Deep within the valley
the story she tells
is in inhaling and exhaling,
it is well, it is well.
Morgan Harper Nichols
hello vonnie
Monterey Bay Aquarium
PUT YOUR BEARD IN MY MOUTH

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Today's Document
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ellievsbear
Three Goblin Art
almost home
Not today Justin
KIROKAZE
Sweet Seals For You, Always
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occasionally subtle

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Product Placement
Claire Keane
Sade Olutola
Misplaced Lens Cap
we're not kids anymore.

seen from United States
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seen from Türkiye

seen from Paraguay
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@allie-brunton
Deep within the valley
the story she tells
is in inhaling and exhaling,
it is well, it is well.
Morgan Harper Nichols
Believe it, darling. Keep on choosing to, even in the lowest of moments. It’s the truth, and when it is fully impressed upon the heart, we are struck with such an immense freedom — uninhibited by fear or failure or pride or humiliation or the many ways in which we acutely feel we are lacking — freedom to love as fully as we were first loved, as we were created to do. . . #handlettering #lettering #handmadetype #typography https://www.instagram.com/p/Br3eu_uHdrlOTylLo0i_s2wZUyVha6pR0NmJUw0/?utm_source=ig_tumblr_share&igshid=1272py0ruk09m
@outdoor_aesthetics
I am telling a story of two lives. They have nothing to do with each other: oil and vinegar, a river running beside a canal, Jekyll and Hyde. Fix your eye on either and it claims to be the sole truth. When I remember my outer life I see clearly that the other is but momentary flashes, seconds of gold scattered in months of dross, each instantly swallowed up in the old, familiar, sordid hopeless weariness. When I remember my inner life I see that everything mentioned in the last two chapters was merely a coarse curtain which at any moment might be drawn aside to reveal all the heavens I then knew.
C.S. Lewis, Surprised by Joy
The irony of our unshakeable sense of alienation is that many of us are keeping the exact same secret.
Beth Moore
This is my cat, Vlad. He always sits with his paws crossed looking ultra pretentious stately // deserving of a portrait, so I gave him one. Illustrated in Photoshop
Loving this artist 🙌
Patterns - oil on canvas by Anna Valdez
Anne Francis in Fred McLeod's FORBIDDEN PLANET ('56). One of my faves
“But I’ll tell you a terrible secret — Are you listening to me? ...There isn’t anyone anywhere that isn’t Seymour’s Fat Lady. Don’t you know that? Don’t you know that goddam secret yet? And don’t you know — listen to me, now — don’t you know who that Fat Lady really is? … Ah, buddy. Ah, buddy. It’s Christ Himself. Christ Himself, buddy.”
I finished lettering this recently & I’ve absolutely loved working on it because this one has a lot of significance for me. I love it when you discover a song or a book or any piece of art and suddenly the reaction is: yes! This is exactly what I’ve been thinking / feeling / internally grappling with, and now here it is, poetically articulated in a way that I never could have conjured up for myself. I could relate to the constant battle of internal dialogue and feeling confined by your own negative conclusions; questioning motives & finding a lack of authenticity or integrity in yourself and the world around you; and struggling with a self-deprecating kind of ego. Cliche or no, Salinger really has the whole angst theme down pat. I’m still troubled by these things often — or more often than I’d like to admit — but it is by understanding and accepting God’s grace alone that I can reshape such a mindset, and I know He still has a great deal of work left to do in me.
This quote is fairly hilarious without the context of the passage, but to me the significance behind it is this: everyone is made in the image of God and is worthy of love and basic human respect. We are not to divide ourselves from those whom we assess to be particularly broken or misguided or reprehensible, etc, but rather serve each other — all of mankind — with our lives, our talents, with every asset that God has graciously given us. We love without abandon or discrimination, just as Christ loves us.
Jane Eyre, 1944 (dir. Robert Stevenson)
Stella Maria Baer
Esther Sarahkim
‘Death Treading’
silkscreen