[ahealingthing]

we going through, we going through, we going through, we going through.

i heard it’s the only way out

you coming too?

[widefuturesss]

As someone who cannot rlly categorize my creative practice, we been rlly struggling with presenting our many faces :(

Especially with visual art, there are some images I have learnt to guard with my whole heArt.

Now especially as an alchemist, l've been asking myself less what I want from an image, and more: what does the image want? what does it need? what wishes to be revealed, transformed, protected, obscured, or remembered?

This season especially - I am trying my best to listen.

[blksouthernfemme]

Audre Lorde Photo Album

[photoarchive]

Josué Azor, selection from Nocturnes, 2014

[ahealingthing]

akwaeke emezi’s Son of the Morning was intoxicating, i need someone to debrief it with immediately

[theresbloodonyouu]

[photoarchive]

Misha Vallejo Prutt, selection from Yachacs, 2011-2012

[cheshmenoor]

[achillesinhighheels]

Lindsay Perryman’s ‘Tops’

[emekkka]

my favourite

[freejoe237]

[universalstudent]

Coming thru

[pierppasolini]

Cane River (1982) // dir. Horace B. Jenkins

[veronicastpierre]

You too can be carved anew by the details of your devotions.

— Mary Oliver

[silentnoiseee]

Screenshot from Rouge Album trailer directed by Chukwuka Nwobi 2025

[pussymargiela]

[cosmicanger]

Liz Johnson Artur, ‘I Will Keep You in Good Company’ (SPBH Editions / MACK, 2025). Courtesy of the artist, SPBH Editions, and MACK

[photoarchive]

Kiluanji Kia Henda, Objet Trouvé #1, 2016