Flowers in a Crystal Vase (c.1882) - Édouard Manet (1832-1883)

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Flowers in a Crystal Vase (c.1882) - Édouard Manet (1832-1883)
Edvard Munch
Death and Life (Death and the Maiden), 1893-94
Oil on canvas.
Alice Neel - Linus and Ava Helen Pauling
Andy Warhol unveiling his portriats of Martha Graham at the Martha Graham Center of Contemporary Dance in New York City, 1986.
Amrita Sher-Gil
Photography by her Father
Autochrome, 1924
Francis Bacon's studio, May 1992. From Francis Bacon, Paintings 1981-1991 by Marlborough Gallery Inc.
Elaine de Kooning, “Self-Portrait #1,” 1942, oil on Masonite, 23" × 18.
Art is the signature of civilisations.
- Jean Sibelius
French Impressionists and their signatures.
Édouard Manet - Femmeàla Jarretière (1878–79)
Jorge Luis Borges explicaba en 1977 su visión sobre el arte y la vida:
"Para el artista todas las desventuras son arcilla para transformarlas en cosas eternas".
Francis Bacon and William Burroughs
"Recuerdo las palabras de Galileo: las palabras del verdadero libro de filosofía, el libro de la naturaleza, están lejos de nuestro propio alfabeto. Su texto es: triángulos, cuadrados, círculos, esferas, pirámides, conos y otras formas geométricas. Las ideas de Galileo apuntalaron mi creencia de larga data de que el mundo visible es un mundo formal, y que es extremadamente difícil, si no imposible, expresar con palabras los sentimientos e imágenes que sustentan este mundo. En última instancia, son sensaciones, sentimientos que no tienen conexión con los eventos cotidianos. "
Giorgio Morandi en su estudio. Magnum Photos.
“There is no feminine esthetic. Absolutely not! There is a psychological content, but it’s not because I am a woman that I work the way I do – it’s because of the experiences I have gone through.” - Louise Bourgeois
Richard Diebenkorn (1922–1993) American
c1960
Eduard Artemyev, Natalya Bondarchuk, and Andrei Tarkovsky on the set of Solaris, 1971.
Joseph Beuys in his studio at the Drakeplatz in Düsseldorf photo: Gerd Ludwig
Paul Ryan (Australian, b. 1964)
Banksia and brown jug, 2019
Oil on linen