Severance (2022) - Dan Erickson
Director of photography : Jessica Lee Gagné
Xuebing Du
TVSTRANGERTHINGS

Love Begins
todays bird

@theartofmadeline
art blog(derogatory)
The Bowery Presents
hello vonnie

bliss lane

if i look back, i am lost
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tumblr dot com

❣ Chile in a Photography ❣
will byers stan first human second
official daine visual archive
NASA
occasionally subtle

oozey mess
Cosimo Galluzzi
No title available

seen from Finland
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@anee-molly
Severance (2022) - Dan Erickson
Director of photography : Jessica Lee Gagné
Givenchy Ready-to-Wear FW99
Designer : Alexander McQueen
Givenchy by Alexander McQueen, Fall Winter 1999
Natalia Semanova para a Vogue russa, dezembro de 1999. Fotografada por Arthur Elgort. Look da coleção outono inverno 1999/2000 de Alexander McQueen para Givenchy.
Profound Telematic Time (P.T.T.)
(PAMAL_Group - 2022)
« Réseaux-mondes »
📍Centre Pompidou
#mediaarchaeology #exhibition #centrepompidou #reseauxmondes #telematicart #minitel #cbm #petcommodore #commodore #digitalart #museum
Charlotte Moorman / TV Cello
In collaboration with Nam June Paik's
Performing “Concerto for TV Cello and Videotapes”. Date. 1971.
Product Design 3, 1988
O.M. Ungers, The Alfred Wegener-Institute for Polar and Ocean Research, Bremerhaven, Germany, 1982-1986
Paul Rudolph, Orange County Government Center, Goshen, New York, 1967
I’m worried about you. I wish I could say something that could snap you out of this. … Remember when we used to do our wishing game? We’d close our eyes, and we’d wish for something. Whatever we wanted. We both wished we could get bigger bedrooms. That was a big one. You would always wish for more protractors, which was weird. I would wish for a faster computer. Probably a faster modem, too. You would wish for better clothes. I didn’t really care about that. We both wished we could drive. I just wanted to drive away. We wanted to go on road trips. And eat lots of Sour Patch Kids that we would buy from gas stations.
Geometry of Light | Luftwerk | MAS Studio | Via
The Fundació Mies van der Rohe and MAS Context have organized Geometry of Light, an art intervention by Luftwerk in collaboration with Iker Gil that is taking place at the Barcelona Pavilion, February 10-17, 2019 as part of the Fundació Mies van der Rohe’s ongoing program of artistic interventions.
Geometry of Light is an immersive intervention at the Barcelona Pavilion envisioned as a contemporary lens for this important masterpiece, highlighting and expanding upon the architectural and material features of this structure. Using the 1929 Pavilion, designed by Ludwig Mies van der Rohe and Lilly Reich, as the foundation of the work, Geometry of Light creates a new interpretive layer extending from the primary elements of the architecture, including the gridded plan, vertical planes, and materiality.
This intervention of light and sound enlivens and alters our perception of the essential elements of the pavilion. By emphasizing the open floor plan and material selections, Geometry of Light heightens the illusion of physical and material boundaries. Focused on the gridded plan of the pavilion, a grid of light animates the architecture to accentuate the flowing space as it permeates through the interior and exterior. The animated lines of light are choreographed to trace, highlight, and alter the composition of the pavilion.
Following its premiere in Barcelona, Geometry of Light will be installed at the Farnsworth House in October 2019 to coincide with the third edition of the Chicago Architecture Biennial.
computer architecture (1970)
Thinking Machines inc. CM-1 Connection Machine