— Midnight Margaritas!
Practical Magic (1998) dir. Griffin Dunne
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Jimmy Eat World
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"I'm Dorothy Gale from Kansas"

if i look back, i am lost
Game of Thrones Daily
noise dept.

oozey mess
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Today's Document
Cosmic Funnies

❣ Chile in a Photography ❣
Noah Kahan

Discoholic 🪩
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𓃗

gracie abrams
Claire Keane
almost home
YOU ARE THE REASON

seen from Türkiye

seen from Canada
seen from Norway

seen from Australia

seen from China

seen from Brazil

seen from Malaysia

seen from United Kingdom

seen from United Kingdom

seen from Indonesia

seen from United States
seen from United States
seen from United States
seen from Argentina

seen from Malaysia

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@all-i-heardwas-nothing
— Midnight Margaritas!
Practical Magic (1998) dir. Griffin Dunne
mary oliver, ‘from this river, when i was a child, i used to drink’
[ID: “‘What, precisely, will you grieve for?’ For the river. For myself, my lost joyfulness. For the children who will not know what a river can be—a friend, a companion, a hint of heaven.” end ID]
No mourners. No funerals. Among them, it passed for ‘good luck.
@pscentral mini event: get to know the members
I’ve seen a lot of ghosts. Just not the way you think. –THE HAUNTING OF HILL HOUSE (2018)
lisa frankenstein was so fun because it follows the slasher movie formula really closely, actually. it's just that instead of the main character being the final girl, you're seeing everything from the perspective of the slasher villain. and the slasher villain thinks she's in a romcom.
Wow, she’s young. She’s like a little girl.
PRISCILLA (2023) dir. Sofia Coppola
@pscentral event 27: scenery the haunting of hill house + the red room
i love when a character is a ghost but in a tragic way instead of a scary way. i love when a character has been dead from the beginning but is still holding on to stay in the narrative. i love when a character could choose to resent the living but ends up loving them instead. i love when a character drives the story but isn’t quite there enough to be at the center of it. i love when the ghosts are the protectors instead of the ones causing the harm. i love when a character is at the heart of the story because depending on where you began it, no matter how you told it, the story is about the ghost who struggled to keep their humanity
girls who are doomed by the narrative!! girls who have been dead since the beginning. girls who are dragged into death not kicking and screaming but clinging on to the brink until their fingers ache with the weight of the years they’ve stolen. girls who’s every last words are already etched on the stone of an open and waiting grave.
i love it when a piece of media is like: is there anything more painful than knowing your sibling? is there anything more tragic than knowing they are the only person who will ever share the same experience as you? they were the only constant in your life. they were there since birth and now, no matter how they betray you, you will still love them. you will always feel the need to protect them even if you can no longer bring yourself to talk to them. will anyone else be able to understand? will anybody be able to love you and hate you and fear you the same way a sibling loves you and hates you and fears you? no, probably not
Oh characters doomed from the start we’re really in it now
WHO COULD EVER LEAVE ME, DARLING
LITTLE WOMEN : 1994 x 2019 “I am not afraid of storms, for I am learning how to sail my ship.”
All’s fair in love and poetry… New album THE TORTURED POETS DEPARTMENT. Out April 19 🤍
store.taylorswift.com
📷: Beth Garrabrant
CHAMPAGNE PROBLEMS TAYLOR SWIFT: THE ERAS TOUR dir. Sam Wrench (2023)
She really loves this bit 😝🤭