Filiz Ahmet as Nigar Kalfa and Okan Yalabik as Pargalı Ibrahim Pasha Muhtesem Yüzyil (2011 - 2014)

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Filiz Ahmet as Nigar Kalfa and Okan Yalabik as Pargalı Ibrahim Pasha Muhtesem Yüzyil (2011 - 2014)
people freaking out over celebrities cheating + demanding statements to “hold them responsible” when a celebrity’s main job is to have extramarital affairs for our entertainment…would you ask a butterfly not to leave its chrysalis…
Do you ever think about how Heathcliff was just 20 when Catherine died?
This is a fascinating description of the story because while Bernice is partially Native American and her cousin Olive Marjorie is a “Saxon blonde”, there is surprisingly little emphasis on this factor in the story itself. I really don’t think Bernice’s woes in the story are caused by it. Even Valancy’s eyes get more emphasis in The Blue Castle.
Edit:
Okay, I did not consider the “scalp” reference. I will read more critical analysis on this story.
“It would degrade me to marry Heathcliff now.”
“Nelly, I am Heathcliff!”
So you are degrading yourself?
Me, who spent the better part of 2010 debating members of Team Gale on why Peeta is the one Katniss actually loves, now seeing posts about how "there was never a Team Gale" and "it was all for the movies"
The kind of victory one can only dream about.
From the story “Bernice Bobs Her Hair” by F. Scott Fitzgerald
I have wanted to read this story for some time and of course I decided to read it today.
The difference between Bernice and Valancy is that Bernice (at least so far) seems to be genuinely dull and conservative whereas Valancy seemed that way in her adolescence due to anxiety but was always witty in her inner life.
But really, this short story could be a good addition to The Blue Castleosphere.
Commentary on Chapter 28 of The Blue Castle
“Summer passed by.”
The first days of the Valarney marriage aren’t told in detail. Why? Because of sex.
We are entering the phase where I read a sexual subtext into everything.
“The Stirling clan—with the insignificant exception of Cousin Georgiana”
Aww. Why “insignificant”?
“Valancy, bareheaded, with stars in her eyes. Barney, bareheaded, smoking his pipe. But shaved. Always shaved now, if any of them had noticed it.”
Barney is shaving because otherwise his beard tickles Valancy.
“I’m really quite a middle-aged dog. Thirty-five, if you’re interested in knowing.”
So we learn Barney’s age in a somewhat clumsy exposition. But I am glad to know.
“Valancy was happy—gloriously and entirely so. She seemed to be living in a wonderful house of life and every day opened a new, mysterious room.”
I love the second sentence. Another Bluebeard allusion?
“It was in a world which had nothing in common with the one she had left behind—a world where time was not—which was young with immortal youth—where there was neither past nor future but only the present. She surrendered herself utterly to the charm of it.
The absolute freedom of it all was unbelievable. They could do exactly as they liked. No Mrs. Grundy. No traditions. No relatives. Or in-laws.”
Part of the wish-fulfillment comes from the total lack of responsibility permitted by her impending death. That’s why the book’s ending is a tiny bit more ambivalent than you might think.
“Peace, perfect peace, with loved ones far away,” as Barney quoted shamelessly.”
The quote is from a hymn from 1875. I love how it applies to Barney’s background as well as Valancy’s, as we will learn.
“But it’s a lovely spread,” said Valancy, with a kiss”
Did Valancy just kiss Cousin Georgiana? That’s sweet.
“Valancy thought she was almost pretty in that mirror. But that may have been because she had shingled her hair.”
IT’S HAPPENING
THIS IS SO ICONIC
“This was before the day of bobs and was regarded as a wild, unheard-of proceeding—unless you had typhoid. When Mrs. Frederick heard of it she almost decided to erase Valancy’s name from the family Bible.”
When does this book take place? I still think it is the 1920s and Deerwood simply did not catch up to the fashion.
“Barney cut the hair, square off at the back of Valancy’s neck, bringing it down in a short black fringe over her forehead. It gave a meaning and a purpose to her little, three-cornered face that it never had possessed before. Even her nose ceased to irritate her.”
I like how she becomes prettier with a different hair-style that suits her. There is a lesson in this that I can’t articulate just now.
“Her eyes were bright, and her sallow skin had cleared to the hue of creamy ivory. The old family joke had come true—she was really fat at last—anyway, no longer skinny. Valancy might never be beautiful, but she was of the type that looks its best in the woods—elfin—mocking—alluring.”
I like this. Her sallow skin and thin frame were caused by being indoors and inadequate nourishment.
I also like that Valancy is “not conventionally attractive but charismatic”. There are not many young female protagonists who are that.
The Planned Structure and Chronology of Wu’s:
Chapter 1: Valancy - 1922
Chapter 2: Valancy - 1924
Chapter 3: Valancy - 1924
Chapter 4: Amelia - 1892 (to be posted)
Chapter 5: Hao - 1884 (to be posted)
Chapter 6: Amelia - 1893 (to be posted)
Chapter 7: Valancy - 1924 (to be posted)
Chapter 8: Valancy - 1925 (to be posted)
I have posted the first three chapters, and I am now having a mini writer’s block because the focus is shifting to Amelia and Hao from Valancy and Barney, and Amelia is a caricature in canon and Hao is my OC.
I am also somewhat undecided on whether to make Amelia and Hao’s an epic love story or a more casual thing that ended in a pregnancy.
All that is to say, if you have any headcanons or speculations about Amelia Stirling’s past you can share them with me, they might inspire me to write Chapter 4.
"A Summer Afternoon", (1924), oil on canvas | Herman H. Wessel (American, b.1878, d.1969), painter | Cincinnati Art Museum.
silly merricat
“When Dante Gabriel Rossetti read the novel Wuthering Heights, he wrote to a friend: “The action takes place in Hell, but the places, I don’t know why, have English names.””
— Jorge Luis Borges, “Julio Cortazar, Stories” from Prologues to a Personal Library.
Teresa Wright and Joseph Cotten in SHADOW OF A DOUBT (1943)
Kay Adshead (Cathy) and Ken Hutchison (Heathcliff) in "Wuthering Heights" 1978 version.
This is the criticism I mentioned in my Chapter 27 commentary of Valancy being unchanged throughout the novel. It is by a critic named Nancy Holmes:
Look, The Blue Castle is not a subtle literary masterpiece full of inscrutable subtexts and incredible linguistic finesse. I don’t want or need a Norton Critical Edition of The Blue Castle. But the “legitimate” literary critics discussing this novel (and Montgomery in general) are almost trying too hard to be dismissive of it.
Structurally The Blue Castle is a fine and competent popular novel, and it is genuinely (and almost uniquely) inspiring and uplifting for a certain kind of (mostly female) reader. And I don’t think that this “inspiring” and “uplifting” effect that many of us experienced through this book can be achieved without some level of competence and nuance and humor.
I find it flawed that canonical books and “popular fiction” are so throughly distinguished from each other in academia. Yes, I do agree that Wuthering Heights and Jane Eyre have more literary merit than The Blue Castle. But it is still a bit absurd to treat Wuthering Heights and Jane Eyre as sacred inscrutable texts full of hidden meanings where everything in them was intentionally put in there by their authors, whereas something like The Blue Castle is so trashy that we need to poke holes in even the elements of it that work and study it as if it is an advertisement for Coca Cola instead of a work of art written by a particular individual person.
To be fair I am not just talking about Nancy Holmes’s essay here. What she says about Valancy’s character development is patently wrong, but I am more criticizing a general trend I observed.
The most changeling-coded Wuthering Heights character:
Heathcliff
Catherine Earnshaw
Linton Heathcliff
Other (explain)
I think there is such a good case to be made for both Heathcliff and his son. In this they are alike.
Ostensibly it's Heathcliff because he's the kid that turns up out of nowhere but to explore the concept of the changeling as a misunderstood autistic child as some historians speculate, Catherine fits the bill quite well. In particular she's shown trying out different personalities for size to try to blend in with those around her, and ultimately suffocating in the various masks she wears. She suffers serious meltdowns when things don't go the way she planned them in her head.
Autism is a relevant and under-studied lens for Wuthering Heights, given that historians also speculate Emily Brontë showed some signs of being on the spectrum.
There is an entire book studying Pride and Prejudice through the lens of autism. I would read it if the same was done for Wuthering Heights.
The most changeling-coded Wuthering Heights character:
Heathcliff
Catherine Earnshaw
Linton Heathcliff
Other (explain)
I think there is such a good case to be made for both Heathcliff and his son. In this they are alike.