Always in Studio @alwaysinstudio - Tumblr Blog

696. Giovanni Leo Salvotti /// Galina Salvotti House /// Calceranica al Lago, Trento, Italy /// 1963

OfHouses guest curated by Forgotten Architecture. (Photos: © Archivio Salvotti. Source: Alessandro Franceschini, “Casa Galina Salvotti”, Trento: ListLab, 2019.)

bauhaus-movement

Bauhaus Style 1934-35 Bang & Olufsen. This model was designed and inspired by Peter Bang’s desk chair “B64,” designed by Marcel Breuer in 1928.

bauhaus-movement

Tee-Extraktkaennchen MT 49 by Marianne Brandt, 1924. Photo © Lucia Moholy. #Teapot #Bauhaus Learn more https://bit.ly/2JnjrRs

jonasgrossmann

otto haesler… celle, 1928 @ cca

yearoftheglitch

MAYDAY

A rendering of the MAYDAY DDoS Trojan Horse. This malware sample was captured by honeypot servers operated by @glitchtextiles owner and @yearoftheglitch creator, @phillipstearns.

Currently available for pre-order as a jacquard woven cotton blanket at https://glitchtextiles.com/honeypot - ships October 1st, 2019

citymaus

plaza life—revisited. via guardian, 01.08.19.

“The researchers behind The Field Guide to Urban Plazas decided to study the public behaviour of human beings in New York City, an update on William H Whyte’s pioneering work from 1980, The Social Life of Small Urban Spaces.”

Channelization: Pathways with minimal edge variation sped up pedestrian traffic and lowered dwell times in the plazas. People tended to walk faster and stop less frequently in straight pathways through plazas.

Liminal lingering: People tended to occupy protected, in-between spaces. When given the option, many plaza users gravitated towards liminal plaza zones – seating areas that felt sheltered but were directly adjacent to a more open and exposed area.

subtilitas

Gautschi Lenzin Schenker - Sports hall, Ormalingen 2018. Photos © Andreas Graber.

Keep reading

jamesusilljournal

Camille Walala

enkelstudio

Su compañera, la crítica de diseño Barbara Radice, ha descrito a Ettore Sottsass como un <<nómada cultural>> puesto que durante su carrera ha mostrado un planteamiento del diseño casi <<antropológico>>. Ha tomado referencias tanto de la cultura popular como de otras culturas y se ha inspirado en sus experiencias personales. Sottsass fue una de las figuras que encabezaron el diseño radical en los setenta y el principal exponente en diseño del posmodernismo de los ochenta. Su obra refleja el carácter compulsivo y abarca desde lo poético hasta lo colorido y exuberante. Siempre cuestiona algo y nunca se le ha podido calificar de aburrida o insulsa.

enkelstudio

Extraído del libro Diseño del Siglo XX. TASCHEN