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@ars-videndi
Anton Raphael Mengs (Aussig, Bohemia 1728 - 1779 Rome), Self Portrait in Blue Coat, 1744, pastel on paper. Once part of the collections of the Gemäldegalerie Alte Meister in Dresden; missing since the end of World War II; only this photo, taken before 1930/32, remained.
Source
Anton Raphael Mengs: Autorretrato juvenil (1740).
Staatliche Kunstsammlungen Dresden, Kupferstich-Kabinett
Anton Raphael Mengs (Aussig, Bohemia 1728 - 1779 Rome), Portrait of Ismael Mengs, the artist’s father, c. 1744-1745, pastel on paper, 55.5 x 42.5 cm. Staatliche Kunstsammlungen Dresden, Gemäldegalerie Alte Meister
Anton Raphael Mengs (Aussig, Bohemia 1728 - 1779 Rome), The Annunciation, 1776-1779, oil on canvas, 388 x 222 cm. The Hermitage Museum
Anton Raphael Mengs (Aussig, Bohemia 1728 - 1779 Rome), Ecce Homo, c. 1777-1779. Museo de Bellas Artes de Bilbao
Anton Raphael Mengs (Aussig, Bohemia 1728 - 1779 Rome), two Apostles in the Prado Museum. Oil on canvas, c. 1764.
Museo del Prado [1], [2]
Anton Raphael Mengs (Aussig, Bohemia 1728 - 1779 Rome), The Dream of Saint Joseph, c.1773 - 1774, oil on oak, 114 x 86 cm. Kunsthistorisches Museum, Vienna
Attributed to Anton Raphael Mengs ( Aussig, Bohemia 1728 - 1779 Rome), The Immaculate Conception, oil on canvas, 181 x 130 cm. Museo del Prado
Francisco de Zurbarán (Fuente de Cantos, Badajoz 1598 - 1664 Madrid), The Immaculate Conception, oil on canvas, 174 x 138 cm. Museo Diocesano de Arte Antiguo, Sigüenza
The Immaculate Conception, attributed to Diego Velázquez or Alonso Cano, c.1618-20, oil on canvas, 142 x 98 cm. Fundación Focus Abengoa, Seville
Claudio Coello (Madrid, 1642 - 1693), The Immaculate Conception, 2nd half of the 17th century, oil on canvas, 208 x 145 cm. Museo del Prado
José MarÃa Ruiz Montes (b. 1981), Cristo de la Misericordia, 2015. Parroquia de San Miguel de Miramar, Málaga
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José MarÃa Ruiz Montes (b. 1981), Cristo del Perdón, 2019. Parroquia Nuestra Señora de Gracia de Puertollano, Ciudad RealÂ
Source
Neo-romanesque crypt of the Almudena Cathedral (Santa MarÃa la Real de La Almudena), Madrid, 20th century
Juan de Mesa (Córdoba 1583 - 1627 Sevilla), Crucificado de la Buena Muerte, 1621. Catedral de la Almudena, Madrid
Juan de Mesa (Córdoba 1583 - 1627 Sevilla), Crucificado de la Buena Muerte, 1621. Catedral de la Almudena, Madrid,
The paso of the Confraternity of the Holy Shroud (Hermandad de la Sagrada Mortaja) in Semana Santa procession, Seville
The Sagrada Mortaja was founded at the end of the 16th century in the church of Santa Marina. The image of Christ (Nuestro Padre Jesús Descendido de la Cruz) is a baroque masterpiece of Cristóbal Pérez (1667). The Virgin (Nuestra Señora de la Piedad) and the rest of the group are from the circle of Pedro Roldán (17th century).
Sources: [1], [2], [3]
