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PUT YOUR BEARD IN MY MOUTH

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❣ Chile in a Photography ❣
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Claire Keane
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shark vs the universe
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@afieldinengland
2 glasses of red wine, 1 pint of irish stout, 1 zombie, 1 tequila sunrise, 1 brandy and soda, 1 pitcher of blue lagoon, 2 peach vodka lemonades. five cigarettes. 12 hours of straight socialising and back in my hotel room buzzing because my coursemates are so lovely
tequila drunk and having the time of my life
tipsy on red wine at the dissertation symposium wine reception recommending georges bataille’s story of the eye
dissertation symposium is about smoking a lot and making a pun in your presentation that you think no one laughed at + then having people come up to you to say they found it funny
the words ‘doing something gross + cronenburgian with shakespeare’ are appearing in my notes for my presentation at the dissertation symposium of my master’s degree
the words ‘doing something gross + cronenburgian with shakespeare’ are appearing in my notes for my presentation at the dissertation symposium of my master’s degree
Mad At You Island is where the events of William Shakespeare's The Tempest take place
does anyone know
dealer: this new strain is called The New Machiavelli: How to Wield Power in the Modern World 🔥💯 it’ll have you zonked out of your gourd
me: yeah whatever. i don’t feel shit.
[20 minutes later]
me: I asked what on earth they could have to talk about for three hours. In response, Tony asked if I had ever been in love. 'Not with a man,' I replied.
my buddy jonathan pacing: the brownites are lying to us
i really need to reread the new machiavelli i forgot how hateful and crazy it is
vincent price calling christopher lee a bitch asmr
great work everybody
francis urquhart, mattie storin, and sarah harding in house of cards (1990-1995)
'so many people gather in these rooms where lovers meet. so many ghosts. so many silent witnesses from my past life and her present one. sometimes it seems they suck up all the sweet, fresh air, and i can't breathe.'
mark j. blechner, 'king lear, king leir, and incest wishes' | house of cards: to play the king (1993) | robert browning, 'my last duchess' | house of cards (1990) | amy woodbury tease, 'watching house of cards in the age of trump' | detail from gustave doré's illustration for charles perrault's bluebeard | arpad pancuz, 'psychopathology of shakespeare's king lear' | william shakespeare, king lear | detail from anonymous' 'könig lear verstößt seine tochter cordelia'
dealer: this strain is called Francis Urquhart 💯🔥 it’ll have you zonked out of your gourd
me: yeah whatever. i don’t feel shit.
[10 minutes later]
me: Deeper than honour, deeper than pride, deeper than lust, deeper than love, is the getting of it all. The seizing and the holding on. The jaw is locked, biting into power, and hanging on. Biting and hanging on.
my buddy the prime minister pacing: they’ve got the tape and the cyprus document, we’re lost
you know what character from house of cards really fascinates me in retrospect? sarah harding. she is, from the moment she’s introduced, essentially francis urquhart’s attempt at replacing mattie. she’s hand-picked from the milieu at a party at chequers by urquhart’s wife for expressly that purpose. she, like mattie, is beautiful, clever, blonde, and in her mid-twenties— she’s a pollster, not a journalist, but the role that urquhart negotiates with her is very similar. a close companion and unwitting pawn. like mattie, too, she is the one to make the first move to start their affair…. although she doesn’t seek out the paternal aspect that mattie did, they get very close and she clearly falls in love with him before she starts to smell a rat and tries to go back to her husband. it’s very interesting to watch her get slightly obsessed with mattie, to go down into the archives to read her work in the chronicle and how she profiled urquhart when they first met. browning’s duke’s second wife pulling back the curtain to stare at his ‘last duchess’. fascinating, too, that she starts their relationship in the first place after a group of street thugs attack her and say ‘ask ‘im about mattie storin’ and ends up in urquhart’s office with a whiskey doing exactly that. she’s spun the lie that mattie jumped from the roof— and in response, she declares that it ‘won’t be like that with me’. and when all this comes to a head, and she finds out from tim stamper what really happened to urquhart’s last mistress— ‘this grew, i gave commands’— francis is steps ahead of her, coldly arranging for her a violent death. then, in the third series, while urquhart is dreaming of mattie at night, seeing her constantly in his head, he only ever says sarah’s name once– in a list, when all his other past victims are coming to his tongue. she is simply one face among many: ‘stamper and sarah gone’. she doesn’t even get a clause to herself. it is deeply intriguing, and one has to assume it’s purposeful. sarah was just a second girl wearing cordelia’s face, being called cordelia’s name. the explosion she dies in almost obliterates her not just physically, but narratively. while mattie, even though her tape remains secret, speaks on, and on
times that francis mentions mattie following her death, including his recurring flashbacks: 15
times that francis mentions sarah following her death: 1