Alfonso_IX

Del norte al sur pasando por Badajoz

[alfonsodeneon-blog]

#buenosdias #martes #desdelaoficina #archiveros #morning #archive #records #office #coffee (en Mérida, Spain)

[alfonsodeneon-blog]

Hoy toca moverse en #Badajoz. Aprovechando el tiempo “bueno” 🤪 #outdoors #running #walking #healthylifestyle (en Badajoz, Spain)

[alfonsodeneon-blog]

Dicen que hay q probar cosas nuevas...el #metrodesevilla es una maravilla...🤪 #dejavu estoy en madrid o donde? #felizdomingo huele a pipí. (en Seville, Spain)

[alfonsodeneon-blog]

Hermosa como era

Aquella tarde por fin, llegué hasta sus puertas. La imponente Batalyaws estaba allí, a mis pies, y sus habitantes esperaban dentro, conteniendo la respiración, esperando su destino.

Los últimos rayos de sol de finales del invierno se reflejaban en las viejas murallas y éstas parecían arder. Mis ojos jamás habían visto una luz así, la luz que me ofrecía la capital del taifa occidental más importante de la península. Y las horas pasaban, y al otro lado se escucharon caballos y armaduras acercarse. Las puertas, quejumbrosas, comenzaron a abrirse...

[arcangeldelcaos]

“Bajo tus muros reposa, inmortal, el recuerdo de lo que aquella ciudad fue, lamentando lo que perdió.”

— - Anto Baudelaire Biersack

[alfonsodeneon-blog]

Gran frase muy de actualidad.

[rcbot]

Wonder Woman #3 - FRANK CHO

[moviesincolor]

I got to make some color palettes for the best animation studio around, Studio Ghibli, to promote their newest and, sadly, last film When Marnie Was There. They’ve done Princess Mononoke, Spirited Away and many other amazing films and are masters at using color.

I am very stoked that the kind people at LOVE featured the palettes as a brief retrospective. Check out their post and read a bit about each palette below.

When Marnie Was There Natural settings are highlighted in both palettes for when Marnie Was There. Each still’s location is vibrantly represented. From the yellows and bright greens in the forest to the bright blues and turquoises of the seascape, there is a clear intention to let the environment take center stage.

Ponyo One of the more boldly colorful and childlike films, Ponyo masterfully combines a multitude of bright colors fitting for its universe. There is also an inherent softness to the colors that helps them all blend together, despite their boldness.

Laputa Castle in the Sky The palette for this still from Castle in the Sky shows a versatile way to paint a night scene. The purple and blue hues are inviting but suggest depth, action and contrast nicely with the characters’ faces. The overall palette communicates night-time without overusing dark colors and blends purple hues effortlessly.

Princess Mononoke Based on primary colors, this still from Princess Mononoke feels bold and eye-catching. By putting the character of San front and center and setting a mood with the fiery bold background, this still effectively communicates emotion through its palette.

Spirited Away Spirited Away carefully combines dark and light hues and a contrast of colors to tell its story. The interior of the train feels cold and foreboding and uses darker tones of bright colors (reds, purples) to give the audience a sense of the unusual. The outside is vibrant and clear, using blue to create a peaceful and bright atmosphere.

Only Yesterday This still from Only Yesterday captures a mood through its use of color. The peaceful and beautiful setting is achieved by combining mostly blues, greens, and yellows in both the field and the sky, unifying the frame and reflecting a sense of peace.

[alfonsodeneon-blog]

Minas de Tharsis