Iain Macnab - The Sleeping Beauty (ca. 1950-1967)

oozey mess
cherry valley forever
Aqua Utopia|海の底で記憶を紡ぐ

blake kathryn
we're not kids anymore.
The Bowery Presents
d e v o n
occasionally subtle
YOU ARE THE REASON
Today's Document
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ojovivo
macklin celebrini has autism

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Misplaced Lens Cap
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RMH
will byers stan first human second
Fai_Ryy
hello vonnie

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@arcticvagrantcatalyst
Iain Macnab - The Sleeping Beauty (ca. 1950-1967)
Vladimir Tretchikoff (South African, 1913-2006) - Balinese Girl
Alfred A. Hart (1816–1908), Indian viewing railroad from top of Palisades. 435 miles from Sacramento .
Francoise Hardy
1966.
autumn in the mountains Jakub Celiński
Björk by David Sims, 2000
Marlene Dietrich and her pet black cat in Dishonored (1931)
A lavishly decorated Rapier and Dagger with matching accouterments,
OaL: 50.5 in/128.2 cm
Blade Length: 44.3 in/112.7 cm
Weight: 3 lbs/1.4 kg
Milan, Italy, ca. 1600, housed at the Staatliche Kunstsammlungen, Dresden.
Portrait of a Man in Armor, (Detail), (1558), by the Circle of Antonis Mor van Dashorst (Flemish, 1517 – 1577), oil on canvas, 111.1 × 80 cm (43 3/4 × 31 1/2 in.), The J. Paul Getty Museum, Los Angeles
A stunning Swept-hilt Rapier with a calendar blade that belonged to Holy Roman Emperor Charles V, attributed to Ambrosius Gemlich,
OaL: 42 in/106.7 cm
Weight: 3.1 lbs/1.4 kg
Germany, blade ca. 1530, hilt ca. 1600, housed at the Kunsthistorischesmuseum, Vienna.
A Rapier with a beautifully blackened Swept-hilt,
OaL: 49.1 in/124.8 cm
Blade Length: 43.6 in/110.8 cm
Weight: 3.1 lbs/1.4 kg
Italy, ca. 1565-1575, housed at the Metropolitan Museum of Art.
Shanghaiing - Crimping
Another way of lets call it recruiting men, besides pressment, was the shanghaiing or crimping. Shanhaiing got its name in the middle of the 19th century and that only because Shanghai was often the destination of the ships with the abducted men. While in the case of pressing, a group of ships went out and collected men (one could protect oneself with a letter from the government), in the case of shanghaiing the man was the victim of a crimp
Crimping or shanghaiing was usually trickery with the help of a crimp. A crimp (most a civilian) would lure a man by buying him cheap liquor and getting him to spend all his money. Then, stripped of his meager savings, he would be obliged to pack back the debt. The crimp would deliver the drunken new seaman to a waiting ship and take an advance on his wages. The crimp would collect his debt and might receive a bonus or fee from the captian. The seaman would now be obliged to work for the ship to earn back the advance, enforcable at law.
Shanghaied men coming aboard by Bill Pickelhaupt (x)
Alternatively, he might just put a marked coin in the person’s pocket or drop one in the tankard and as soon as the man picked it up, the crimp would have his next victim - after all, he took the coin to sign on a ship. In very hard cases, it is sometimes necessary to strike in order to help the new sailor to his happiness.
A readout of a crimp, mostly these were found at ports and dockyards, 19th century
These techniques had been known since the 18th century and were very popular in America, as the pressgang of the British was all too well known and considered inhumane and unfair. Now one can argue whether kidnapping and trickery was a better alternative. But it was not only the Americans who did it. It took place everywhere and was a feared practice alongside the press gang.
These recruitment technique were officially abolished in the 1860s, but were secretly carried out until the beginning of the 20th century.
Coming Home
Watercolor Painting by Ben Young
Struck, NYC
@dantvusa
Marey, Etienne-Jules, 1830-1904 - Two men dressed in white, wrestling, sequences
So I fought the single rapier world number 112 at a tournament a few weeks ago, and other than being a lovely human being who beat me thoroughly like 11-5, I did get this nice attack which I feel warrants some more analysis.
I was essentially trying to recreate a method of attack that I've seen some Olympic epee fencers do a few times, wherein they quickly duck beneath their opponent's point to score. Like so:
The problem is though, this is often contingent on your opponent going for an attack of their own - and my opponent unfortunately does not take the bait. Rather, he retreats and moves out of distance, preventing me from scoring in the traditional epeeist way.
However! While the original plan failed, it did present an opportunity for a fun play. As I crouched suddenly and agressively while moving forward, my opponent, having some self preservation, retreats a little. While he does this, he drops his guard slightly, moving from seconde (defending the outside line with wrist pronated) to quarte (defending the inside line, wrist supinated) This, naturally, exposes his outside line.
In that moment, I was able to extend my point, pronate my wrist, and launch a fleche (an attack where the back leg passes over the front, creating an explosive running attack) which lands cleanly onto his chest/shoulder area.
The benefit of pronating my wrist is it creates opposition. While Olympic epee is governed by electric score boxes which have built in delays to officiate afterblows (In epee, once a light goes off, the other fencer has only 40 milliseconds to land their afterblow), HEMA is a lot more based on the judges discretion. Thus, it is much more important to make it clear that any afterblow is parried or significantly out of time.
By pronating my wrist, and placing my blade on my outside line so that my long edge faces his blade, I was able to both attack and move his blade clear as I did. In doing so, I pretty much pre-parry any counter he has at his disposal. While his blade does get out at the end and potentially clip my leg a teeny bit, this is easily over an acceptable tempo where an afterblow can be given, and therefore, the three points for a thrust to a chest was awarded to me!
To be honest though, a lot of this analysis is fun to do after the fact, but my body moved before my brain could process what it was seeing properly, so I'm thanking the training and muscle memory for this.
Anyway I'm still not really sure what I'm posting on this damn website so like if anyone has bothered to read all of this, and liked it, please let me know and I'll keep at it!