print and pixel

[andrewseguin]

While these poems share approaches, their larger effect is to sketch the history of civilization that is buried in language.

My review of Caroline Knox’s Hear Trains.

[andrewseguin]

What sprouts from his burned bracts is the realization that the environmental disaster we have wrought is erasing the line between Earth and body, atmosphere and mind. It’s in our synapses. It’s in our nostrils. It comes on foot because we are its feet.

My review of Brian Teare's latest book, Doomstead Days, up at Colorado Review.

[andrewseguin]

From this rich literal and figurative vein, Peterson mines the many forms of interchange—cultural, economic, familial, linguistic, political, sexual—that color our lives as individuals and as members of clans, couples, marriages, nation-states and workplaces. Each relationship mints its own form of currency, these poems suggest, and an individual must reconcile the value she brings to each with the value ascribed to her contributions by others.

Up at Colorado Review, my review of Katie Peterson’s new book of poems, “A Piece of Good News.”

[andrewseguin]

Several of my cyanotypes appear in “Shades of Blue” at Panopticon Gallery in Boston, MA. Thrilled to be a part of this show about contemporary cyanotypes, and in such excellent company.

Check out  a review by Elin Spring here.

[andrewseguin]

Two new poems in Tupelo Quarterly 16:

Recommended Usage

Curb of Inquiry

[andrewseguin]

New poem in Washington Square Review. 

[andrewseguin]

New poem in Hopkins Review

[andrewseguin]

I am so thrilled to have three new poems in VOLT.

[andrewseguin]

Print and online photography magazine with listings for exhibitions and artist opportunities.

In a recent article, I explore a topic that has long interested me: Walker Evans and his relationship to poetry. 

[andrewseguin]

A new poem in the excellent Winter Anthology: http://www.winteranthology.com/?vol=8&author=seguin&title=herschel

Above, “Chiromancy,” a salt print from 2012.

[andrewseguin]

In Gulf Coast, Kristina Marie Darling considers my book, The Room In Which I Work, along with books by Solmaz Sharif and Jessica Baran.

[andrewseguin]

I have an interview about The Room In Which I Work, and other topics, up at Kenyon Review's blog. Thanks to Jeff Alessandrelli.

[andrewseguin]

Support poetry, and Omnidawn, and get a signed print of my photocollage above!

Independent presses such as my publisher, Omnidawn, bring new and divergent voices into the field of literature. They thrive through community and support, and anything you are able to donate will make a huge difference. 

[andrewseguin]

Print and online photography magazine with listings for exhibitions and artist opportunities.

The Room In Which I Work is on Don't Take Pictures' recommended reading list.

[andrewseguin]

[andrewseguin]

Two new poems in Tupelo Quarterly.

[andrewseguin]

I have two upcoming readings in NYC.