!!!!!MTC VS FlingPosse!!!!! #hypnosismic #madtrggercrew #flingposse #左乱 #銃幻#理帝#ヒプノシスマイク https://www.instagram.com/p/BwtKtf6AyJS/?utm_source=ig_tumblr_share&igshid=mlaw4tbgo6bl
Xuebing Du
Sweet Seals For You, Always
tumblr dot com
"I'm Dorothy Gale from Kansas"
NASA
hello vonnie

if i look back, i am lost

Love Begins
EXPECTATIONS

shark vs the universe

Andulka
The Bowery Presents
taylor price

❣ Chile in a Photography ❣

roma★

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todays bird
Cookie Run:Kingdom Official!

Game Changer & Make Some Noise
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@alucard5085
!!!!!MTC VS FlingPosse!!!!! #hypnosismic #madtrggercrew #flingposse #左乱 #銃幻#理帝#ヒプノシスマイク https://www.instagram.com/p/BwtKtf6AyJS/?utm_source=ig_tumblr_share&igshid=mlaw4tbgo6bl
ひさしぶりにチャイナドレスの女の子を描きました。ダンサーのようなイメージです。めずらしくクリスタだけでカラーを描きました。
A3!【異邦人・World Of The End】 | かつゆ [pixiv] https://www.pixiv.net/member_illust.php?mode=medium&illust_id=63448421
斑鳩三角誕生祭2017
皇天馬誕生祭2017
https://www.pixiv.net/member_illust.php?mode=medium&illust_id=63486103
ふぁんさ4コマ
https://www.pixiv.net/member_illust.php?mode=medium&illust_id=63576926
イラスト・マンガ制作に役立つトーン、ブラシ、3Dデータなどの素材をダウンロードしたり、自作の素材をアップロードしたりできます。CLIP STUDIO PAINTなどのグラフィックソフトに読み込んで使えます。
クリスタ用のカスタムGペンうpしました!!
#アイドリッシュセブン
気が向いたら描くリクエストより 「後ろからお尻触られて感じてしまうけど必死に我慢しているけど体は反応しまくってあそこはふくらんでしまってる」
【閲覧注意・男の娘 ♂審神者 腐】
R-18
アイコンとヘッダー替えたけど対照的フイタwwwww(自害
#蜻蛉切 #刀剣乱舞
ボッキーの日に描いたww
*inhales* pendejo
I should have been painting my other stuff for the conventions, but I really wanted to paint Connor instead… I had to resist and instead do some studies, so I decided to do a study of a painting from the artist White-Corner (http://white-corner.deviantart.com/) but then I gave in and turned it into Connor as I went along to make me feel better xD The study was supposed to be of brushstroke efficiency and it kinda worked okay. I just need more work with facial planes and values and lost and found edges…and everything else. …anyway HAVE SOME SLEEPY CONNOR who didn’t take out his hair tie and will probably have a fun time untangling in the morning! Speaking of morning, Its almost 4 am (WHY DO I MAKE TERRIBLE DECISIONS) and I’m hungry and my bed looks comfy.
The Sword of State
Dated: 1678-98
Maker: George Bowers (active 1660)
Culture: English
Medium and techniques: steel, silver gilt, the scabbard of wood, velvet, silver gilt/gilded, cast, chased
Measurements: 121.3 x 32.1 cm (whole object)
Provenance: supplied to Charles II in 1678, the scabbard supplied to William III
Acquirer(s): Charles II, King of Great Britain (1630-85). William III, King of Great Britain (1650-1702)
The sword has a broad, straight, flat, two-edged steel blade with etched decoration, and a cruciform silver-gilt hilt, the quillons in the form of a rampant lion and unicorn, a fleur-de-lis at the front of the quillon block and a Tudor rose at the back, with a portcullis above. The wooden scabbard is covered in velvet with applied silver-gilt emblems including a rose, thistle, harp and fleur-de-lis, with a portcullis, royal lions and the coat of arms of William III.
This sword, known as the Sword of State, was traditionally used by the monarch after the coronation, in place of the Sword of Offering (which was kept with the regalia in the Abbey), for all formal occasions, when it would have been carried before the sovereign. The hilt of the sword and the decorative emblems on the scabbard show that it was intended to be carried with the point upwards.
Two swords of state were made for Charles II - the first in 1660, and this one in 1678. It is described as ‘a new Sword of Estate most extraordinarily wrought Enchased and gilt’. The 1660 sword was used when Charles II attended Parliament, and this example was used at other formal occasions such as the ceremonial creation of the Knights of the Bath.
The scabbard carries the coat of arms of William III and so dates from his coronation. The 1660 sword no longer exists but this one has remained among the regalia in the Tower of London. It is still used occasionally by the Queen for events such as the investiture of the Prince of Wales in 1969 and the VE Day service in St Paul’s Cathedral in 1995.
Source: Copyright © 2015 Royal Collection Trust/Her Majesty Queen Elizabeth II
Dress Sword
Dated: circa 1725-50
Culture: English
Medium and techniques: browned steel, wood, gilt brass, wire/chiselled, struck, pierced
Measurements: overall length 95.7cm; blade length 79.6cm
Provenance: “The purchase of l689 may be recorded by Henry Tatham’s bill of July 1799; “A Spanish sword ornamented with Slaves Heads and very curious grip”, at 5 pounds 5 s.“
The sword has a steel hilt with pear-shaped pommel decorated with grotesque faces, tang-button, two short quillons in form of heads in jaws of grotesque beasts, all chiselled and partly pierced. The wooden grip is bound with gilt brass wire. The sword features a straight two-edged wavy steel blade.
Source: Copyright © 2015 Royal Collection Trust/Her Majesty Queen Elizabeth II
Dress Sword
Dated: circa 1725-50
Culture: English
Medium and techniques: browned steel, wood, gilt brass, wire/chiselled, struck, pierced
Measurements: overall length 95.7cm; blade length 79.6cm
Provenance: “The purchase of l689 may be recorded by Henry Tatham’s bill of July 1799; “A Spanish sword ornamented with Slaves Heads and very curious grip”, at 5 pounds 5 s.“
The sword has a steel hilt with pear-shaped pommel decorated with grotesque faces, tang-button, two short quillons in form of heads in jaws of grotesque beasts, all chiselled and partly pierced. The wooden grip is bound with gilt brass wire. The sword features a straight two-edged wavy steel blade.
Source: Copyright © 2015 Royal Collection Trust/Her Majesty Queen Elizabeth II