Beautiful, despairing Tony Leung in Wong Kar Wai’s Chungking Express (1994).
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Kaledo Art

shark vs the universe
wallacepolsom

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noise dept.

#extradirty

祝日 / Permanent Vacation
trying on a metaphor
AnasAbdin

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One Nice Bug Per Day

titsay
TVSTRANGERTHINGS
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Stranger Things
taylor price
Game of Thrones Daily
Three Goblin Art
Claire Keane

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@aissale
Beautiful, despairing Tony Leung in Wong Kar Wai’s Chungking Express (1994).
Leftovers --- Karin Mamma Andersson
Frank O'Hara 💘
Keyboard man at Montgomery Bart station, somewhere in a frenzied wind tunnel of unsolicited but not entirely unwelcome insight, to no one in particular: “Don’t you know you’re going to die?!”
Perfect.
Somehow the fisheye-scoped cameo of an off-brand Sofia Coppola in the driver’s seat lends extra magic to this runaway dreamscape
For much of a typical week, I earn my livelihood in an environment that flurries the mind and steeps the senses, rarely to desired results. In a day’s spin cycle, I set my eyes on and make small talk with strangers--very few among them now-naturalized acquaintances--at a rate of which should be unnatural and alarming to anyone. Shift’s end then signals the beginning of a social hangover that might drag well into the next hour, whenever the effects wear off, until my cells round out again, and I recombine satisfactorily into a person. Having wrenched myself out, I work to put up all the appropriate safeguards for the precious left of day. I shy from messages or phone calls, balk at opportunities of re-entering the world to ‘let off steam.’
On in-between days, coffee with that friend could very well refresh the world, and karaoke with the group could split it wide open. But that is only made possible after most days, when I am a little too happy to come home to a tiny garage-studio I share with my boyfriend, my person across a crowded room--where we can be quiet together.
After a certain later hour, taking the effort to prepare a cup of coffee becomes, in truth, testimony to missing your mother–or rather, my mother. An expression of doubled melancholy for the morning long chiseled away by turns of the day, or the one about to herald its break of the next one. Here I betray only one of many hairline vulnerabilities in the brave china plate of nascent, precarious adulthood. Going through the motions is an intimation into past family life, an inadvertent retreat into safe spaces long outgrown.
A: it’s always so funny to see you do that R: do what? A: you know, drink from there [the bathroom sink faucet]. Like it’s a fountain. R: but it is, it’s a magical thing that dispenses water!
I am awfully greedy, I want everything from life. I want to be a woman and to be a man, to have many friends and to have loneliness, to work much and write good books, to travel and enjoy myself, to be selfish and to be unselfish… You see, it is difficult to get all which I want. and then when I do not succeed I get mad with anger.
Simone de Beauvoir (via fuliajulia)
#same
Dry Eyes, Wild Cries
More often than not, a burst of energy not yet felt theretofore, a retroactive ghost, shows itself in slipshod pods of time. This one conducted himself in long strides of economy which minimized the footwork and freed up all the guesswork. “I saw you over there while we were waiting in line,” he had said tritely, point-blank, one gray evening in a Starbucks, the chair opposite suddenly obliging him. “You’re not really reading that right now, are you?” People often got the feeling he derived special pleasure from these minor probes, inciting situational annoyances, private offenses. That he liked to perform human litmus tests, social experiments, measure and divine something of a given climate, then upset the balance a little. Knowing him was always preceded, or forestalled, by a languishing lull, certain hot flashes that predisposed a person to his advances. They were the breed of thoughts that visit when you are in bed swarmed by night, inundated by the summer hum of a bright beach, or staring out into a sprawling sunset at an innocuous distance. The point being, you are quite alone when it happens, even when you are not. No real reason. The Russians have a word for it: toska. His was thus a welcome entry of transgression, and one whose then-unlocked society I had sought in secret since time immemorial. That he came expressed phenotypically male, it serves to note, is only incidental and ultimately of no consequence. I no longer had to explain or account for myself; my actions and our quiet solidarity alone proved enough. He would later follow me to college and live on the fringe, coming and going as was the whim and wind. I sometimes glimpsed him just as I would be alighting or disembarking a bus, our sleeves brushing as he climbed down to a stop, or belatedly discovering we had been on the same route for half an hour, respectively. I wondered about his whereabouts, who he saw, imagined mirrored scenarios. He was outward-reaching and generous, self-generating. Even so, he was the one who taught me how to internalize everything. The day he left I’d driven him to SFO, saw him off as he hauled a single piece of luggage from the trunk, a tattered Jansport carry-on clipped to his back. We brusquely hugged at the loading dock, no ceremony, he pulling away with the same long, ground-assailing strides by which he had first arrived, jaw working on some morsel of gum, grinning, me brimming over, he swiveling around just once before the automatic doors eclipsed him whole.
Am I so dear?
Do I run rare?
"A book must be the axe for the frozen sea within us". --Franz Kafka, born 130 years ago to this day.
Me, upon seeing Roman again after a lapse of many weeks: "Is this real life?"
“You cannot meet someone for a moment, or even cast eyes on someone in the street, without changing. That is my subject.”
Carolyn Kizer (via theparisreview)