[aeontriad]

Fernando Vicente "Vanitas“ (part one)

(part two)

[aljcev]

[aljcev]

[aljcev]

Sei bellissima e lo dico da ragazzo lol

Ma siete tutti dolci, omg

[thisloveisuntouchable-deactivat]

I want world peace and Taylor Swift and Ed Sheeran to release more music together.

[aljcev]

Sei bellissima e lo dico da ragazza

Sei dolcissima! Grazie!

[aljcev]

Uh

[itquiet-deactivated20240530]

[idylliquebleu]

@aljcev

[aljcev]

Omg @idylliquebleu

[bl-ossomed]

[aljcev]

Adoro

[anormalguywithabnormalmind]

Ho tirato su le mie quattr'ossa e me ne sono andato.

Giuseppe Ungaretti , I fiumi (via anormalguywithabnormalmind)

[shinynightmarefest]

My country is fragile, my country is strong. My country is art and beauty, my country is ruins and tragedy. Unite we stand, another time

[introspector]

[antiqueart]

Jacques-Louis David - Cupid and Psyche (1817)

[hipsterthugz-deactivated2016040]

[bl-ossomed]

[tumimanchisempre]

♔

[rightmywronggs]

il meglio di me. /foto mia./

[meluusina]

👼🏼

[books0977]

Dancers in the Rotunda at the Paris Opera (c.1875-1878; reworked c.1894). Edgar Degas (French, 1834-1917). Oil on canvas. Norton Simon Art Foundation.

Degas began work on this canvas around 1875, when the Palais Garnier had just opened. The most dramatic alterations Degas made have to do with the texture of its surface and the use of color. Thin, overlapping veils of pigment—often applied with fingertips, rather than a brush—create a dreamy, opalescent effect far removed from the crisp naturalism of Degas’s early career.