Oh my gosh, family. What an awesome ride. I just want to say, before I get into my review here, that EAW was my first full fandom conducted on Tumblr, and I got a lot of awesome feedback and questions on my posts, so thank y'all so much for reading these! I find writing these posts super therapeutic! (I saw some repeat mutuals reblogging my posts and adding awesome tags and comments – I HEART YOU ALL!) SPOILERS AHEAD! Long post!
Before I dive into my list, I want to first say that: the finale was FULL OF K-DRAMA TROPES and I was SO HERE FOR IT. LOVE CONFESSIONS! Stunning courtroom revelations! Sensible judges! GOVERNMENT! Restaurants! Delicious food! HOSPITALS! Ex-wives! Emergency board meetings! REPORTERS! SECRET SIBLINGS! Shared genes of possible sub-clinical psychological diagnoses! Longing camera shots on lovers! RECONCILIATIONS! Hacking! Possible escapes to the States! URGENT DRIVING! URGENT PHONE CALLS WHILE DRIVING! Minors! LEGAL CONFESSIONS! PARENTING CONFESSIONS! Possible hints of revenge by crazy-ass bosses in coming seasons!
I mean, the list goes on. We didn’t think the writers could do it, but y'all, they did it!
Okay, besides the awesome trope applications, here are my thoughts on the episode.
1) Why do I watch Asian dramas? Because, so very often, they center on themes of family in ways that I don’t think Western content even begin to touch. (And as an Asian, they are so much more relatable to me.)
This episode introduced family as the unwinding theme to end this season, while still offering amazing and nuanced commentary on communication, as I wrote in my last post.
I wrote in my notes, while watching this last episode, that I think the correlation between family and communication is that: both of these themes are just fucking complicated. They are not binary. Family and communication are so deeply nuanced and attuned to the people acting as family or communicators, and to the people receiving family and communication.
I wrote in my last post that the penultimate episode set up examples of how Young-woo interacts with the world, and how the world interacts with her. Young-woo had the absolute PERFECT SUMMARY of this when she met Tae Su-mi in the government hall. Oh my gosh. The meditation on co-existence. It was gorgeous. The narwhal and beluga analogy:
“Because everyone is different from me, it’s not easy to adjust, and there are a lot of whales that hate me, too. But it’s okay. Because this is my life. Though my life is unusual and peculiar, it’s valuable and beautiful.”
Talk about understanding her in-and-out-and-back-in-again of how she interacts with society. Her analysis of co-existence with a majority nautistic world. Her time at Hanbada, her time with Jun-ho, her growth with her dad and her friends, have helped her develop into the adult she is, getting a better understanding of how she sees the world and how the world sees her.
And she had the damn guts to say this to her mother who abandoned her. Maybe she had those guts because of the self-orientation she has as a person with ASD, but I don’t really think so. I think it’s because she knows she’s grown into a broader understanding of who she is as an adult and a person who deserves love and respect.
(I keep hammering at this point that the life lessons she demonstrates are for ALL of us, regardless if we are autistic or nautistic, and once again, I think the plot demonstrates this.)
2) A couple more notes on family:
Her dad. Yes, her dad played with the devil, and somehow, the plot unwound to relieve him of guilt. I know there’s a lot of criticism of Young-woo’s dad out there, and I get it.
And…. I might get why he played with the devil. When you see your kid sad – you might do anything to make them happy. There’s a feeling of love intoxication you get when you have kids. I get it. I get why he did what he did, because when you see your kid sad, your heart stops in a way that’s far more arresting than romantic love.
Which is why I think he was SO relieved to see that Young-woo had her contract renewed at the end of the episode.
It was a close call, to allow his daughter to be played by CEO Han.
But. Remember Young-woo standing up to her dad earlier in the series, asking him to not interfere in her life? We didn’t see her saying “no” to her dad to go on the Hanbada paid vacation or to the States with Taesan. But we all know that she DID say no. Because she was still riding out the case in the end.
She stood her ground. She GREW. She’s his daughter, but she’s also HER PERSON, HER OWN SELF. That happens in family. Shit’s complicated, and parents aren’t perfect. Parents have got to allow their kids to grow. I think we didn’t see the communication there, but she pushed her dad to let her grow. He let her. And fate played out in her favor.
(Also, one note on these conversations getting editorially cut in the show. I wrote last night about non-communication being communication. I wonder if those intentional editorial cuts were meant to kind of replicate the non-verbal moments that Young-woo has in own her life.)
Who else is her family? Jun-ho now, obviously. (I posted earlier today on the whole cat analogy thing – you can read my thoughts there, but I thought it was sweet and clunky.)
Who else is her family? She says it at the end. Hanbada is her family. She likes it there. Who knows if there’s another law firm in her offing. But: Hanbada is and was a part of her growth. She likes it. That’s her authentic feeling.
And who else became family? To Attorney Jung, Hairy and Geu-rami became family and vice versa. And Attorney Jung got a part of his family back. (I want to see more Ji-su in upcoming seasons.)
4) More on growth and change!
Really quickly, it was interesting to see Tae Su-mi decide to quit her candidacy to be a “better mother” (hmph), and interesting to see Min-woo’s switch and growth. We better see these changes in more depth in season two!
Also, I need to better understand the beef between CEO Tae and CEO Han, seriously. As evil as they are, I love me some crazy beesh action.
5) So, I’ve reflected on tropes and the occurrence of the theme of family in K-dramas, but I also want to commend EAW on centering a person with ASD.
I don’t even know if I have the words to say, as an Asian, how important it was to see this centering. Many of us in Asian cultures are disenfranchised, disengaged with, sidelined, bullied, and ignored for characteristics that stray from perceived norms of our cultures. Our own parents and siblings do that to us. Our schools, our friends, our co-workers, bosses, strangers. Even social media. You stray from a norm — you’re committing a risk. And it just feels more pronounced in Asian cultures because the idea of the perfect family is set up to be this all-encompassing, ultimate ideal that a family unit needs to achieve.
I’m a black sheep in my family for many reasons – I’ve strayed from the path of my parents. I’m my own person, an Asian-American working mom, much to the chagrin of my own folks, who want me to be at home with my kids (literally, not joking).
So in a major, well-financed drama, to see an individual woman with ASD, something she cannot at all control physiologically, doing these THINGS that independent women DO – earning a badass salary, working her ass off at a high-level job, being the GENIUS that Min-woo says she is, being a freaking credentialed lawyer with top honors, getting a hot boyfriend – it just really means a lot to me.
It tells society – the black sheep can win, too. The fact that this drama performed well beyond what ENA and Netflix expected is truly heartwarming. Moon Ji-won – you are my hero. You packed so much in that I have written literally thousands of words on your work. Thank you for centering and giving agency to the black sheep, for the sake of our Asian cultures that often leave us behind.
THANKS FOR READING, FAM! I may have more thoughts over the next few days. Park Eun-bin, omg, I don’t think I could love you more. Kang Tae-oh, be safe, my man. Season two can’t come soon enough. <3