In Nomine Dei NostriSatanas
Nafarmaan, A colossal name in the Extreme Metal Scene of Bangladesh.
An act of blasphemy that induces terror in your veins as it slowly feasts it’s way to consume everything living in yourself, The Terror makes you dispute your beliefs.
Nafarmaan Unleashed Their Debut EP “Quayamat Lullaby” on February 10th, 2014 Under The Swedish Record Label “Salute Records”. Nafarmaan created four Masterpieces in Black/Death Metal Genre on The “Quayamat Lullaby” Record.
The EP Begins with The Album Titled Track “Quayamat Lullaby”. As Israfil blows the trumpet, Mighty Nohttzver brings the prologue to Quayamat. You’ll witness the vivid display of Quayamat with Agnee Azab’s wrecking tremolo picking and as Soon as Imam Iblis’s scarring vocals appears forcing you to be “AWAKE!!” There will be no doubt left that the Quayamat Has Began.
The Track Goes On, Shattering and Fracturing every beliefs and existence. As The Blasphemy is Rising, The Light Of Mirth, Peace and Joy gets Demolished By Nafarmaani. You are not allowed to close your eyes but to witness the sufferance The Quayamat is Constructing. The Vulgar Display, Nafarmaan creates will make you question your tolerance with every certainty.
The track changes it’s flow to extreme as constructing the experience and leaving you to the conclusion of asking for death as a blessing.
Nafarmaan declares eternal torment for whoever is against their blasphemy and the act follows on.
"Bloodsoaked Revelation" The track starts with a whirling riff and a growl from Imam Iblish and with that you immediately know it's an immense greatness. The track showcases an authentic display of blind belief in a certain form of art that leads to the most greatest part of the track.
Two minute fifty-five seconds mark the time. Agnee Azab's hellish tremolo picking, Imam's howling vocals, Papai's mighty basslines and Nohttzver's groovy drums shows you a path through a torment. You'll sense the heat, as the war rages on and the desert drowns in blood. You'll witness Agnee Azab's impaling guitar solo coming towards you and remarking a great existence of musical superiority.
The following track is a significant piece of Art. It showcases Nafarmaan’s true sound and the superiority of each member of the group at the very top. The track is heavy and rich both lyrically and instrumentally.
With a breezing intro Nafarmaan tells a story of sorrow in “Leashed Silence”. The track starts slowly as a suffering death of a believer is occurring. A widow, who burns in the fire in the reign of Nafarmaani. Nafarmaan shows a picture of the crematorium where the believers are surrounded with agony and no hope to be alive.
The track gloriously changes the speed to a classic style of black/death metal with the signature of Nafarmaan.
As the fire of crematorium burns high the infernal torment follows on!
The atmospheric sound arrangement will make you witness the torment, the sufferance, the story and the death in the greatest form of art, Nafarmaan created in the following track. The track comes to it’s ending with Imam Iblis’s screeching vocals that represents the torment the track describes and a glorious poetry verse that leads to the sound of the fire burning in a slow but infernal manner!
The EP leads to the last track “Godless Messiah”. You’ll witness all of the members of the group performing art of their own style in the extreme!
As Imam Iblis reads the verses of the Nafarmaani reign. The Epic drum rolls of Nohttzver shall make you astonished along with Agnee Azab’s destructive guitars and Papai’s mighty basslines!
The track follows an aggressive and heavy sound! With the the chanting vocals of Imam Iblis thee shall be on your knees to hail the “Godless Messiah”.
The Track Ends as Nafarmaan Declares their very own reign ov Nafarmaani, Blasphemy where There’s no religion nor beliefs.
Quayamat Lullaby is a manifestation and a greatness which makes Nafarmaan an Iconic name in the scene.
For The Contribution of Nafarmaan’s Four mighty slayers the EP is a masterpiece!
Hail Nafarmaan.