BRITT LOWER as Helena Eagan and ADAM SCOTT as Mark Scout in SEVERANCE → 2.04 "Woe's Hollow"
You know, there's a kinship between these two people that is innate, and I think what the show explores in all of its scope is the ways in which we're different in different environments, and does that sort of kinship carry over between characters, as you shift from innie to outie?
—Britt Lower, Inside the Episode 204: "Woe's Hollow"
My first instinct is to go to the part of my job that is sculpting the inner life of each of these parts of this same person. So, starting from Season One, I was much more in the headspace and inner life of Helly R, and Helena was seen much more in presentational environments. She's being taped, or she's being watched.
[…]
This is a person, Helena, who has been conditioned into the position she's in. She's trapped within the same company [as the rest of the characters]. I think for Helena, it was this chance to blend into an environment that she doesn't get to be a part of, and to connect in a way that maybe she's never connected before.
I think there is that longing for connection and humanity because she’s been so starved for it. So even though she’s lying, I think there are genuine moments. There are genuine things that she’s filtering through the lens of Helly R.
—Britt Lower, The Washington Post
They're two parts of the same person. So there's obviously an inner rebel inside of Helena. That's an aspect of her that's not totally foreign to her. It is something that she has access to. And in Season 1, we see Helena looking at the innies. We see her studying Mark and Helly's interaction and having this curiosity about them.
That taking on this other version of yourself that maybe you've out-grown or you're at odds with, but it's still there—it's a frequency and a rhythm that you can tap into. Even in the scene where she's kind of laughing at the mythology of the scriptures at the ORTBO, I think that, probably, when she was a kid, she wanted so badly to laugh at these pretty ridiculous texts of her family, but she didn't have the ability. So here she is, through the lens of Helly R, getting to live out that [rebellion].
I think she’s getting a chance to have a laugh about it through this rebellious version of her. She’s like, “This is the filter who would get to do that and not suffer the consequences.”
I think that her meeting the innies has a profound effect on her humanity. And I think that she does share a sense of humor with with Mark, that's natural.
His feelings for Helly have only grown thus far this season […] Helly is a huge part of his life. Huge. And I think that a lot of his identity is wrapped up in how he feels about her and how she feels about him[…]
Mark starts to realize: maybe getting Gemma out of here isn't my first objective. Maybe it's a little more important to take care of myself.
—Adam Scott, Inside the Episode 204: "Woe's Hollow"
The two of them are on a path. The two individuals, regardless of the innies or the outies, have been on a path of kindred spirit from season one. There's something physiologically that they have, this innate connection[…]
It's something we talked about a lot and spent a lot of time mulling over, the idea of this sort of triangle that's created with Innie Mark and Helly R. and Helena. For Mark's outie, Helena is someone he finds frightening and who is responsible for so much tumult and grief in his life. Yet, I think these two people, one way or another, have a connection of some sort. I'll leave it at that.
theartofmadeline
andulkaphoto
origamiaround
pixelskylines
stormborns
vaporwave
