Hedda Hopper and Tallulah Bankhead having a good time….
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Hedda Hopper and Tallulah Bankhead having a good time….
Socialite Barbara “Babe” Cushing Mortimer Paley (AKA Babe Paley) wears a suit by British designer Digby Morton in a photo by Clifford Coffin for Vogue, London, August 1946
Sharon Tate on the set of ‘Rosemary’s baby’. Photo by Irv Steinberg
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A woman shops for a fur coat at Bergdorf Goodman in New York City. Her Chinese pug, Miss Puffet, sits on a nearby chaise. December 1964. This is a previously unpublished image.Photograph by Albert Moldvay, National Geographic
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“I am certain,” she said, “that more people were puzzled when I was selected to play Scarlett O'Hara than when I announced that I was going to appear as Juliet. Yet one type is just as foreign to my nature as the other. One is a young Italian girl with no worldly experience who is swept off her feet by an overpowering passion. Her love carries all before it and reason plays no part in what she does. The other’s real emotions are throttled by a calculating worldliness. Everything she does is the result of premeditation. She is strong, capable, practical. The only thing the two have in common is that neither finds happiness.” - Vivien Leigh in an interview, Juliet, Not Scarlett, 1940.
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