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@outofeverythingthisnamewasleft
This image is from the 1954 photobook Love on the Left Bank by Ed van der Elsken. Vali Myers (The Witch of Positano) pictured on the left.
POLICE! POLICE! HELP, POLICE! THE LIZARD!
A brass and lead dental model used at the Institute of Dentistry, University of Zurich, between 1900 and 1930. This model is used for studying and demonstrating the treatment of jaw fractures.
Victorian era vintage die-cut scrap.
Study for Schiaparelli's Perfume, 'Salut', 1934 by Ilse Bing
Artist Marion Greenwood
Robert Sengstacke American, 1943-2017
In the early 1970s Robert “Bobby” A. Sengstacke created photographic assemblages for exhibitions at spaces such as the South Side Community Arts Center. This assemblage focuses on the work of the Zambezi Art Guild, which was founded in 1966 by artist Nii Oti (born Timothy Williams) on Chicago’s South Side. The guild was created to encourage pride in Black history and expose local residents to crafts that reflect Africa’s rich cultural heritage. Oti ran several storefront operations on the South Side, one of which is seen at center. Sengstacke’s collage depicts exhibitions, examples of the guild’s crafts, and members at work. This range of images and the collage format emphasize unity and community pride—driving forces behind the many artistic collectives that emerged at the height of Chicago’s Black Arts Movement.
Windmill Theatre in London during the Blitz 1940.
"Woman at an ice bar, Zürs, Austria" (1949-1950) - Robert Capa.
Wayne F. Miller titled "Simple," taken between 1946 and 1948.
Harper's Bazaar, August 1947, Richard Avedon.