Trail cam catching a deer fawn with the zoomies
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Kiana Khansmith

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@ariadza-writes
Trail cam catching a deer fawn with the zoomies
Elderly women are an extremely important demographic for feminism. If a woman cannot be childless and then live comfortably taken care of in her old age, then there is still coercive incentive for children. Social security and elderly womens programs are very important.
“The orphaned elderly” is terminology used in the elder law field to describe those who, due to a lack of younger family members/or lack of relationship with said family members, find themselves in precarious positions as they age and need more support both financially and physically.
google search how to interact with other human beings in a way that another human being might consider normal or even acceptable
Bradley's full post on IG 💔❤️
ok you asked for it (nobody asked for this)
I’m not afraid to admit that girls with big biceps affect me the same way a laser pointer affects a cat.
As a woman who is both gender non-conforming and who is planning a pregnancy in the near future AND who works with children, I am very invested in the conversation about the confines of femininity, the complexities of motherhood and the fascistic expectation of women to have children. I also often find it deeply frustrating.
I do not think it should need to be said, but unfortunately it absolutely is, that nobody should ever be forced to become pregnant, be a parent or carry a pregnancy to term. Ever. This requires both complete and total abortion rights & access but also the dismantling of the gendered expectation of women to want and need children. Remaining child free should not only be possible for women, it should also be normal and completely accepted. Anything else is oppressive.
However, I am deeply bothered by how many people who share these views talk about children. I have come across many posts describing children in cruel and dehumanizing ways, emphasizing how gross and terrible children are and how much of a burden they are to their parents. This, I think is also wrong.
Children are a particularly vulnerable population. They often have very little rights and autonomy and are at the whims of adults around them, which makes then particularly vulnerable to abuse. Children are real, fully realized people who have very specific needs and considerations. Constantly discussing how disgusting and terrible children are, means attacking people who have no power and cannot defend themselves, legally or otherwise. These views cannot be separated from calls to remove children from public life, like parks and transportation, the practice of which is both dehumanizing and oppressive. This goes hand in hand with the gendered oppression of women who are unfortunately still often the primary caregivers of children. Forcing children out of the public sphere means forcing mothers out of it too. And the right to not have children needs to go hand in hand with the right to have children. Women need abortion rights and access but they also need the right and access to give birth for free. They need robust childcare and child & family friendly infrastructure. Otherwise the only people who can afford to have children are wealthy elites.
The rights of women to not have children and the rights of children and mothers go hand in hand. They are not contradictory. Being a parent is a complex relationship, one wrought with a long history of violence and oppression of children and women. It is not easy to navigate, and nobody should be expected to do it. Simultaneously, the people who do decide to do it deserve help and support, not scorn or mockery. And most of all, children, all children, even the annoying, dirty and screaming ones deserve a safe loving world that sees their full humanity, respects their perspectives and their bodily autonomy. We are all a part of creating that world for them. Society should be about being good to each other, and that includes children too.
Israel systematically targets the health of pregnant mothers and infants in Gaza. This is a reality every parent in Gaza knows. It has also been confirmed repeatedly by others. Pediatric healthcare professionals in Gaza have been bravely speaking out about how Israel is currently using restrictions of formula into Gaza to torture and kill Palestinian babies.
My friend Nader recently became an uncle to his newborn baby niece, Masa. Due to the traumatic stress and malnutrition experienced under genocidal conditions, many mothers cannot produce breast-milk. Masa, like tens of thousands of other babies in Gaza, relies on formula to survive. Today, Nader told me that this little girl is in the hospital now due to a severe chest infection. She is only 8 days old. Please help her.
I woke up today to the tears of my brother's wife, the mother of little Masa, who is suffering from a severe chest infection and is currently in the hospital under medical care. We implore you, friends, to help us get out of this situation and donate to buy milk and other necessary baby supplies for this child so we can leave Gaza. Please don't hesitate to donate.
Nader's fundraising is vetted (gazavetters #4) and supports his large family of nine people, including small children of which little Masa is the youngest. Israel's systematic targeting of children means that the price of formula, diapers, medicine, and other basic supplies are extremely expensive. Please help him raise the funds needed to help innocent Masa survive genocidal conditions.
I think we don't talk enough about the fact that angel coulby was a black woman cast in a period piece in the late 2000s for a love interest of (one of) the WHITE leading men... that she was cast as the iconic guinevere. Like. One of the most famous literature historical figures. Like almost everyone has heard of guinevere and lancelot. Guinevere and king arthur. Like that was and is SUCH a big deal. That's why it irks me so much that people try to erase Arwen. Like, am I a merthur shipper? Yes. Do I think Arthur loved Merlin? Yes. but. Do I think Arthur loved Guinevere? YES. Do I ship arwen? YES.
this is so important, and i don't think people truly realise just how important it is.
angel's casting as gwen not only sparked general discussions about her (positive and negative and discussions which are still had today), but it also has been discussed academically too!
im sure many of us can relate when i say gwen was one of the first Black female representations in a medieval/period drama.
her casting was one of most important when it comes to discussions around casting, race, and medieval shows.
a lot of new fans don't seem to understand the importance, which mostly is no fault of their own, just that they weren't around when merlin was airing.
angel as gwen pissed off (and still does) a LOT of people, but it also provided a way for Black women to see themselves on tv and through a period drama.
we are so lucky to now have more ethnically diverse casting when it comes to period dramas but back when angel was casted this didn't happen often!!
caramel frappe give me the strength to clean my room
caramel frappe PLEASE
#this art is so evocative. it feels like a goya painting
thank you so much this is the highest compliment
OP did a lovely job with this piece. The pose they picked is a difficult one to do correctly and dynamically- the doubling over is hard to illustrate without making it look weird or poorly drawn, the low seat of the “pelvis” making the figure dip down lower (to emphasize the clutching motion of the hands) is a hard perspective to imagine without a reference. I liked the way OP chose to draw the shoulders, evoking both the hunching of shoulders that would be present in a fleshier painting and drawing out the strong, dynamic curve of the body.
The blood, the desperate clutch, the crying and the pose all suggest something religious, making the post all the more impactful with its drawing- The caramel frappe does not answer the subject, just as God does not answer the subjects of paintings who depicted the same theme.
It’s also intriguing where OP chose to put details. In amostly minimalist creation, the (relatively) detailed frappe, hands, and face guides your eyes in a a dynamic way- from the frappe to the face, then follows the line of the body out to the end of the legs- making the art more interesting to the eye.
I have a theory about the colors that I’m not sure is true, but I think the subject being black and white separates it from the frappe, which is fully colored. The blood, neither frappe nor person colored, acts as a connector between the two– the only ways the two subjects can connect are through touch and sight, both of which causes the human subject pain. Then again, I may be reading into things too much idk
okay this is my favorite comment on this entire post
Everything Wrong with Wuthering Heights (2026)
part 1 of 3
Ok, this post has been a long time coming but I finally mustered up the motivation to make it
The rage this movie ignited within me was otherworldly. Which is hilarious considering how little I cared about it when it was first being advertised. I didn’t even know much about the book until the movie came out and the public hatred for it got me curious.
So, here’s a complete breakdown of everything I hate about the Wuthering Heights movie, and how it completely annihilated the book.
Race
Starting off with the most important part. Racism is at the absolute heart of Wuthering Heights. The entire crux of the story is, in a way, about race (and abuse cycles). The horrible person Heathcliff grows up to become and the horrible things he does are all a direct product of the abuse and prejudice he suffered as a child BECAUSE HE WAS NOT WHITE. From the moment he steps foot in Wuthering Heights, he’s treated with disgust and contempt by everyone inside, including the servants. He’s called ten slurs every two pages, and is literally treated as less than human, as a feral, dirty savage, because of his race. His adoptive mother doesn’t like him and doesn’t want him in her house. His adoptive brother constantly subjects him to abuse, degradation, and humiliation, and kicks him out of the house, pauperises him, and turns him into a servant, and literally treats him like a filthy animal. Even Nelly, who is much lower in the societal ladder than the Earnshaws, sees him as lowly. Even when he comes back years later as a rich man and a ‘gentleman’, he’s still not treated the way a rich white man would be. He’s still seen as a secondary citizen, as other. The very reason he can’t marry Cathy—the reason they can never be together— is because of their difference in race (also class, but race is largely the main reason). No matter how deeply they want to, they can never, ever be together, even when he comes back as a rich gentleman, and not just because Cathy’s married. To marry him would degrade her. It would obliterate her family name, ruin her in every way, in society .
And then there’s Edgar Linton, who is in every way Heathcliff’s opposite. A perfect foil to him. A manifestation of everything Heathcliff hates and at the same time everything he’s ever wanted. He’s gentle and ‘civilised’ and ‘well bred’ and polite, and Heathcliff is portrayed as brutal and ferocious and wild. He’s a rich white boy with blond hair and blue eyes, and Heathcliff is a poor orphaned ‘dark skinned gypsy’ with dark hair and dark eyes. There’s literally a conversation between Heathcliff and Nelly where he says he wishes he was white and fair haired and blue eyed like Edgar. Edgar gets to marry Cathy and live in a big luxurious house. Edgar has it all, while Heathcliff has nothing. The difference in their appearance is further highlighted and exacerbated by their difference in worlds. And the movie not only completely obliterates this deeply complex and well written aspect of the story, but it practically laughs in it’s face. Heathcliff—whose entire character and plot line was shaped by his not being white—is white. And Edgar—whose entire character revolves around him being a rich white boy, contrasting with Heathcliff—is not white. Most of Heathcliff’s motivations for revenge are gone. The only reason he’s treated differently than anyone else is because he’s… poor. And a servant. And, by the way, this difference in treatment only appears to be by Mr Earnshaw. All the servants are cool with him. Cathy’s obviously cool with him. When he comes back as a rich gentleman, pretty much everyone’s cool with him. The deep psychological and emotional impact on Heathcliff’s psyche from constant abuse, discrimination, and contempt, ( which turns him into a complete psychopath) is reduced to a mere slap on the wrist.
He pouts about Cathy ignoring his feelings for like five minutes and is then completely fine once they get together. The entire reason that everything happens in the story is obliterated. Heathcliff has no reason to want to hurt anyone, wreak vengeance on anyone, and he doesn’t. All he does is Cathy, but we’ll get to that part later. All of his horrible actions are either completely erased, or the story is distorted to justify/modify them so he’s still a good guy. The very crux of the story—the very heart and catalyst to all of the events of the story—is deleted. The entire POINT of the story—racism and classism and revenge and obsession with revenge and inter generational trauma and cycles of abuse—is omitted for favour of a mindless, shallow, bland, ‘spicy’ (in name only) wattpad booktok fever dream of a fourteen year old girl.
2. Isabella Linton
Oh, this makes me so angry. Isabella Linton is one of the strongest and most progressive—if not themost—female character to be written in classic literature. More people need to realise this in context of when the book was written. A spoiled and sheltered teenage white girl who has lived in the lap of luxury and splendour her entire life, with a house literally made out of crystal with a room just for ribbons—willingly choosing to leave all of that behind, to let it go, to marry a poor dark skinned gypsy orphan and live in the miserable, crumbling manor that is Wuthering Heights.
Yes, Heathcliff’s rich now. Yes, he’s a ‘gentleman’ now. But he’s still not white. He’s still a former servant. She’s still white. She’s still the daughter of an aristocrat who was born with a silver spoon in her mouth, WILLINGLY leaving that life behind for this man, KNOWING FULLY WELL what it means for her. Leaving behind the life of comfort and pomp and ease. Obliterating herself in society. CATHY wasn’t ready to do that! Catherine whatever-our-souls-are-made-of -his-and-mine-are-the-same wouldn’t marry Heathcliff! Because she knew it would degrade her! Ruin her! And Isabella grew up WAY more privileged than Cathy. She still did that! Leaving behind her family, her lavish lifestyle, for someone miles beneath her! In the 1770s! As a woman! Can you imagine the utter courage and bravery it takes to do that? The sheer willpower you have to have?
But that’s not the end of it. After leaving behind everything to marry this man , he turns out to be an abusive asshole who hangs up her dog in front of her on their wedding night, (impliedly) rapes her on their wedding night, treats her like crap, repeatedly belittling and mocking her, telling her that he didn’t and would never love her and only married her to torture Cathy, and physically assaults her. And she’s practically kept a prisoner in that house, and everyone else there treats her with contempt and disdain. Braver women than Isabella would’ve taken the easy way out. But no, she endures, and she survives, and she even tries to escape—even after he assaults her after her first failed attempt, she musters up the courage to TRY again, and SUCCEEDS. Again, in the 1770s, as a woman! Rights or laws to protect women were non existent, practically negative.
And with the way society was back then, if they had an abusive husband, too bad—they just had to stick it out till one of them kicked the bucket. The very notion of the thought of escape or leaving wouldn’t even enter their minds. But Isabella did more than just think about it, she DID it. WHILE PREGNANT. And she lived out ALONE in London for 12 YEARS, taking care of both herself and her son all alone as a woman in the 18th century. That woman is a QUEEN who deserves fifty statues built in her honour. And the movie turns her into a laughing stock. A gag for the audience to point at and make fun of. They turn her abuse and her pain into a fucking fetish. They completely erase her resilience and her bravery and courage and endurance. They say that everything Heathcliff did to her was 100% consensual, that she wanted it, that she enjoyed it. And then emerald fennell has the audacity to call it a fucking ‘win for feminism’.
Ah yes, erasing the horrors endured by a victim of domestic violence and their resilience and escape from it and turning it into a kink and glorifying the abuser. Classic feminism. And turning Heathcliff hanging Isabella’s dog in front of her while she cried and begged him to stop into Heathcliff collaring Isabella and having her bark like a dog for him on all fours and eat from his hand…. I don’t even have any words for how sickening and disgusting that it. It’s like Fennell’s laughing in the face of Emily Brontë, of lovers of the book, of domestic violence victims and survivors who loved the book. And it’s not just that, it’s that Isabella’s character in general is turned into comic relief. A quirky weird girl who’s socially awkward and comes off as creepy and unorthodox at first and is then unveiled to be a sexual deviant. A pathetic girl with a pathetic crush on a man who’s never going to return her feelings. The scene where they get married and she leans in to kiss him and he just walks away had my blood BOILING, as did all the comments beneath the video laughing at Isabella and making fun of her.
It’s like they’ve slapped a huge red sign on her: look at her! look at how weird and pathetic she is! isn’t it hilarious how pathetic she is? And they constantly paint Heathcliff out to be 100% blameless in all of it, going out of their way to make it very very clear that this man LOVES consent. After Edward Cullen-ing his way into her window after Cathy breaks up with him, he flat out lays the rules of the relationship for her and makes it very clear that he doesn’t love her and never will and will marry her only to torment Catherine. And with each line he asks her if she wants him to stop, and each time she says no. Aggressive underlining that Heathcliff’s a really good guy, you guys! She wanted it!! She knew what she was getting herself into! When in the book, Isabella was completely oblivious to heathcliff’s true nature until she married him. Yes, she made a mistake.
Yes, she was naive. But again—she grew up in such a sheltered, protected environment that she saw the world with rose tinted lenses. Emily Brontë makes it very clear that her worldview is almost childlike in it’s fairy tale-ness. She believes she can “shoot a shaft of light in Heathcliff’s soul” and change his ways. But she gets over this illusion the second she marries him. She realises what a monster she is, she survives that hellish landscape of a marriage, and gets out. And the 2026 movie just kicks all that to the curb and invites the viewers to openly point at her and giggle. Makes her complicit in her own abuse and uses her as a tool to further romanticise Heathcliff.
This, is Emerald Fennell’s genius vision of “exploring the sadomasochistic elements of Wuthering Heights.” Puppy play. Turning abuse into BDSM.
The classic submissive woman and dominant man. Completely missing the actualsadomasochistic elements of the book—skimming past the weird dynamics between Cathy and Heathcliff— where she literally asks for a whip as a present when her father goes to travel, greeting Heathcliff by spitting at him when they first meet, Nelly literally saying that Cathy exceedingly liked to “act the little mistress” and “use her hands freely” and “command her companions”, Cathy constantly mocking and degrading Heathcliff and utterly disregarding his feelings for her all of which only seem to make him more obsessed with her, Cathy taking delight in the fact that she could treat Heathcliff however she wanted and he’d still do her bidding and was indifferent to Mr Earnshaw despite the constant love he showered Heathcliff with, and the excessive attachment they have to each other—Cathy’s famous “I am Heathcliff” and Heathcliff’s “I cannot live without my soul! I cannot live without my life!” solidifying the insane codependency, and Cathy’s last words to Heathcliff literally being that she hopes he suffers as much as she did and him saying that he’d “writhe in the torments of hell” long after she was gone and “at peace” because her words would eternally be branded in his memory, and him dashing his head against a tree until they’re both covered in blood when she dies.
No. Let’s completely ignore that and instead go for the relationship clearly established as abusive. And the justification she gives for this is when Heathcliff says that Isabella has “an innate admiration for brutality” rather than being disgusted by it. (Which- by the way—taking Heathcliff as a reliable source of information is the dumbest thing I’ve ever heard. It’s like every rape trial where the rapist says that the victim ‘wanted it’ and ‘provoked’ them.)
Does she have selective memory or something? Does she not remember because the last time she read the book was when she was 14? Because as far as I can recall, right after Heathcliff says that, Isabella tells Nelly not to believe a word he says, that he was a lying fiend, a monster, and not human. That she’d tried to escape once but she didn’t dare do it again because of what he did to her last time, and for fear of what he would if she tried again. Truly a scholar, Fennell.
3. Hindley and Mr Earnshaw
Many people have said this before me, and many will say it after me. Erasing Hindley was possibly one of the dumbest decisions Emerald made for this film. Not only did she get rid of an incredibly important and pivotal character of the plot, but she also completely took away the framework of another character by mixing him with Hindley. Turning the kind and paternal Mr Earnshaw into an abusive alcoholic and a gambler, which really cemented the whole 14-year-old-wattpad-fanfiction feel the movie’s got going on for me. Plus, it literally makes no sense for Mr Earnshaw to be abusive towards Heathcliff. Hindley hurt him because a) racism b) he saw him as a usurper and a stealer of his parents’ affections because his own father favoured Heathcliff over him.
Why would Mr Earnshaw be abusive to Heathcliff? Just because he was an alcoholic? For no good reason he decides to regularly beat the shit out of the kid he took in because he was getting the shit beaten out of him by the people he lived with earlier? And why would Mr Earnshaw make Heathcliff a servant? HE was the one who took Heathcliff in to “make a gentleman of him.” Hindley pauperised Heathcliff and kicked him out of the house because of his jealousy and hatred. Mr Earnshaw does not only not have a valid reason to do it, but he has an explicitly stated valid reason for the contrary! Plus, Hindley was such a complex and interesting character! Yes, he was a horrible person. He was racist, and callous, and cruel, and full of envy and loathing and anger. His abuse and ostracisation of Heathcliff was what moulded him to become the psychopath he grew up to be. But he also loved his wife and his son. I’m going out on a limb here, but Frances might have been one of the very very few, if not the only, person in Hindley’s life to show him love. He was alone his whole childhood. His father loved Heathcliff more than him. Cathy didn’t particularly seem to care about him either. She—his real sister—also favoured Heathcliff over him. We don’t know much about his relationship with his mother before she died. But Frances loved him. She chose him. She put him first. She joined him in his rampage of hatred against Heathcliff. And then she died. And he was alone again. But he still wanted so badly to be a good father to his son, and wanted his son to love him. But his grief over Frances drove him deeper and deeper into a spiral, made him dependent on alcohol, get into gambling, (both of which Heathcliff worsened and encouraged) until he couldn’t even take care of himself, much less a child. And the idea of Heathcliff literally buying Wuthering Heights and “allowing” him to live there, and constantly being there could not have been good for his mental health at ALL.
I’m not in any way justifying Hindley’s actions btw—he WAS an abuser and a HORRIBLE person. But like every character in the book, he was incredibly complex and layered . And the movie throws that in the garbage and goes with the wattpad route of the main character having an alcoholic parent who’s abusive without even giving an explanation for it. It’s laughably stupid if it didn’t make me so angry. They sacrifice Hindley to turn Mr Earnshaw into a 2-dimensional, almost cartoonish villain.
Entwined 🧡
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Angel Coulby's new headshot for Curtis Brown (credit to @angelcoulbyarmy for finding it!)
ɪꜰ ɪᴛꜱ ᴛʀᴜᴇ - ʜᴀᴅᴇꜱᴛᴏᴡɴ for @morgwenmicrofic prompt: "is this true?" (kinda)
I feel like . A lot of Being Autistic is giving people way too much benefit of the doubt cause you're trying not to have a social anxiety paranoia doom spiral but sometimes they really and truly just are treating you like that & you have to be the crazy one & be like I know you're fucking lying to me
Like oh yeah no it's not that I didn't notice. I've just been ignoring it. Yknow. Which somehow feels worse and stupider than if I really didn't know any better
I used to work with a woman who was extremely nasty-mean to me for absolutely no reason at all. She was generally unpleasant to everyone, but it was obvious to me (and to another coworker) that she had something very pointed against me in particular and made it no secret. It got so bad that I made several official complaints, and my supervisor said, "that's just how she talks to everyone. She's super blunt, but she doesn't mean it! Maybe you're just misunderstanding her tone because you're Autistic?"
Later during my 6-month employee review, the same supervisor said, "sometimes when you correct people, you can come on a little too strong and intimidate or offend people."
We went over the specific instances he was referring to, and I said, "I don't think I was unfair or too harsh in any of those situations. I think I was just straightforward for clarity."
He said, "maybe you don't realize your tone is too harsh because you're Autistic?"
So there it is.
If someone's very obviously singling you out to be outright cruel and unfair, you must give them the benefit of the doubt, because you're Autistic and cannot understand.
If you're being straightforward and normal, but someone thinks you're being unfair, you do not get the benefit of the doubt, because you're Autistic and cannot understand.
And when you point this out to allistic people, either they don't believe you, do not care, or do not try to understand.
I’m tired of “gooners” I’m tired of 4chan terms I’m tired of casual racism I’m tired of all this shit we have to pretend is normal so we don’t upset like the few people who conflate their identities with being edgy, racist and insufferable
—✿ post-canon gwenthian for @morgwenmicrofic prompt: flower
Christy Ann Martine, Flower in the Desert // Rithvik Singh, I Don't Love You Anymore // nixscriptum // Kait Rokowski, The Civil Guillotine // chuckakot // Jinan Safko, Moonflower // Ellen Everett, I Saw You As A Flower // Gaby Comprés