army of shadows

film, music, art, etc.

[antoniostella-deactivated202509]

Cover art for “Le Samouraï” - 1967 by Jean-Pierre Melville.

[antoniostella-deactivated202509]

[antoniostella-deactivated202509]

Cover art for 8½ “Otto e mezzo” - 1963 by Federico Fellini.

[armyofshadows]

[romansva]

Photo study of Fincherian fetishs

" What did you ever do about it ? Oh yeah, I forgot. You went to the library ".

[iwdrm]

"I was a ghost. I didn’t see anyone. No one saw me. I was the barber."

The Man Who Wasn’t There (2001)

[armyofshadows]

[audreyhepbuns]

CHUNGKING EXPRESS (1994)

Director : Kar Wai Wong | Cinematographers : Christopher Doyle & Wai-keung Lau

[audreyhepbuns]

BRICK (2005)

Director : Rian Johnson | Cinematographer : Steve Yedlin

[armyofshadows]

"Towards the end it’s always good to whip the songs a little bit, scare ‘em, and then make fun of them. And then they change. You come back the next day and they’re better behaved." - Tom Waits

You know he means business when he whips out the bullhorn

[audioslaved]

B minor waltz (for Ellaine) played by great Bill Evans Trio.

Really inspiring piece of jazz.

[salesonfilm-deactivated20180514]

Life Itself (Steve James, 2014)

[armyofshadows]

These two are adorable

[armyofshadows]

Secret handshakes & lizard strippers

[armyofshadows]

[audreyhepbuns]

"You see, in this world there’s two kinds of people, my friend. Those with loaded guns. And those who dig. You dig"

Blondie | The Good, The Bad And The Ugly (1966)

[cinephiliabeyond]

[cinephiliabeyond]

Dear every filmmaker, read this: an utterly brilliant series of articles by Film School Rejects’ Scott Beggs called 6 Filmmaking Tips From… It’s powerful knowledge — straight from the source.

Martin Scorsese

Alfred Hitchcock

David Fincher

Stanley Kubrick

Billy Wilder

Steven Spielberg

The Coen Brothers

Wes Anderson

Ridley Scott

David Cronenberg

Pixar

Nora Ephron

Aaron Sorkin

Michael Haneke

Christopher Nolan

Jon Jost

John Ford

Charlie Kaufman

Sylvester Stallone

Tony Scott

Frank Darabont

Monty Python

Werner Herzog

Paul Thomas Anderson

Joss Whedon

Rian Johnson

Wes Craven

John Carpenter

Dario Argento

The Wachowskis

Steven Soderbergh

George Lucas

Peter Jackson

Kathryn Bigelow

Quentin Tarantino

Sundance Directors

Harold Lloyd

John McTiernan

Oscar Winning Directors

Ang Lee

Danny Boyle

Harmony Korine

Dennis Hopper

Sam Raimi

Shane Black

Richard Linklater

Alejandro Jodorowsky

Guillermo del Toro

Sam Peckinpah

Akira Kurosawa

Edgar Wright

Wong Kar-Wai

Robert Altman

James Wan

Errol Morris

Ron Howard

Yasujirō Ozu

Kimberly Peirce

Steve McQueen

Andy Warhol

Roger Deakins

David O. Russell

James Gray

Terry Gilliam

Andy Serkis

Rick Baker

Alain Resnais

William Friedkin

Saul Zaentz

Woody Allen’s Manhattan

Abbas Kiarostami

Darren Aronofsky

Lars von Trier

Hayao Miyazaki

Federico Fellini

Sarah Polley

Tommy Wiseau

Brian Koppelman

Spike Lee

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// <![CDATA[ // ]]>Dear every screenwriter, read this:Dear every screenwriter, read this: // ]]> // ]]> // ]]> // ]]> // ]]> // ]]> // ]]> // ]]>

[eraserheadbaby]

2001: A Space Odyssey dir. Stanley Kubrick

[armyofshadows]

Stunning film

[jacksnicholson]

Director Martin Scorsese claims that the most important shot in the movie is when Bickle is on the phone trying to get another date with Betsy. The camera moves to the side slowly and pans down the long, empty hallway next to Bickle, as if to suggest that the phone conversation is too painful and pathetic to bear. [x]