A Hong Kong Memoir.”
Meni Chatzipanagiotou @menis-art
https://www.behance.net/meni_chatz
Check us out on Instagram: @Lesstalkmoreillustration
Watercolour cats by Endre Penovac
A Forest Stream, Hendrik Pieter Koekkoek
Martin Jacobson (Swedish, b. 1978), Illuminated winter oak, 2013. Watercolour on paper, 72 x 96 cm.
Ice storm - c. 1920s - (Via)
Guignard Saner - Highway Chapel, Uri 1997. The monolithic exterior shields a meditative courtyard in the back from the highway noise, allowing visitors to focus on the mountain range. The windows are filled with crushed glass used from recycled bottles. Photos © Dominic Büttner.
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Eugène Grasset, Design drawing, 1900. Gouache and watercolour Marguerite brooch, made by Maison Vever, Paris