GAFPA, house gentbrugge, Gent, 2012
hello vonnie
sheepfilms
occasionally subtle

Love Begins
The Bright Sessions

roma★
Aqua Utopia|海の底で記憶を紡ぐ

oozey mess
RMH

Origami Around
noise dept.
Fieri Frames
h
Not today Justin
Claire Keane
Doug Jones
PUT YOUR BEARD IN MY MOUTH
TMBGareOK. The Official They Might Be Giants tumblr
untitled

Product Placement
seen from Iraq
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seen from Netherlands

seen from United States

seen from United States
seen from China

seen from United States
seen from Vietnam
seen from Germany
seen from Ireland
seen from Brazil

seen from Indonesia
seen from France
seen from Malaysia

seen from Malaysia
seen from Venezuela

seen from United States

seen from Germany
seen from Ecuador

seen from United States
@analc-arc-blog
GAFPA, house gentbrugge, Gent, 2012
GAFPA, house gentbrugge, Gent, 2012
Johannes Norlander Arkitektur, House Morran, Gothenburg, 2011
Smiljan Radic, casa habitacion, San Miguel, Chile, 1992-96
From Valerio Olgiati’s image archive.
MIKHAIL BELOV
BRIDGE ACROSS THE RUBICON, COMPETITION PROJECT, 1987
Tadao Ando, Glass Block House, Osaka, Japan, 1978
Pascal Flammer, House in Basthal, Switzerland, 2013
Raphael Zuber, Grono Schoolhouse, Switzerland, 2011
Melnikov House, Arbat District, Moscow, Russia, 1927
Jaccaud Zein, Shepherdess Walk housing, London, 2016
The structure provides three principal types of spatial relations with its surroundings; on the ground floor, since the columns are in the middle of the façade, the resulting space feels strongly connected to the landscape. On the first floor the columns are in the corner, producing a more defined and centered space. The top floor is divided into four niches, each framing a specific view. All floors are linked by a ‘double stair’, which forms the core of the building and provides the possibility of moving through the office conventionally, or if necessary, unseen. This device allows the sequence of spaces usually created by stacking floors to be broken down. Each floor is now connected to another, and depending on which opening is used, it is possible to move directly from one floor to another avoiding the intermediate. All columns in the façades have the same dimension irrespective of their structural requirements – making the structural forces difficult to read. In contrast, the roof architrave, which could be seen as a classical allusion, is simply a result of the largest structural ‘moment’.
Pascal Flammer, Office in Zurich, 2000, unbuilt
Barozzi Veiga, House in Cretas, Spain, 2014
Barozzi Veiga, Library of Contemporary International Documentation, Nanterre, France, 2016
Barozzi Veiga, Graubünden Museum of Fine Arts, Chur
Loeliger Strub, Housing Complex, Zurich, 2015
www.loeligerstrub.ch/