The Bystander, England, March 15, 1922

Game Changer & Make Some Noise
KIROKAZE
untitled

Product Placement
★
todays bird

Kiana Khansmith
PUT YOUR BEARD IN MY MOUTH
No title available
Show & Tell
hello vonnie

Love Begins
No title available
Xuebing Du
art blog(derogatory)
Aqua Utopia|海の底で記憶を紡ぐ
taylor price
Jules of Nature
Claire Keane
EXPECTATIONS
seen from Singapore

seen from Türkiye
seen from United States
seen from Ecuador

seen from Germany
seen from Argentina
seen from United States
seen from Canada

seen from Italy
seen from Netherlands
seen from Vietnam
seen from Morocco
seen from Philippines

seen from Brazil

seen from Colombia
seen from Türkiye
seen from Bangladesh
seen from Indonesia

seen from Türkiye
seen from United States
@aroyalnonsense
The Bystander, England, March 15, 1922
The Bystander, England, September 8, 1920
Tallulah Bankhead, 1925
1950-51 fall and winter coats for women from Eaton [Part IV]
Lana Turner in Ziegfeld Girl (1941)
Portrait of Carole Lombard, 1920’s
Carole Lombard, ‘Run, Girl, Run’ - 1928
6th of October 1908 - 16th of January 1942
Joan Blondell takes a soak in Blonde Crazy (1931)
Stylish parisiennes in The Love Parade (1929).
Marion Davies by Olive Snell, 1930
Diana Mitford (Mosley)
The face of fascism. Hitler called her ‘the perfect Aryan woman’ whilst A family friend, James Lees-Milne, wrote of her beauty, “She was the nearest thing to Botticelli’s Venus that I have ever seen”. A whirlwind of lethal charm and steely intelligence. Although she played second fiddle to her husband, Oswald Mosley, British intelligence considered her the more dangerous.
The Sketch, England, November 16, 1932
Deborah Cavendish, née Mitford, Dowager Duchess of Devonshire
Deborah, Dowager Duchess of Devonshire
An aristocracy in a republic is like a chicken whose head has been cut off: it may run about in a lively way, but in fact it is dead.
Nancy Mitford