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“What is a building for poetry?”: John Ronan Architects’ Poetry Foundation in Chicago
Chicago-based firm John Ronan Architects’ design for the award-winning Poetry Foundation headquarters, pictured here, revolved around answering the question “What is a building for poetry?” The building is conceived as layers of materials—zinc, glass, and wood—that compress and then separate to create different spaces. “The idea is that this spatial narrative unfolds as visitors move through and between these layers,” says Ronan. “We were trying to achieve a transcendent materiality where we take very humble materials and then ennoble them in some way—not unlike what a poet would do with words.” In collaboration with the Frank Lloyd Wright Trust, John Ronan will also be discussing his views on the direction of Chicago architecture on October 4 during the opening weekend of the Chicago Architecture Biennial. He joins over 100 other architects, artists, and designers featuring work at the event.
Are You #REDE? Sharing ethics with the big wig.
Image by suphakit73 at freedigitalphotos.net
Not many of us have true power when it comes to shaping the future. It is something that the very powerful and financially affluent have a monopoly on, despite the illusion of choice we like to hold onto. When people make choices they are arguably based on all their life experiences and the words of their mentors, and for powerful people that often means their vision of the future is influenced by other powerful people, and people with financial influence, protecting the existing status quo.
Of course it’s easy to see why poor decisions can be made with such forces to navigate from the safety of an armchair. There are so many powerful others to keep happy and amiable though, for those in the thick of it, that it would be more like juggling knives. Power and money is very persuasive, but rarely given without expected future influence, under threat of retraction at the benefactor’s whim. The Clare designed extension to Newcastle Art Gallery that was unnecessarily squashed comes to mind. Such a blow to the city, for no believable, good reason at all. From a distance we can see greed, status, notoriety and lobbying in play. Politicking at its finest. But navigating that, and finding who to trust once in the middle of it, would be a veritable mine field.
Image by Clare Design, formerly available through the NAG website.
I’ve also marvelled at some of the impact studies I’ve read about for West Connex where expert opinion resoundingly shows it is not particularly a good solution and will create more problems, yet the force with which the project is still pushed without reconsideration or extensive modification to circulate traffic around the Sydney city centre, rather than dumping it in a large congested glut, and stalling all inner west city movement, is baffling. There seems to be a bit of an “act now think later” approach going on, with promises to work it out if we just break soil; which is death to a functional city. Major infrastructure projects are not the place to ‘fly by the seat of your pants’. Decisions must be meticulous and rigorous, as ‘do overs’ are expensive and sometimes not possible. The damage of mistakes can sometimes never be adequately recompensed. The decision to relocate the Power House museum because residential development investors wish to turn it into apartments seems a little like putting the cart before the horse or throwing the baby out with the bathwater too. I do not deny Sydney’s west could use such a development of their own, but not at the expense of what is a major and historic, revenue raising attraction, in our City Centre's heart, intergenerationally loved and frequented by the entire community of NSW as well as international guests.
Image by Cambodia4kids.org Beth Kanter on Flickr.
Watching decision after decision being made not only in Sydney but in regional centres in NSW, I have been very interested in planning and urban development in our state for several years now. It seems almost based on whim rather than logic at times, and frequently the advice of expert planners and public servants is ignored. It seems also that if people or communities suggest bad projects should be reconsidered for genuine reasons, and are open to development, but only beneficial development, they are vilified and labelled "anti-progress" by those with vested interests, rather than recognising the fact that development is only progressive if it has a positive effect on the community not negative effects; that is actually regressive. It is an ugly practice that we see people with money and influence able to publically ridicule and bully community groups with every right to give feedback. This name calling and bullying simply shuts down dialogues and results in mistrust and increased resistance, when feedback and listening to community concerns is something good planners and MP’s should do regardless of investor's opinions. And those engaging in such disdainful tactics against communities should be regarded with increased scrutiny before allowing them any access to public works projects. It must be incredibly frustrating to planners trying to get reasonable community feedback, when rudeness is escalating tension and polarising responses. It causes communication gridlock and is not healthy. But insult is often thrown around so liberally, with no clear distinction between progress and destructive development, as rubber stamping proceeds, often against expert advice.
Image of Newcastle Railway station by JROBBO, available on Wikipedia.
Excessive influence is to the benefit of no one when it occurs, not even the influencers who are left with poor developments in their name. Of course there are many good decisions made too, but when the planners are ignored for those jingling pockets and promises, the state is actually scarred and bruised a little. It may get patched up in time, but it’s a risky process, and those with increasing influence that trumps that of planning advisors and experts (and even at times the decisions the MPs themselves garnered from this expert advice), should be purged from NSW politics, policy making and planning, if we are to realise a truly great and functional state. Private "advisory groups" with picuniary interests in property development are damaging good practice in planning and growth. Having studied a little psychology in my time I’m well aware of the influence what we observe and read has on our subconscious. Even if we push it aside in gest, each little bit of information we input has the potential to plant seeds of thought and open new ideas and ways of thinking in our minds. I decided that perhaps I should give Premier Mike Baird the benefit of the doubt that he is a good guy, and decided how our world views differ may simply be due to a difference in data input, rather than anything fundamental like ethics. Since I understand politicians are pressed for time and get many many messages I decided to keep it light and tweet short videos, which quickly and time efficiently make a point. My rule was that any introductory course was a 101 course, so I was going to give him 101 days of things that resonate with my sense of development and planning ethics (Unfortunately I accidentally deleted Day68 (I think) unpinning it). It was a short course "Introduction to Responsible Development", cousre code REDE101. Everything had to pack a punch for the time poor and reinforce the previous topic. My other task was to show how various elements influence and connect with all society, from urban planning, transport, energy, agriculture, industry, gender, employment, education, and affordable housing planning/policy; and to show they are interconnected, they had to come full circle. The side-effect for me was that over this process I started seeing the "body of the state", which I will diagram and share with you at a later date. You can check out this one sided conversation with the State Premier here: @ArchiTryst tweets to @mikebairdMP He never responded, but I’d like to think he was mildly amused at least, and had the occasional look at these short, sweet, messages. I’d also like to think they were useful and had ideas he could take with him if he hadn’t already heard them. It would be nice to think they cut through the white noise and politicking he faces each day, even just a little, and gave the insights of experts and professionals, with no direct involvement to any NSW proposal, as they have freely given their knowledge to us all online.
Darch NSW site tour at The Incinerator, Willoughby, March 28th 2015.
More images on Flickr
Jan Gehl - 3 qualities of the sustainable city from Sustainable Cities™ on Vimeo. A brief description from a man touted as the World's leading public spaces planner/designer
Naremburn House | Bijl Architecture
Recently I was able to take a tour through Bijl Architecture's, Naremburn House with Darch NSW. It illustrates a really fundamental difference between a "client specific" architecturally designed home, and one you might get from a mass manufacture housing firm. What you get from a client specific design that you don't get from something mass produced is a build that fits it's clients like skin. It grows with them and exactly aligns to their body. It is that flexible yet firm fit, that makes a uniquely designed architectural home such a pleasure to view. As every person has their own unique character, unique builds are an expression of the clients personality through the eyes and intuition of Architects and Designers. It is this alchemy of sorts, where we see something mystical filtered through a practiced gaze, into something so functional it is like an extension of the owners, that really make a uniquely architecturally designed home so special and so worthwhile, to the clients. The understanding is so complete that the needs are built in. There is less clutter, less need for extra furniture. This means clients can concentrate on just getting exactly the few pieces/items that are really special to them, rather than extraneous extra storage and shelving. Lines are clean, fuss is removed, living in general feels more peaceful and intentional.
While we all may share some common needs in our lives, what a tailor made design brings is an intricate understanding of the weighting, or proportions, of the needs of occupants. It seems as if magically conjured when you walk through such a design, but to gain this level of light and space in area that has been cleverly teased to seem larger than it actually is, takes an incredible amount of rigour and dedication on behalf of the design team. There is no nook unused, no structural necessity not transformed into a thing of beauty, from the expansion joints in the polished floor to the ridges of the ceiling. Naremburn House is hardly a vast mansion, but it feels spacious and grand. It's feature wall is subtle and tempts the gaze upward without screaming as a brassy colour block can, and its layout is easy to navigate, making sense instantly as to where everything is to those who visit. You can see where you want to be and how to get there with ease. It is a sheer delight, that what would be a dark stairwell in a less thoughtful and unique project, has become a point of beauty, making visitors and occupants feel as if bathed in light, cleansed and mentally lifted by the height, luminosity and airiness of the transitional space the stairwell has become. Here you feel as if the home is greeting you and inviting you into the communal spaces while letting you rise to a tranquil zone of quiet above if rest is what is needed. Even the gardens hug the home and feel an extension of the living room from this point, they beckon you to visit them through a largely unobstructed connection. The home becomes the stage to the natural environment of the properties rear, which greets the living room like an interested, adjoined, amphitheatre. It lends to screening movies for viewers in the yard, and holding more people than would be expected in a reasonably modest space, without any fuss. The Darch tour must have had aprroximately 30 people walking through Naremburn House, and yet at no point was it a tight squeeze, with generous entries and passages; And despite this mass of people, I was able to capture many images of the house seemingly unoccupied, when it was brimming with people. This shows just how good the circulation is in this design, and how perfectly Bijl Architecture has met the needs of their clients; In a way only site specific, dedicated design can.
More images of this design available here on Flickr.
This online course by Open Online Academy will explore existing and new solutions for resilient and sustainable design. It will crowd source resilient design solutions with an international...
Resilience For Cities: Continuing Education Online
Previously I have written on the "Designing Resilient Schools" course by Open Online Academy, where my team placed second, for building a school which was more resilient to tropical cyclones, after the impacts of Super Typhoon Haiyan. They are continuing with their courses on resilience and hold their first online meeting for Resilient Architecture Research this weekend. If you are interested in having a look, and getting involved now is a great time to get on bored. This is the first course in a 3 part series that will explore the latest innovations and research in resilient design practice. This initial component is research driven and will be followed by analysis and design phases.
Walk This Way: On Discovering Central Park Sydney and Listening to Your Mother
So to my shame I did the one thing an Architect should never do, nay the world should never do. I didn't REALLY listen to what my mother (who has a good eye being the child of an Architect, having been dragged to every site visit to assist with measuring) was telling me. "There's a beautiful new vertical garden building development", she said. I agreed I'd seen several on the trip to Sydney. "No another one she persisted", pointing toward it, but in the distance I didn't really take it in or appreciate it. Lets face it I wasn't even sure I was looking at the right thing and was more interested in not getting lost. The difference between my mother and I when we visit Sydney is the routes we walk more so than the places we go. There is definitely a Buddhist message in there about the significance of a journey somewhere, but I'll leave that for the life coaches to write about. I will take the distance shortest on the map, and she will take the walk kindest on her knees, only worried about the grade not the distance.
And that's how it happened. That's how I totally missed the significance of the beautiful Central Park Development in Sydney, and didn't notice it until almost a year later when the most direct route took me past it, while she'd walked past it almost every fortnight by then. The moral is, always listen to your mother, especially if she has a good eye, no matter what it is you think you know. So when I did see Central Park Sydney up close and personal, I was literally blown away. I'm stunned I didn't fall over anyone or into the underground venues because I think I spent the first ten minutes just looking up trying to work out how everything fit into each other. This luscious and dancing design arabesques it's way across the site. It is strong and simultaneously graceful, and I ended up taking a later train so I could roam around exploring. The collaboration of designers Foster and Nouvel is a resounding success, and creates a point of peace and ultimate delight, somehow tranquil yet vibrant in the middle of the city. I instantly wished I too lived there. It was as if it were magic they were using for the acoustics, which are soft and vast within the square, rather than obnoxiously loud and echoey, like many city developments. The square module effect of the entire surface of the development, creates many surfaces and directions to deflect and masterfully diffuse sound, and it seemed as if no neighbour would ever be dissatisfied with your stereo, let alone the nightclubs and noise in the city below. The space, although not the biggest square, feels large. It is big where it needs to be, delightfully surprising with it's secret underground world, and breathtakingly majestic with its seemingly impossible cantilever, hovering overhead. The Central Park Development has strong green credentials and is winning awards, being considered the best high-rise development in the world. I've hardly seen them all, but I have to agree this is the most impressive in Sydney. See it, sit in it, stay for a bit. Make sure you enjoy it. It is an amazing design that is incredibly giving and inclusive of the public, so don't miss out like I did at first; And always listen to your mother!
I have put more photos on Flickr
Frank Fandango: The Grace of Gehry
As promised I'm going to share some images of Frank Gehry's new University of Technology Sydney (UTS) building with you. It's of no surprise to anyone that it has had some mixed reviews. It's understandable, but I think in this instance the photos absolutely don't do it justice, and here was one of myresponses to a friend who voiced dislike and assures me they have seen it through several stages, and so their less pleased opinion is through experiencing the context and not simply photograph driven: "Well I suppose everything iconic has it's critics. The Opera House was famous for being hated. Have you seen it though? It's about 3 blocks from my sister's house so I pass it when I visit her. I thought I'd hate it. I thought the photos looked too brown and boring, It would be out of place, it would seem contrived. I went past it in January and surprised myself by actually liking it. Firstly, the scale is very loving of the site, and it is less a sore thumb in its context and more a beautiful knot in a piece of timber. It sits into the site, it doesn't scream, it doesn't seek attention because it does not monster or overshadow it's surroundings. I really recommend walking it's perimeter and having a look from a few different vantage points if you get the chance. Photos don't really give a clear indication of how well it sits in context, and when I saw it in the flesh it made me wonder how many of its critics had [walked the perimeter]. It's really quite a small building in comparison to the big opinions."
Below are a couple of images I took - more on Flickr linked here.
Of course Gehry was kind enough to submit to an interview on the topic for the ABC, and as well as his building, it turns out I like how he presents to the public as well. He's not your arrogant pretentious type, which was surprising because I've seen quite a few people with only a smidgen of his success throughout life, who are exactly that. He seems more quietly confident and driven by vision, rather than verbose and condescending as I'd decided he must be. He is more similar to how I experience his building than how I'd expected to experience it too. Like his building he didn't overbear. He is a character who is mischievous and clever but not obnoxious, and perhaps that's a good way to understand his designs also. Mischievous , clever characters. One of the things I loved that he said, in his interview for the ABC with Monique Schafter, was in response to being asked if cared what people think.
FRANK GEHRY: There was a lot of denial, like there still is about the environment we live in. People don't complain about the crappy buildings that form your city or any city.
MONIQUE SCHAFTER: Yep.
FRANK GEHRY: I'm not the weirdo, I'm banking, I'm trying to do something. You may not like it and I'm happy to... to... I don't mind if you don't like it, I'm sure I'm not perfect and I can't do everything right, always right, but it's an honest try. Complete video and interview transcript available via ABC here It is definitely true in Newcastle NSW Australia. I've heard some criticisms of the new Courthouse there too and I'm quite taken with it. I think it will be delightful in comparison to the finesse free, boring boxes, that seem to endlessly line our harbour/honeysuckle precinct, and call themselves architecture. It's not really the Frank Fandango variety, but it's arguably better than the existing alternatives, which look like prefab sheds with ugly (out of)fashion panels, rather than actual architecture. Perhaps it is not perfect, but I really think it will enhance the pedestrian/public experience in that zone of the city. I think Gehry's UTS building is enhancing it's surroundings too, having experienced it as a pedestrian and being surprised and delighted by how much I liked it despite myself. The only reason to really complain is that the, "crappy buildings that form your city", as Gehry puts it, are more prevalent than honest attempts at good architecture and design, like his playful piece is.
Newcastle in November
It's possible you have wondered why the long hiatus on blogs. Technology has not been my friend over the last few months but I'm still exploring and recording as much of my adventures in architecture as I can, so here is a little catch up. Back in November I took a trip into Newcastle to check out the progress of the new courthouse By COX and Richardson Architects. It was still very much under wraps but a great deal of the way done. I have added the images to an album on flickr but will also share some of them here below.
While there I also managed to see The Lucky Country's renovations and visit some old favourites on Perkins Street. I've shared some shots of this on flickr, and a couple of images below.
Next blog I will share my thoughts on the new Frank Gehry building in Sydney, that I managed visited semi-recently; but which ailing technology has so far prevented me from writing about here.
A fantastic article for all my fellow budding Architects. It's a long long road, and gets longer with road blocks such as financial strain; But with the right guides and perseverance, it will be well worth all the effort. This article has some great advice on why we need mentors and why even if you are generally fiercely independent, the right elders in your architectural development can really enhance your journey and ability.
Guster - Architects And Engineers (Official)
Peter Zumthor: Masterful Restraint
Peter Zumthor - Kolumba Diocesan Museum, Cologne, Germany
Photograph by Hélène Binet, via e-architect
It struck me when I first read Peter Zumthor's "Thinking Architecture", in 2012, that here was an Architect who enjoyed the built environment with not just passion, but the intimacy of relationship. He relished in language and conversation within the forms of the built environment itself. I was instantly more fond of his work on reading the book than I had been already, which was quite a lofty feat as I was thoroughly impressed to begin with.
I was surprised by the ease and lightness with which he writes. His architecture is stripped bare of fanfare, an honest exploration of materials, form and function. It is almost spiritual in it's purity and refined lines. He is someone whose work's strength is it's character and integrity. There is something monastic and wholesome about its complete disregard for the trivial. It is a blue print for restraint. And yet here was a book which had me chuckling with delight at the depictions of building discourse, and feeling connected to a quirky side of a very controlled and capable, creator.
Of course I recommend the book, but here is some video to get you in the mood for Zumthor.