Final review!!
Sade Olutola

blake kathryn
todays bird
NASA
Not today Justin
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pixel skylines

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The Stonewall Inn
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almost home
taylor price
Fai_Ryy

Product Placement
official daine visual archive

oozey mess
★
RMH

Game Changer & Make Some Noise

roma★
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seen from Netherlands
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@arc311perez-blog
Final review!!
We created a new form based on the original model with the straight line and cast it. These images show the form, its resolution as a mold, and the casting process.
Form three of three
Form two of three
One of three forms.
Using fairy lights wrapped in various configurations, we used a robotic arm to follow two different curves: a spiral and a freeform curve.
Testing velocities, geometries, and different light types on the robotic arm and human arm.
Burry 11.17.17
Last week I wrote about prototyping, which is exactly what this article was about, but in more detail. Phrases like agile development were brought up and actually discussed. I found the idea of prototyping a process really interesting and useful. I think everyone does this naturally but it may be useful to define and understand it. All of architecture education is just understanding how to work most efficiently and effectively. By prototyping and therefore designing your process, you can become more conscious of its flaws and improve the final outcome. I wonder though ho my process ever is. I feel that the way I approach architectural problems is very fluid and varied.
AGGREGATION
Kolarevic 11.10.17
Iteration. Here is one concept that has been given a whole new world of possibilities with the introduction of complex digital design and fabrication. In the past, iteration meant creating a series of drawings and small-scale models in an attempt to understand how a building might perform. We now have the possibility to create a virtual model of the built form and simulate the entire construction process down to the carrying of lumber to site, and it is this capability that has the power to change the very fabric of the architectural process itself. Kolarevic writes, “results of a particular design process are not predetermined or anticipated - they are to be discerned among many alternatives and variations produced in carefully articulated, structured investigations, often in a circular, non-linear fashion” (121). Rather than working towards a single form, the architect, especially when engaging with parametric design, is now presented with a series of options which they might choose from. Here the sometimes rigid and unforgiving discipline of architecture can borrow from processes within the tech industry like agile development, which place a heavy focus on iteration and testing. Testing architecture! Never before have we been able to both iterate and test our architecture. Perhaps this gives the architect the ability to be not only a craftsman but also an analyst.
10.27.17 Carpo
I have often considered how architecture is so fundamentally different than every other applied art in its practice. Painting, sculpture, weaving, music–all these are autographic in a way architecture is not. The scale of it requires a unique collaboration that takes away the architect’s own product. The medium of allography is also fascinating to me, and history testifies to the struggle undertaken by the architect to wrestle the building into his own hands. Brunelleschi wanted to be the sole author of his work and engage with the whole process, in contrast with many modern architects who might throw a parti sketch in the hands of engineers and draftsmen to make into a building. Authorship gets muddled in projects of this scale, leaving us to wonder who is the architect and what is their role?